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HotTips on how to be a better lighting cameraman.


First up, don’t worry too much about HDFor most of my early career I shot with film, not video, so I usually approach things from a film point-of-view. This means I don’t see an awful lot of difference between SD and HD. In my opinion, the extra definition has more of an impact on the make-up team and the set designers because, regardless of what l...

Submitted by Bob Pank#
Published 01 January 2011

Launching Call of Duty Black Ops


So, how do you get the feed from 8 full HD camera's, games console screen captures, and a remote camera feed from 6 miles away to over 180,000 live game junkies all waiting to see the release of what is likely to be the world’s fastest selling and most anticipated Console/PC Game to date?That was the question posed to us at Mediakinetic by the digi...

Submitted by Kieron Seth#
Published 01 January 2011

Ravensbourne 21st Century Broadcast Education


Just over eighteen months ago, Adrian Scott of the Bakewell House Consultancy was commissioned to guide Ravensbourne through the EU Tendering process to appoint a Systems Integrator to transform the broadcast facilities of Ravensbourne as it moved into its new multi-million pound home at Greenwich Peninsula. Winning the contract, TSL rose to the ch...

Submitted by Bob Pank#
Published 01 December 2010

Eye to Eye at the Wildscreen International Film Festival


Founded in 1982, the Wildscreen International Film Festival is claimed to be the world's largest event of its kind. It attracts several hundred delegates from more than 30 countries, all of whom (if they register early enough) get their contact details listed in the festival directory. The festival is staged every two years in Bristol and revolves...

Submitted by Bob Pank#
Published 01 December 2010

Redefining Mobile, High Definition Recording With Cinedec...


IBC 2010 saw the official European launch of Cinedeck EXTREME v2.0, an ultra-portable cinema grade integrated High Definition monitoring, recording and playback device that has already won numerous awards and accolades since making its first public appearance at this year’s NAB Convention in Las Vegas. Cinedeck EXTREME v2.0 incorporates a number of...

Submitted by Bob Pank#
Published 01 November 2010

Nucoda Film Master builds tension on Mistresses


Fans of popular UK television drama Mistresses saw the third series air on BBC One and BBC HD in August. Shot in Bristol on RED, the four x 60 minute drama was edited and graded at Bristol-based post production facility Films@59, who also supplied the camera kit. Produced by Ecosse Films, Mistresses delves into the tangled lives of four female frie...

Submitted by Bob Pank#
Published 01 September 2010

3d Technical


In June there were two major events for those interested in 3D TV technologies. There has been the one day “3D Masters” at BAFTA on the 22nd in London’s Piccadilly . Earlier in the month we had the Dimension 3 Expo in Paris over 3 days from 1st to the 3rd. The 3D Masters in London was packed in a single very busy day. This comprised of well managed...

Submitted by Bob Pank#
Published 01 August 2010

Enabling the fans


The days when a simple hotdog, a pint of beer, a score board and good lungs were the main ingredients of a great day at a football game are soon to be a thing of the past. Mike Arthur, general manager, sports and live events, at Harris Broadcast Communications, talks to TV-Bay Magazine about the advances in technology which will enable interactive...

Submitted by Bob Pank#
Published 01 July 2010

Playout in a recession


Times are tight and budgets are being cut. Weak companies may fail but the stronger ones will survive. Those in good shape and offering a lower priced alternative could actually thrive – but the product still has to perform. With the television industry still actually expanding the number of channels on-air are increasing with many looking at lower...

Submitted by Bob Pank#
Published 01 May 2010

A year on the net AIL


2009 was a good year for AILTV as this was this the year we started broadcasting. The period was used to test and try out new ways to improve our services made all the more challenging with the recession was in full swing. Some plans to take AILTV to a next level had to be put on hold such as the purchase of a Niagra Go Stream for live streaming wh...

Submitted by Bob Pank#
Published 01 May 2010

POV cameras explained


John Chambers is Managing Director of Drivedata (UK) Ltd, which specialises in minicam solutions for broadcast, military and extreme-sports applications. Minicams, also referred to as POV cameras, are becoming increasingly popular as they get smaller, cheaper and easier to use. The POV camera is now a firm favourite in reality TV, sports coverage a...

Submitted by Dennis Lennie
Published 01 March 2010

Note Perfect


Live music events are big business. Major artists can expect millions of pounds to be poured into full scale productions where the ticket prices are as high as audience expectations. As the artist takes to the stage the atmosphere is electric and for the poised camera operator the pressure is high. He needs to acquire the best shots, capture the im...

Submitted by Bob Pank#
Published 01 March 2010

Accessorising DLSR video


Some DSLR stills camera manufacturers now include HD video capabilities within their top-of-the-range products. This raises the prospect of lower cost stills cameras shooting good quality HD video. While this is true in certain circumstances there is much more that needs to be included with these cameras to make them consistently produce their best...

Submitted by Bob Pank#
Published 01 March 2010

Filming Underwater


Filming underwater remains one of the toughest assignments for any professional production, whether documentary or drama. There are safety concerns involved in having crew and, possibly talent, working underwater. Documentary filmmakers often operate in remote locations, far from medical aid and, especially, decompression chambers needed to treat b...

Submitted by Bob Pank#
Published 01 March 2010

Location Sound Recording And Post-production with Chris W...


Sound is often regarded as playing a subordinate role to visuals in film, TV and video production, but the finest directors and producers have insisted on taking as much care over the sonics of a production as the visuals. Of course, on smaller-scale productions, it's still often the case that the soundtrack is whatever you capture while you’re bus...

Submitted by Dennis Lennie
Published 01 February 2010