KitPlus | Articles

Whats new in audio

The NAB show is not the first event that comes to mind for pro-audio kit but in fact rivals any audio-specific exhibition on the planet. The following is a summary of significant new sound equipment seen during a tour of this year's exhibits. AKG's C 544 L head-worn microphone is designed to be worn by gymnastics or (almost the same thing in some c...

Submitted by Bob Pank#

Published 01 June 2011

Loudness Whats All The Noise About

Anyone involved in our industry can’t have failed to notice the amount of noise broadcasters, manufacturers and legislators are making about audio loudness. As topics go, this one is currently red hot. Broadcast audio that comes with annoying loudness differences can result in complaints from viewers and, in some territories, these complaints can t...

Submitted by Bob Pank#

Published 01 June 2011

3D Film-making Goes Independent

James Cameron and Sky TV have stolen the stereoscopic 3D limelight. Events such as football cup finals and royal weddings have seemingly been produced with no expense spared in order to show 3DTV at its best. The Ryder Cup, for example, employed an incredible 21 3D Polecam rigs, supplementing the main camera systems. Beyond the world of Hollywood a...

Submitted by Kieron Seth#

Published 01 June 2011

An Introduction To Microphone Types, Uses, and Techniques

Almost everyone knows what a microphone is, but far fewer people know how they actually work and how to get the best out of the various types available. Pieter Schillebeeckx, Chief Designer at UK microphone manufacturer SoundField, fills in some basics. As technology has become easier to use, cheaper and more portable, it's become more popular. Ear...

Submitted by Kieron Seth#

Published 01 June 2011

Either meet your listeners halfway, or get them to come t...

In TV Bay’s IPTV & Online issue, I spoke about how streaming video online enabled content owners to share their work with the world a lot more effectively, so although the end result is the same, what technical procedures are different for streaming pure audio content?The pace of technical advancements have now established distinct requirements for...

Submitted by Kieron Seth#

Published 01 June 2011

Its a MADI World

At this year’s NAB Show in Las Vegas, 3D solutions were still a hot topic — but one emerging technology threatened to steal the show. In fact, the rapid growth of devices that support the Multichannel Audio Digital Interface (MADI) has more potential for simplifying broadcasting operations than perhaps anything else. But what exactly is MADI and wh...

Submitted by Kieron Seth#

Published 01 June 2011

TSL PAM1-3G8 Review

This unit from TSL has been in use by us for nearly a year. Its small and sleek and certainly looks professional, as you would expect from TSL. It sits at just 1U high, is not too deep and enables monitoring of 2x analogue, Embedded AES (16 channels) and Dolby E , however the Dolby E comes at a price due to it being an added option – I hate that, d...

Submitted by Bob Pank#

Published 01 May 2011

Jamies 30 minute meals are served up

The ChallengeTo shoot, edit, grade and conform 40 x 30 minutes episodes of Channel 4’s Jamie’s 30 Minute Meals within an extremely tight timescale, whilst ensuring that quality wasn’t sacrificed throughout the process. The SolutionAn efficient file-based workflow incorporating Avid Media Composer and Avid DS with RED and Canon cameras were used to...

Submitted by Bob Pank#

Published 01 May 2011

BVE 2011 retrospect

BVE 2011 had much of the buoyancy and buzz of an IBC. The organisers claimed an attendance of over 15,500 visitors and 240 exhibiting companies. Many of the UK-based stalwarts who make the annual pilgrimage to Amsterdam could be seen exploring the show, confirming that BVE is now taken seriously by mainstream broadcasters. It is perhaps over-optimi...

Submitted by Bob Pank#

Published 01 April 2011

Mobile Cameraman Extraordinaire

I had wanted to work in television since my teens and, at 20, started as a trainee assistant cameraman at Mersey Television on 'Brookside' in Liverpool and then joining Thorn-EMI Facilities in London. Thorn-EMI put me in charge of a studio used to shoot links for companies like Children's Channel using very bulky early tubed Betacams. Five years la...

Submitted by Bob Pank#

Published 01 April 2011

A novel approach to delivering radio content

Who does a national broadcaster turn to with 9 TV and radio stations, each with 20hrs of daily programmes and a need to deliver them locally and cross continental... In a media rich world where viewers habits are rapidly changing they need to add another dimension to radio while maintaining the 'spirit' of a radio programme. France Tlvisions’ Rseau...

Submitted by Bob Pank#

Published 01 April 2011

Production Spotlight

On Friday 10th September, Fluidmoves Video Productions, filmed a new outfall pipe leaving Shoreham Harbour on the Sussex coast. The 1.8 kilometre pipe was towed out to sea through the open lock gates round to Newhaven Harbour, a distance of 15 nautical miles, on behalf of Southern Water and its contractor 4Delivery. The outfall is part of Southern...

Submitted by Bob Pank#

Published 01 March 2011

NFTS, the future of digital visionaries

The Confession, a film from The National Film and Television School (NFTS), has recently been nominated for an Academy Award, in the Live Action Short Film category - the second nomination for an NFTS graduation film in this category in the last five years. The success of the film comes days after more than 40 NFTS graduates worked on nominated fil...

Submitted by Bob Pank#

Published 01 March 2011

Using Multipoint Monitoring to Ensure Reliable Digital Vi...

Because the quality and bandwidth-efficiency advantages of digital over analog methods have made digital transport preferred, the world continues its migration to an all-digital approach to delivering video signals – from the studio through distribution networks to the end-viewer. As with any new technology, adopting and integrating digital video d...

Submitted by Bob Pank#

Published 01 March 2011

Television, the limits of the possible

When I was a young scribbler in 1970, my then employers allowed me to launch and run on their behalf a magazine called Studio Sound. It was one of my better career moves and survived (mainly thanks to me leaving it in 1974) for about 35 years. Fairly good going for a trade publication. The upside of editing Studio Sound was being invited to a bean-...

Submitted by Bob Pank#

Published 01 February 2011