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Extreme equipment for the Film and TV industry


Issue 100 - April 2015 Big films require big shots and to get the action in camera, you need grip equipment and the latest camera support technology to make that vision a real possibility on set. Whether filming underwater or capturing high speed vehicle to vehicle action, Chapman Leonard UK have always looked to supply productions in the UK and Eu...

Submitted by KitPlus
Published 01 May 2015

Big rush with little fuss at new Birmingham broadcaster


by Neil Hutchins Issue 99 - March 2015 Big Centre TV is the latest of the new wave of UK Local TV stations, having launched on 28th February. But behind the calm and successful appearance was a frenzied period of activity, as Ofcom had only confirmed their licence just three months earlier. To get from nothing to on-air in such a short timescale wa...

Submitted by Neil Hutchins#
Published 01 April 2015

Loudness normalisation for podcast streaming


by Jon Schorah Issue 99 - March 2015 For media companies steeped in traditional workflows, the exploding demand for over-the-top (OTT) content on many different devices is offering up significant new opportunities as well as challenges. If content owners can re-purpose their assets effectively, they can reach existing and new audiences through chan...

Submitted by Jon Schorah
Published 01 April 2015

Education meets industry...


by Bernard Newnham Issue 98 - February 2015 Heatherden Hall - the most famous country house you\'ve never heard of. Famous because it has appeared in large numbers of British films from Goldfinger to Carry on Camping. Why? Because it\'s the original building at the UK\'s premier film studio - Pinewood. A fitting place, then, to hold a conference on...

Submitted by Bernard Newnham
Published 01 March 2015

A stitch in time


by Thomas Dove Issue 98 - February 2015 "A stitch in time saves nine\" is an old saying: essentially it is saying fix a small problem now and it will save fixing a much bigger problem later. This applies in many areas - including broadcast. Kicking the error can down the road costs a lot more to fix the problem, particularly for audio and video fil...

Submitted by Thomas Dove
Published 01 March 2015

Four must-haves for modern media workflows: Enhancing you...


by Laurent Fanichet Issue 97 - January 2015 It\'s always been about the struggle to manage lots of assets and adapt your MAM to suit in the world of digital media workflows. In the early years, enterprise storage infrastructure couldn\'t keep pace with the demands of SD, so the first non-linear editing systems were turnkey solutions with proprietar...

Submitted by Laurent Fanichet
Published 01 February 2015

High Resolution graphics for 4k and beyond


by Jesper Gawell Issue 96 - December 2014 It seems like 4K is everywhere these days - it\'s the dominant topic at broadcasting trade shows. Is there substance behind the hype? Will it transform television the way HD broadcasting did? Clearly, one of the "next big things\" in the media and entertainment world is higher resolutions and 4K delivery o...

Submitted by Jesper Gawell
Published 01 January 2015

Wireless Production Tools - Hints, tips and a word of war...


by Alan March Issue 95 - November 2014 Some Do\'s and Don\'ts Over the years, there have been certain questions or queries that have had a habit of re-occurring. At the risk of teaching you, dear reader, to suck eggs, here are a few of them;Can I use two transmitters with just one receiver? No. With wireless microphones, a dedicated transmitter and...

Submitted by Alan March
Published 01 December 2014

Capture and Produce


Issue 94 - October 2014One of the hot topics at this year’s IBC was undoubtedly the growing adoption of end-to-end IP production and the imminent death of SDI. During a panel session, hosted by Mediasmiths and Cognizant, and including representatives from BBC, Sony and more, the key point made was that the adoption of IP production technology and w...

Submitted by Will Strauss#
Published 01 November 2014

#TVFutures


by Raechelle Jackson Issue 94 - October 2014 The third year level of BSc Television and Broadcasting has become infamous. Students know it will be a hard year long before they join the level, and now I am in that position, I sense both the crackle of fear and anticipation. So if there is anybody reading this expecting to see comments about hating e...

Submitted by Raechelle Jackson
Published 01 November 2014

Cooking Up A Creative Storm With Patrick And Kylie


Issue 94 - October 2014Three years ago, Patrick Drake, who had recently left a lucrative job working at Goldman Sachs in London to follow his true cooking passion, met Kylie Flavell, a young woman who had abandoned her career as a high-stakes fashion journalist in Australia to pursue her dream of one day hosting her own escapist travel and food sho...

Submitted by KitPlus
Published 01 November 2014

Manage and Monitor


Issue 93 - September 2014 In less than a month’s time, British television producers will be asked to deliver their programmes to broadcasters as files rather than tape. Some have been doing it for years. For others, it’s a whole new world. Fundamentally, the change is just replacing physical items like tapes, labels and VT reports with their zeros...

Submitted by Will Strauss#
Published 01 October 2014

Suriving IBC


by Larry Jordan Issue 93 - September 2014 I long ago lost count of the number of trade shows I’ve attended -- it runs into the hundreds. From small table-top affairs to massive shows like IBC, NAB, CES, and many others now long forgotten, I’ve attended shows, exhibited at shows, and covered shows as press. In this article, I want to share my experi...

Submitted by Larry Jordan#
Published 01 October 2014

The evolution of Wired Intercom


by Simon Browne & Ed Fitzgerald Issue 93 - September 2014 Early Beginnings What do you think was the fi rst DIGITAL communications system devised? Of course you could think of the evolution in standardised parallel data backplanes and digital ICs in the 1980s and the swathe of multi-rack Time Division Multiplexed switching systems that it enabled,...

Submitted by Simon Browne
Published 01 October 2014

SIZE is everything


Issue 93 - September 2014Live broadcast television or stage productions are a fast moving environment where clear instructions need to be delivered quickly if everything is to run smoothly. Whilst efficient conveyance of prompts or direction is vital, there is usually the additional need to avoid the audience being aware of the methods employed. La...

Submitted by KitPlus
Published 01 October 2014