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Local TV cuts the mustard


by Neil Hutchins Issue 89 - May 2014 Monday 24th March was a notable date in the roll-out of Local TV across the UK, as it saw the successful launch of the second of the new channels. Mustard TV, based in Norwich and named in recognition of an historic connection with the local Colman family, followed Estuary TV as a new broadcaster on Freeview Cha...

Submitted by Neil Hutchins#
Published 01 June 2014

QSC Sound Reinforcement System Supports Daft Punk, Michae...


Over the past 12 months, London-based audio and lighting equipment supply and rental business Podd Sound has increasingly turned to a QSC WideLine-8 line array for sound reinforcement at the PAs, live webcasts, launch parties and live performances that form a major part of its business. Since last year, founder Mat Pod has worked for some of the ho...

Submitted by KitPlus
Published 01 June 2014

Unique additions to 4-wire/ talkback Controller


Issue 89 - May 2014In the communications world there are many ways to get audio from point A to point B and for each different application that’s arisen, suitably niche products have been developed. At Sonifex we’re a company that specialises in developing niche products for niche applications, as evidenced by the growing Redbox range, mainly devel...

Submitted by KitPlus
Published 01 June 2014

#TVFUTURES


by Danny Hutchings Issue 89 - May 2014 Quite a lot has happened since my last article here with tv-bay in January!Previously I mentioned how we where working on a 25-30 minute IPTV music show and since then have finished that project with a high merit. We cut the final project up into sections to give to the talent their part of the show; they all...

Submitted by Danny Hutchings
Published 01 June 2014

Fixing that inhospitable location shoot


by Harry Amies Issue 88 - April 2014 Say Iran. What do most people think of? Hostage-taking, nuclear programmes, angry mobs, CGI outsourcing, VFX, a multi-million dollar movie industry? If Harry Amies and Amir Rezazadeh of UK based co-producers HarryAmir have anything to do with it itll be the last three. HarryAmir is a UK-based company, that helps...

Submitted by Harry Amies
Published 01 May 2014

From the frontline to the finish line


by Paul Sargeant Issue 88 - April 2014 Dakar Rally: Frontline to Finish Line first hit our screens on 16th April 2013. It followed the exciting journey of a team of seriously injured servicemen from Britain and the US as they took on the worlds toughest rally. The Dakar Rally is the ultimate test of man and machine versus the elements as drivers ra...

Submitted by Paul Sargeant#
Published 01 May 2014

Collaboration and flexibility in post production workflow


Issue 87 - March 2014Collaboration and flexibility in post production workflow Sonic Magic Studios, a premiere boutique post production facility located in Culver City, CA, specializes in delivering incredible soundtracks for small feature films, television series, commercials and major Hollywood movies. To provide the very best and most flexible s...

Submitted by KitPlus
Published 01 April 2014

23 Countries, 93 Load-ins, 106 shows


by Rob Wick Issue 87 - March 2014 Woo what happened there then? Sixteen months of my life gone in a pole swinging, rain drenched, popstar grabbing haze. The Polecam held its own though. I was touring with the band Muse, using the slip-ring narrow head with the Camera Corps HD Camera on the end. I also purchased a rain bag for the back end and the w...

Submitted by Rob Wick
Published 01 April 2014

#TVFUTURES


by Joe Watson Issue 87 - March 2014 So while my colleagues on the course have been writing about what they\'ve been doing at college, I\'m going to write about what I\'ve been doing out of college which is mainly work experience. Since I started the course back in 2012 I have had quite a few breaks acquiring work experience in the media industry. I...

Submitted by Joe Watson
Published 01 April 2014

War House goes live in 4K


Issue 87 - March 2014In the next chapter of the War Horse story, National Theatre Live in collaboration with Sony, are pushing the technological boundaries of live entertainment to a new level. For the first time worldwide, the multi-award winning stage production will be broadcast live in 4K. On February 27th 2014, National Theatre Live (NT Live)...

Submitted by KitPlus
Published 01 April 2014

How to work without batteries


by Julian Hiorns Issue 86 - February 2014 Camera and monitor batteries - what\'s not to like? They\'re portable, rechargeable and easy to use. Well, actually, there are some drawbacks. Batteries can be heavy, expensive to replace and difficult and costly to travel with, as airline passengers know all too well. This last issue has become particularl...

Submitted by Julian Hiorns
Published 01 March 2014

Ask the Experts: Wireless microphone systems for cameras


by Tobias von Allwrden Issue 86 - February 2014 Wireless microphone systems for cameras are used by ENG crews and reporting teams as well as for TV and film shootings, where compact size, low weight and unobtrusive miking are particularly important. A professional camera receiver like the EK 3241 is designed according to the Unislot or Sony standar...

Submitted by Tobias von Allworden
Published 01 March 2014

Training the next generation


by Dick Hobbs Issue 86 - February 2014 At the end of January a new body the Institute for Training in Television Production (ITTP) held its first conference, organised by the publishers of TV-Bay magazine and chaired by former broadcaster Roz Morris, MD of TV News London Ltd. A packed room debated sometimes hotly the issues. Chair of ITTP is freela...

Submitted by Dick Hobbs.
Published 01 March 2014

Modern movie finishing


by Alexa Maza Issue 85 - January 2014 Written and directed by Neill Blomkamp, Elysium is a new science fiction movie starring Matt Damon and Jodie Foster. Set in the year 2154, two classes of people exist: the very wealthy, who live on a pristine man-made space station called Elysium, and the rest, who live on an overpopulated, ruined planet. Digit...

Submitted by Alexa Maza
Published 01 February 2014

How the cloud is changing the post production landscape


by Stephen Streater Issue 85 - January 2014 For many years, the pace of change in mass market IT has dwarfed that of broadcast technology. For example, consumer cameraphone resolution has increased over the last ten years by 30,000%. In comparison, broadcast resolution hasn\'t changed significantly. The development costs of consumer cameras are amo...

Submitted by Stephen Streater
Published 01 February 2014