KitPlus | Articles

Up in the air with Dick

In the last issue of this magazine was a very interesting article by Lee Sheppard of SGL, talking about the pros and cons of archiving in the cloud. While there is a lot of conversation about cloud storage, its pluses and minuses, I have to confess to still being slightly confused about the practicalities and economics of it. So armed only with Goo...

Submitted by Dick Hobbs.

Published 22 July 2016

NAB Review

by Duncan Payne Issue 113 - May 2016 As I emerge from the customary post-NAB haze and try to formulate a coherent analysis of the 2016 show, perhaps the most striking realisation is that despite pacing the halls for four long days, I barely scratched the surface. The scale of the event, much like Las Vegas itself, is simply extraordinary, with over...

Submitted by Duncan Payne

Published 13 May 2016

The work of five viewers with no transcoders

I am a digital imaging technician and editor with more than 15 years of experience in the film and television industry. I have traveled the world working with various production companies on popular network reality series, such as TNT's "72 Hours,\" National Geographic Channel's "Ultimate Survival Alaska,\" and MTV's "Are You The One?\" I'm also th...

Submitted by Randy Mills

Published 01 April 2016

Sony PXW-FS7

by Alister Chapman Issue 94 - October 2014 At IBC Sony launched a new camera. In fact Sony launched several new cameras. This is nothing new, every year Sony launch cameras. But this year Sony really created quite a stir with one camera in particular, the Sony PXW-FS7. So what is it about the FS7 that is so special? Looking at the specs alone this...

Submitted by Alister Champman

Published 01 November 2014

Professional Media Card Readers

by Greg Laporte Issue 94 - October 2014 You\'re on location and you\'re done shooting for the day and you have a sizeable stack of fully recorded memory cards. It\'s a complex shoot, perhaps with multiple cameras from different vendors recording on different memory card formats. Now, how do you get the raw video files from all of those cameras into...

Submitted by Greg Laporte

Published 01 November 2014

Ooh ahh.. just a little DIT with Will Strauss

by Will Strauss Issue 84 - December 2013 Issue 84 - December 2013 Like the Offshore Windfarm Engineer or the Waste Management Consultant, the Digital Imaging Technician (DIT) is very much a 21st Century profession and one that didnt exist 10 years ago. Generally recruited for a digitally-shot feature film, commercial or TV drama, the role was initi...

Submitted by Will Strauss#

Published 01 January 2014

The international worship market: shoot, compress and del...

by Kieron SethIssue 81 - September 2013 The worship TV market in the U.S. is big business, with an output that rivals many international broadcasters, both in terms of quantity, production values, audience size and commercial success. John Hagee Ministries leads a 17,000-strong congregation and broadcasts to the USA on 160 TV stations, 50 radio sta...

Submitted by Kieron Seth#

Published 01 October 2013

Cellular bonding now and going forward

by Ronen ArtmanIssue 81 - September 2013 The worship TV market in the U.S. is big business, with an output that rivals many international broadcasters, both in terms of quantity, production values, audience size and commercial success. John Hagee Ministries leads a 17,000-strong congregation and broadcasts to the USA on 160 TV stations, 50 radio st...

Submitted by Ronen Artman

Published 01 October 2013

Crowd pulling at BVE

There is no better crowd puller at a trade show than a stand using equipment from multiple manufacturers being used in way it will be once unpacked by the customer. This ethos is really the idea behind our monthly live studio show and was also the theme for our stand at this year’s BVE. Pooling stands with Autocue was the first good move as it not...

Submitted by KitPlus

Published 01 April 2013

A very useful tool: Atomos Samurai reviewed

By Stephen J. BrandInternational cameraman Stephen J. Brand’s work takes him to some far-flung places. As well as work for BBC Channel 5, ITV and Channel 4, Stephen recently spent 6 weeks in the Middle East filming a wildlife commercial for Qatar TV using a Sony EX3 and an Atomos Samurai, which he describes as a ‘‘very useful little tool”. Here, he...

Submitted by Stephen J. Brand

Published 01 April 2013

The joy of field editing

In the world of remote working, cloud storage and instant news, the ability to edit on location at a shoot has become a pre-requisite. Only a few years ago, field editing used to be merely about the quick rough cut, the assembly of proxy files or simply the ingest of media in an edit-friendly format. These days, however, energy efficient, high perf...

Submitted by Kieron Seth#

Published 01 February 2013

Camera innovations from IBC

IBC 2012 – ‘Dam, that was a good showFresh from another trip to Amsterdam, Will Strauss picks his ‘best in show’ camera innovations from IBC. I know, I know. It’s October and the chances are that you’ve already had your fill of ‘round-ups’, ‘reviews’ and ‘what I saw in Amsterdam’ type articles. But with so much stuff to choose from at the show, hop...

Submitted by Will Strauss#

Published 01 November 2012

A report from the StreamUK Production Team

A report from the StreamUK Production TeamIn 2011 StreamUK grew by an astonishing 45%, expanding its European branches as well as the size of its UK office. The production team have been kept even busier during the start of 2012, as they look to break their previous record of 105 premium webcasts in 12 months. In 2011 we celebrated helping our clie...

Submitted by Kieron Seth#

Published 01 July 2012

tv-bay Questions

Anthony Bairstow – Senior Video Editor at MTV and Editor of Two and Two, BAFTA nominated short. Who are you?I graduated from the BA Film & TV course at Westminster University and gradually found my way into the TV industry, eventually working at MTV Networks Europe. However, I have always had numerous side projects on the go, one of the latest bein...

Submitted by Kieron Seth#

Published 01 April 2012

3D is moving fast

Helicopter Film Services (HFS) have been a specialist in aerial filming for 20 years, but recently, they have successfully added another element to their diverse services: Aerial 3D. HFS are the only company in the world to have designed and built a custom 3D rig for aerial filming. Their “Da Vinci” rig for the Stab-C Compact allows for ‘hyper-ster...

Submitted by Bob Pank#

Published 01 January 2012