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Is working for free, training or a pathway to paid work?


by Graham Reed Issue 102 - June 2015 I suspect like a lot of KitPlus readers I often have a look at a websites that advertise jobs, but mainly un-paid. I have frequently thought that these job offers are really just trying to get free or cheap labour for the benefit of the director/producer. One recently advertised for .... a cameraman thats enthus...

Submitted by graham reed
Published 01 July 2015

#TVFUTURES


by Callum O\'Leary Issue 101 - May 2015 When I first introduced myself back in September, I had just begun my final year project and it was all very early days. I cannot stress how scary the prospect of a final year project is, and it is most certainly a mountain that needs to be climbed. I had originally decided upon a \'combined project\', which...

Submitted by Callum O Leary
Published 01 June 2015

NAB 2015 Highlights


by Beth Zarkhosh Issue 101 - May 2015 For those of us lucky enough to visit this year\'s annual NAB Show in Las Vegas, we know how amazing and mesmerising it was, but for those who didn\'t get the chance to make it, then here\'s a lowdown on what we thought was the highlights of the biggest post production and broadcast conventions in town!Las Vega...

Submitted by Beth Zarkhosh
Published 01 June 2015

A wide spectrum of choice


by Andy Clements Issue 101 - May 2015 Without microphones, in-ear monitors (IEMs), intercom and distribution systems based on wireless technology, many of today\'s large-scale television studios, outside broadcast and film productions would be very difficult, if not impossible, to stage. Wireless solutions provide convenience and, in the main, grea...

Submitted by Andy Clements
Published 01 June 2015

Transmitting love...live


by Kieron Seth Issue 101 - May 2015 A year after its launch, Transmitter is developing a real name for itself. A partnership between the BPI and music media company LoveLive, it\'s a dedicated online music channel designed to promote the best music talent Britain has to offer. The content produced is shaped and driven by its viewers, and optimised...

Submitted by Kieron Seth#
Published 01 June 2015

REDucation - Real world RED camera training


by Ben Sherriff Issue 101 - May 2015 Saturday 28th and Sunday 29th March saw the REDucation training workshop arrive in London at the Met Film School in Ealing Studios West London. I\'ve used a Red One but have yet to work on a shoot where I can get my hands dirty with the newer cameras they manufacture (Epic-X, Scarlet, Dragon and now Weapon). Whe...

Submitted by Ben Sherriff
Published 01 June 2015

Outsourcing for maximum efficiency


by Den Lennie Issue 100 - April 2015 We filmmakers are very adept at wearing many hats. Producer, director, editor, cameraman, sound... it\'s the nature of boutique production. It can mean that you can make more money by doing more of the jobs yourself, but equally it can thin your resources out a little finely. There are certain jobs you will choo...

Submitted by Den Lennie
Published 01 May 2015

Ten years is a long time...


by Peter Savage Issue 100 - April 2015 Ten years is a long time and 100 editions is a major milestone. I happily look back to the spring of 2005 as this was the start of my second life, much as it was for the team at tv-bay - a coincidence of dates which is probably why we have had such a long writing partnership. Matt and Simon were starting out o...

Submitted by Dylan Ellcome
Published 01 May 2015

Rise of the drones


by Jeremy Braben Issue 100 - April 2015 Drones are taking TV and film productions where they have never gone before. But how can they be used to best effect, what challenges do they present and will they replace helicopters in aerial filming? Jeremy Braben of Helicopter Film Services (HFS) has some of the answers... The recent explosion of unmanned...

Submitted by Jeremy Braben
Published 01 May 2015

Big rush with little fuss at new Birmingham broadcaster


by Neil Hutchins Issue 99 - March 2015 Big Centre TV is the latest of the new wave of UK Local TV stations, having launched on 28th February. But behind the calm and successful appearance was a frenzied period of activity, as Ofcom had only confirmed their licence just three months earlier. To get from nothing to on-air in such a short timescale wa...

Submitted by Neil Hutchins#
Published 01 April 2015

Fuelling productivity at BP


by Angus Mackay Issue 99 - March 2015 As one of the world\'s leading oil and gas companies, BP has a long history of producing a variety of film, video, and multimedia, and currently has an archive of over fifteen thousand films dating back over a century. The productions cover topics ranging from scientific discovery, energy exploration, community...

Submitted by Angus Mackay
Published 01 April 2015

The changing face of film and TV


by George Olver Issue 99 - March 2015 With the convergence of technologies and blurring of lines between broadcast and other forms of media, the industry has undergone a seismic shift over recent years. In 2015 half of all UK ad spend will be spent on digital, in what has been described as a "seminal moment in the history of the ad industry". Clien...

Submitted by George Olver
Published 01 April 2015

Freelance Success - Make the most of your talent


by Peter Savage Issue 98 - February 2015 I was reading the back page of The Sunday Times this morning an article by Luke Johnson of Pizza Express fame (though that description doesnt do justice to this serial entrepreneur and business investor). Todays article was about how to get rich quick. Interesting, I thought, as it made me think of all the p...

Submitted by Dick Hobbs.
Published 01 March 2015

Bring up the bodies


by Dick Hobbs Issue 98 - February 2015 If you have even once turned on BBC television in the last couple of months, you could not fail to learn that the big blockbuster drama this winter is Wolf Hall, a television adaptation of Hilary Mantel\'s two-thirds complete trilogy about the Tudors, and Thomas Cromwell in particular. I subscribe to what seem...

Submitted by Dick Hobbs.
Published 01 March 2015

What is the future of media creation, salaries and conten...


by Thomas Urbye Issue 97 - January 2015 Often this very question is debated by experts in our industry, but many have their own agenda, whether that be advertising creation, media buying, low budget film-making, publicly funded television, subscription based services and beyond. But what is the real future for our viewing habits, those of us workin...

Submitted by Thomas Urbye
Published 01 February 2015