KitPlus | Articles

Cut the risk out of developing and operating connected se...

When is an opportunity also a threat? In fact, most opportunities also pose some element of inherent risk. And for today’s media operators, the opportunities have never seemed riskier, and the risks have never offered so much potential gain. A diversifying, multi-screen, ‘connected’ media landscape is like a vast new hinterland for traditional broa...

Submitted by Bob Pank#

Published 01 December 2011

Following the alien route of a freelancer

I don't like mushrooms. Slugs of the culinary world. Growing up I was forced to eat them (apparently they're good for you?), but now, at the grand old age of 19, I have to confess that I still don't like mushrooms. When I first started work experience, I had no idea what I was doing, where it would lead or what I enjoyed or not. Also, as I very rar...

Submitted by Bob Pank#

Published 01 December 2011

The Anatomy of a Good QC Solution

As the media transitions from tape-based analog to file-based digital content, the existing workflows and operational methods of media companies will need to be updated. File-based workflows are being widely adopted as mainstream solution by Broadcasters, Post-production houses, IPTV, satellite and archiving companies. A file-based content can be s...

Submitted by Bob Pank#

Published 01 December 2011

Innovation, harmonisation, simplification

You could reasonably argue that “innovation, harmonisation and simplification” is a good motto for designers of any product to bear in mind. It is certainly true for mission critical monitoring, and it is what TSL has tried to do with its range of rack-mounted professional digital audio monitors. Checking audio quality, and particularly levels, at...

Submitted by Bob Pank#

Published 01 December 2011

Fast 3D

It is easy to make the assumption that 3D should comply with existing standards, as in the 2D video streams of television or movie images running at 24, 25 or 30 frames per second, according to the relevant 2D standards. However, the recent step up to doubled frame rates, generally referred to as 50p or 60p for television and 48p (or higher) for mo...

Submitted by Bob Pank#

Published 01 November 2011

Top ten from a top gun

Another IBC has come and gone. I peaked early: for me the highlight came before we even set out for Amsterdam when, as I wrote here last month, I met Sir David Attenborough, winner of the International Honour for Excellence. On site two things stand out. One was a delightful lunch, courtesy of my old and esteemed friend Roger Thornton of Quantel. I...

Submitted by Bob Pank#

Published 01 November 2011

Eye to eye: How secure is your content?

Before getting up steam for this article, I contacted a former colleague who worked for several decades on the editorial side of the consumer-audio press. He became one of the first collectors of Compact Discs, a medium trusted by many archivists. The oldest items in his collection date back to the original Q4 1982 launch of audio CDs. Were the old...

Submitted by Bob Pank#

Published 01 November 2011

Jack of all trades

So those following my column will know I’m Emma and currently in my first year working as a freelance production assistant. There’s been a few n00by mistakes but also some successes!The best thing about my job has to be the variety of clients I work with, and the variety of roles I can fulfil. This month I've been a second camera operator, producti...

Submitted by Bob Pank#

Published 01 September 2011

The Red Epic has landed

Finally the Red Epic has started to appear in facilities companies around the world, S+O Media is one of the first in the UK to receive a handmade Epic-M. I’ve taken the camera out on a couple of shoots and I have to say I’m pretty impressed. I’m sure everyone is aware of the Red One, the first camera from Red. Billionaire Jim Jannard decided he co...

Submitted by Bob Pank#

Published 01 September 2011

Courting communications

This week I received two press releases from major companies, both, incidentally, beginning with A and holding the number one and two spots in broadcast editing. And both, in their different ways, were prime examples of how not to do it. In the purple corner we have, and I quote “Avid today announced that it has been awarded a significant contract...

Submitted by Bob Pank#

Published 01 August 2011

Any Channel, Anywhere. How Distribution Service Providers...

One of the features of the diversified, multi-platform media world we have today is the greater involvement of organizations that perform a specialist role in the complex chain stretching from content originator to viewer. It has been a long time since a broadcaster has owned the entire chain from talent, camera and production crew all the way thro...

Submitted by Kieron Seth#

Published 01 August 2011

HTML5 and H.264. Friends United....

H.264 - The Success StorySome technologies like DVD, CD, TV and the PC prove themselves over time. They are practical, flexible, reliable - even universal. Is H.264 one of those magic bullet technologies?H.264, also known as MPEG-4 Part 10 or AVC, is the video codec that has taken the broadcast and consumer world by storm. In 2008, Anthony Rose, fo...

Submitted by Kieron Seth#

Published 01 August 2011

Digital media monitoring

What is digital media monitoring?Most media delivery chains now include a combination of IP and broadcast stages, regardless of the viewing platform of the end user. This combination of technologies into a hybrid delivery chain has thrown up new complications in terms of monitoring and analysis. Before the introduction of IP technologies into media...

Submitted by Bob Pank#

Published 01 July 2011

Meeting the Demands Of The Market

Much has been said about audio loudness and there can be few people in broadcast who are unaware of the new legislation being introduced by various countries to control this problem. The UK and Italy have already set limits on loudness levels and in 2010 the US introduced the Commercial Advertisement Loudness Mitigation Act (CALM), making it illega...

Submitted by Bob Pank#

Published 01 July 2011

The New ITU-R BS1770-2 Loudness Standard

HistoryThe ITU-R standard BS1770-1, released in 2006, describes a fundamental loudness measurement algorithm. The basic technique was validated through listening tests on varied program material, performed in labs around the world. In late 2010 the ITU committee which maintains BS1770 accepted (after much negotiation) changes submitted by the EBU....

Submitted by Bob Pank#

Published 01 July 2011