KitPlus | Articles

Post Production on Tour

I’m writing this article after finally settling back into my office after a busy few days on the Kitplus Tour 2019. The tour saw me travelling from Manchester to Glasgow then onto Bristol, then finally returning back to Manchester. Quite a few miles travelled. But totally worth it. I chose three topics for the workshops which I presented. The first...

Submitted by Alex Macleod

Published 04 June 2019

Behind the Scenes of Wild rose

Financed by BFI Film Fund, Wild Rose tells the story of a musician from Glasgow who dreams of becoming a Nashville star. The only thing in the way: her own penchant for crime and violence. Starring Jessie Buckley, the film begins just as its talented antihero, Rose-Lynn, is first released on parole after having spent a year in jail on a drug charge...

Submitted by KitPlus

Published 04 June 2019

Preserving the British Film Institute Archive

Today, the media and entertainment industry faces numerous challenges. To remain successful and competitive, these organisations must be ever innovative, agile and cost efficient in the way they produce, store, manage and distribute their digital assets. Content creators have traditionally relied upon outdated storage models, comprised of legacy in...

Submitted by David Feller

Published 21 March 2019

Your two week editing future

So here we are - January again! Usually a good time to reflect on the year just gone by, and a good time to look forward to the coming months as the new year begins. When I was reflecting on my 2018, and when thinking about what to write for my first article for Kit Plus - I kept coming back to one theme - organisation. As someone who gets hired to...

Submitted by Alex Macleod

Published 25 January 2019

21st Century Technology for 20th Century Content

A big challenge facing owners of legacy content is rationalising and archiving their tape and film-based media in cost effective and efficient ways, whilst also adding value. Normally the result of this is to find a low cost means of digitising the content – usually leaving them with a bunch of assets on HDD. But then what? How can content owners h...

Submitted by James Hall

Published 25 January 2019

Bringing creative ideas to life

While the start of a new year is all about looking forward to the new possibilities and exciting opportunities ahead, indulge me for a moment in looking back to this time last year. CVP had just completed a management buyout and were planning how to take the company forward. We had an excellent foundation, a great team with the right skillsets and...

Submitted by Jon Fry

Published 24 January 2019

Artificial Intelligence and Economics

It’s May, so it seems inevitable that this month’s column should be a bit of a reflection on NAB. And it will, in due course. But first, some news which I think is interesting. Cisco, the IT giant, is selling off its video software solutions business. It is being bought by an as-yet unnamed new company, backed by venture capitalist Permira Funds. T...

Submitted by Dick Hobbs - new

Published 07 June 2018

Why is ST2110 important

Presenting to a capacity audience at a joint meeting of the RTS Thames Valley Centre and SMPTE in Reading, research engineer and industry commentator Tony Orme opened the evening with the assertion - “SMPTE’s ST2110 is the most important development to hit broadcast television since John Logie Baird went head to head with EMI-Marconi at the 1936 BB...

Submitted by Penny Westlake

Published 07 June 2018

Moving to an IP Platform Considerations

Audio transport methods have remained virtually unchanged in the broadcast industry for more than half a century. Common approaches to routing audio around large broadcast facilities have closely followed methodology employed in telco central offices, with the use of X-Y crossbar or crosspoint switching. This began to change with the arrival of sol...

Submitted by Stephen Brownsill

Published 07 June 2018

Six steps for award winning sound design with Jungle Stud...

Few can argue that great sound design is one of the most important elements to any moving picture. Mute most horrors, and the difference in fear factor will be enormous. Visualize Jaws or Star Wars, and John Williams’s iconic score will instantly come to mind. As for me, my own personal passion for music first came as a teenager. I started out as a...

Submitted by chris turner

Published 26 March 2018

The shining star of Dancing On Ice

Lighting is an incredibly important part of any TV production, and it can make a huge difference to what is seen on-screen. If the right lights are used in the right way, it can create a mood, set a tone and convey a certain atmosphere. Nowhere is this more evident than on the set of dramatic TV shows such as Dancing on Ice, a hugely popular UK sho...

Submitted by Rod Aaron Gammons

Published 26 March 2018

Grand slam IPTV and digital signage platform

Kauffman Stadium in Kansas City, Missouri, is home to major league baseball’s Kansas City Royals. Built in 1973, “The K” has a proud baseball legacy, and goes down in history for winning two World Series championship titles; one in 1985 and another in 2015 — exactly 20 years apart. The most recent win brought a resurgence of baseball fever to the s...

Submitted by Joe Walsh

Published 26 March 2018

Playing with Pink Floyd

For the founder of London-based Hangman, James Tonkin, this has indeed been a summer to remember. After sixteen years of working in the same suites, he designed and moved his team into a new future proofed facility in Kew Gardens created specifically for the manipulation and delivery of formats in up to 8K HDR. Soon afterward, he was approached by...

Submitted by KitPlus

Published 12 February 2018

Capturing the spirit of Mexico

Filmmaker, director and editor, Leonardo Dalessandri first came to fame with his stunning video ‘Watchtower of Turkey,’ which with more than 200 million views, garnered the accolade of Best Vimeo Video in 2014. His vibrant images are combined with a unique editing style, incorporating slow motion, hyper lapses and invisible match cuts to produce ge...

Submitted by Leonardo Dalessandri

Published 12 February 2018

Reunion on Kingsman ensures efficient workflow for sequel

Both on and off camera, there are some collaborations that are built to last. Armed with the success of their work on the first film adaptation of the Kingsman comic book (Kingsman: The Secret Service), director Matthew Vaughan reunited with cinematographer George Richmond, DIT Joshua Callis-Smith and colorist Rob Pizzey, to deliver Kingsman: The G...

Submitted by KitPlus

Published 02 November 2017