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Distribution in the UHD Era


by Paul Briscoe Issue 103 - July 2015 Once upon a time, there were few broadcast TV standards. Each used its own regional image formats, color encoding scheme and sound and vision modulation standards. High-power over-the-air (OTA) transmitters broadcast the signal on internationally coordinated and regionally allocated radio frequency (RF) channel...

Submitted by Paul Briscoe
Published 01 August 2015

How HEVC technology is revolutionizing field-based broadc...


by Eli Garten Issue 103 - July 2015 High-Efficiency Video Encoding (HEVC), also known as H.265, is the subsequent generation of H.264 and tapped to be the next widely adopted standard for video compression. As with any MPEG evolution, the new standards goal is to make compression more efficient and allow for reducing OPEX and CAPEX in various video...

Submitted by Eli Garten
Published 01 August 2015

On-camera monitors for today and tomorrow


by Paul Isaacs Issue 102 - June 2015 1) Why is monitoring so important for productions?Image quality is a central concern for users of any video product, so monitoring should be one of the foremost considerations for cinematographers and videographers. Along similar lines, the ability of consumer televisions and a range of personal devices to displ...

Submitted by Paul Issacs
Published 01 July 2015

The holistic approach to fighting piracy


by Rory OConnor Issue 102 - June 2015 Now more than ever, consumers are driving the way that their content is delivered and consumed across platforms. Content owners increasingly need to be able to respond and adapt in an agile manner to deliver quality content across every consumer device from the day they hit the market. To stay relevant, operato...

Submitted by Rory O Connor
Published 01 July 2015

Why fast production storage is just not enough


by Martin Bennett Issue 102 - June 2015 UHD, 4k, 6k, 8k¦the proliferation of high-resolution formats and files along with the growing number of skillsets that can collaborate on projects push storage bandwidth and capacities beyond their limits. If we just take a look at the potential storage requirements for a single 8K raw digital cinema format t...

Submitted by Martin Bennett
Published 01 July 2015

From newspaper to broadcaster: VG (Norway) and LiveU


by Ronen Artman Issue 100 - April 2015 VG is a tabloid-format newspaper established in Oslo in 1945. Faced with the challenges that all newspapers face in the age of the video and the internet - fresh competition for readership and rapidly changing viewer expectations of what news is and how it\'s delivered - VG began using video online as early as...

Submitted by Ronen Artman
Published 01 May 2015

Outside broadcast gets a breath of fresh air


Issue 99 - March 2015Capturing what\'s happening remote from the studio has moved beyond the broadcast truck parked street-side. Your audiences are hungry. While they have the ability to bring the world of news, entertainment, sports and information to their doorsteps - wherever that may be and on whatever device they choose - someone still needs t...

Submitted by KitPlus
Published 01 April 2015

Ask the experts: Streaming


by Motty Lentzitzky Issue 99 - March 2015 In today\'s multiscreen world, pay-TV operators are managing their customers\' video streaming experience on an ever-increasing number of devices, including TVs, PCs, smartphones, and tablets. To compound this issue, viewer expectations have changed dramatically in recent years. During this Q&A session, Mot...

Submitted by Motty Lentzitzky
Published 01 April 2015

Loudness normalisation for podcast streaming


by Jon Schorah Issue 99 - March 2015 For media companies steeped in traditional workflows, the exploding demand for over-the-top (OTT) content on many different devices is offering up significant new opportunities as well as challenges. If content owners can re-purpose their assets effectively, they can reach existing and new audiences through chan...

Submitted by Jon Schorah
Published 01 April 2015

Cellular Wireless Networks


by Erwan Gasc Issue 99 - March 2015 1. What advantage do 3G/4G cellular wireless networks provide to broadcasters over satellite networks?For many years, satellite was the primary approach for real-time video delivery within the broadcast industry. That changed with the explosion of the Internet and second-screen devices like smartphones and tablet...

Submitted by Erwan Gasc
Published 01 April 2015

SiS Live


Issue 99 - March 2015SIS LIVE is well-established as Europe\'s largest supplier of satellite uplinks, but considerable investment in a wide-ranging fibre network is positioning it as a major connectivity provider to UK Live events. Many major broadcasters now have resilient fibre links to broadcast teleports at SIS LIVE\'s headquarters in MediaCity...

Submitted by KitPlus
Published 01 April 2015

Seven thoughts for the New Year


by Larry Jordan Issue 97 - January 2015 It is my favorite time of year - a time of resolutions and predictions. Resolutions are fun. They showcase all the things we would like to have happen in the New Year - provided they don\'t take too much work on our part. While resolutions are personal, predictions are a group sport. So, after another year wr...

Submitted by Larry Jordan#
Published 01 February 2015

Dialog-based search accelerates content discovery for any...


by Drew Lanham Issue 97 - January 2015 If you can\'t find it, then you can\'t reuse it. Those are a broadcaster\'s words to live by as media libraries grow at exponential rates. But the need to find and reuse media assets is not confined to large, traditional broadcasters. Organizations of all types and sizes are finding that the ability to uncover...

Submitted by Drew Lanham
Published 01 February 2015

High Resolution graphics for 4k and beyond


by Jesper Gawell Issue 96 - December 2014 It seems like 4K is everywhere these days - it\'s the dominant topic at broadcasting trade shows. Is there substance behind the hype? Will it transform television the way HD broadcasting did? Clearly, one of the "next big things\" in the media and entertainment world is higher resolutions and 4K delivery o...

Submitted by Jesper Gawell
Published 01 January 2015

4k - fancy fad or future of broadcasting?


by John Halksworth Issue 96 - December 2014 Given the increasing popularity of 4K or Ultra High Definition (UHD) televisions, as well as 4K-capable video cameras, it is safe to say that 4K/UHD is here to stay. While filmmakers in all spheres have been shooting in 4K for some time, distribution of 4K is still in its infancy with very few cinemas sho...

Submitted by John Halksworth
Published 01 January 2015