KitPlus | Articles

Wireless cameras at live events

by Scott WalkerIssue 81 - September 2013 While wireless cameras have been used in high end broadcast for years, prices have dropped and there are now a variety of products on the market to suit lower cost broadcasts, and the technology is creeping into events with live outdoor screens and lower budgets, where it adds a creative angle to the show. I...

Submitted by Scott Walker

Published 01 October 2013

Ask the experts: your questions on wireless camera system...

by Stuart BrownIssue 81 - September 2013 tv-bay talks to Stuart Brown, Broadcast Systems Director at Cobham Broadcast about your questions on wireless camera systems. What makes wireless camera systems a viable option now as opposed to only a few years ago?When the COFDM modulation scheme was introduced over a decade ago, it revolutionised event c...

Submitted by Stuart Brown

Published 01 October 2013

Feeding a world hungry for instant news and entertainment

by Lorna GarrettIssue 81 - September 2013 It might sound cliche, but it is definitely true: the news never sleeps. With a third of the year still left, 2013 has already seen a host of events that have captured the worlds attention. From the anticipation of a royal baby to the devastation of hurricanes, tornados and bombings, from encounters on the...

Submitted by Lorna Garrett

Published 01 October 2013

A year in the life of SIS LIVE

by David MeynellIssue 81 - September 2013 This time a year ago SIS LIVE was still glowing with the pride that came from working to deliver outside broadcast TV coverage and satellite connectivity for London 2012 Olympic and Paralympic events. At the time 2013 was billed as a fallow year for the live broadcasting industry which, as we will see, was...

Submitted by David Meynell

Published 01 October 2013

Dick Hobbs gets up to speed with ESOMPS

The UK communications regulator Ofcom has issued a consultation document on the prospects for a technology called Earth Stations on Mobile Platforms, or ESOMPs. My first response to the consultation is that they should get a better acronym. An ESOMP is a small communications device which is attached to a mobile platform: a train, a plane, a ship or...

Submitted by Dick Hobbs.

Published 01 October 2013

Dick Hobbs roasts television rare

by Dick HobbsIssue 80 - August 2013 I was at a conference about workflows the other day. One of the presentations was by a very nice man called Eric Minoli, who is chief engineer at TFO, the French-language public broadcaster in the Canadian province of Ontario. He illustrated his presentation with a great story. Some friends were invited around to...

Submitted by Dick Hobbs.

Published 01 September 2013

Powering a richer media experience on set-top boxes

by Achim BosseIssue 80 - August 2013 Todays television viewers are increasingly using the Internet to download, share, and consume media on a variety of devices. Traditionally, DTV and IPTV service providers have relied on DVB MPEG-based technologies to deliver linear television services and IP technologies like multicasting or RTSP for VOD. Howeve...

Submitted by Achim Bosse

Published 01 September 2013

Ensuring online video revenue in the face of piracy

by Helge HoibraatenIssue 80 - August 2013 When it comes to distributing video online, broadcasters and other content distributors have seen a substantial viewing time amongst certain demographics move from traditional channels to piracy. Numerous debaters have tried to give a definite answer to whether this hurt sales and current business models, o...

Submitted by Helge Hoibraaten

Published 01 September 2013

Televising Swan Lake in live 3D from St Petersburg

by Tim HighmoorIssue 79 - July 2013 Stereoscopic television may still be in its infancy as a home entertainment medium but it is thriving in the cinema world. Freed from domestic distractions, cinema audiences are ideally placed to give their full attention to the images on the big screen. On Thursday 6 June 2013, the Mariinsky Ballet company in Ru...

Submitted by Tim Highmoor

Published 01 August 2013

Ask the experts: Content readiness in time-deferred workf...

by Sudeep BoseIssue 79 - July 2013 What are the fundamental considerations that must be addressed to ensure the quality of non-real-time content, whether played out from a broadcasters media server or time-shifted for VOD and other OTT services?When focusing on the actual content itself, rather than the service, network or other components, the key...

Submitted by Sudeep Bose

Published 01 August 2013

Singularity - QA and compliance monitoring in one box

by Martin DysterIssue 79 - July 2013 The task of maintaining loudness-compliant, high-quality delivery for broadcast audio is no longer a question of simply using ones ears. Audio channels produced for todays fast-paced productions come in embedded SDI workflow with streaming signals containing a mix of mono, stereo, surround, Dolby encoded and des...

Submitted by Martin Dyster

Published 01 August 2013

Cloud STB with Bob Pank

It’s like trying to get to Heathrow in time for your flight. Many of us have to go there by road and the journey will involve travelling on the UK’s busiest motorways. Even outside rush hour the journey may be quick, or not so quick or a real nightmare. This is a bit like live streaming video on the Internet. Yes, we’ve probably all used at least o...

Submitted by Bob Pank#

Published 01 July 2013

Finance - the shooting season with Peter Savage

Peter Savage goes biking and rediscovers that new isn’t always best for creating real impact, and that flexibility is the new game. The shooting season has started and, with it, the weather looks (well, this week at least) as if we could at last see some summer. The light is better, the days are longer, and the summer sports programme has kicked of...

Submitted by Dave Martland

Published 01 July 2013

The evolution of camera connectivity and the HPX600

Tape in, tape out. Cable in, video out. Card in, card out. Simpler times: productions orchestrated by an army of runners, tape op’s and engineers, with transmission to TV, ingest via a VTR and a room dedicated to storing media. Today’s production team has changed. It’s become a small elite squad, tasked with multi-channel playout, multi-resolution...

Submitted by Kieron Seth#

Published 01 July 2013

Planning the digital marathon

Never one for New Year's resolutions, I made the 2013 Virgin London Marathon one to finally commit to. So once I'd put in the training and mentally prepared for the greatest marathon on Earth, I started to explore new ways in which I could share my experience with friends, family and the public in a different way. It's certainly inherent within the...

Submitted by Ben Darby

Published 01 June 2013