KitPlus | Articles

The intricacies of capturing phase-coherent surround soun...

By Pieter Schillebeeckx – Product Manager, SoundField at TSL PPLSince its acquisition of SoundField, TSL Professional Products Ltd, a leading manufacturer of surround microphones, audio monitoring, tally and power management solutions for the broadcast industry, routinely field a growing number of questions from the industry regarding the successfu...

Submitted by Pieter Schillebeeckx

Published 01 June 2013

Achieving the critical link in live HD deployment

By: Patrick Coenen, chief technical officer for Actua Films, GenevaAs employees of a facility service provider for TV stations, networks and corporate businesses, we at Actua Films understand better than most that in today’s broadcast world, it’s imperative to get everything done at lightning speed. We have our own camera crews going into the field...

Submitted by Patrick Coenen

Published 01 April 2013

Live production for multi-platform delivery

by Steve Burgess, technical director, Megahertz Broadcast SystemsLive event television, whether it is sport or music and entertainment, has always made serious demands of production technology. At Megahertz Broadcast Systems we have been building outside broadcast trucks for some of the world’s most demanding customers, for more than 25 years, so w...

Submitted by Steve Burgess

Published 01 April 2013

Issues in surround audio and new technologies to address...

Issues in surround audio and new technologies to address them. Surround audio and the encoding technologies, such as Dolbys AC-3 used to transmit it, have introduced new issues in maintaining audio quality. At a time when skilled audio personnel are getting scarce and budgets are shrinking new technologies hold the key to delivering top quality aud...

Submitted by Bob Pank#

Published 01 December 2012

Gold all round

In my ramblings in the January edition of TV-Bay, I offered some predictions for the year, which included the following:“Television coverage of the Olympics and Paralympics will be extraordinary, capturing all the skill and dedication, elation and heartbreak of the world’s finest athletes. But somewhere in 29 days of intensive, multi-channel broadc...

Submitted by Bob Pank#

Published 01 October 2012

Extensive, flawless and enjoyed by millions

Due to the multiple locations of the London Games, coverage was inevitably going to a be a challenge, with locations throughout London and the South; some of them specifically designed and created for the events such as the main Stadium, Velodrome and Aquatics Centre, whilst clever forward thinking meant that existing famous landmarks such as Horse...

Submitted by Bob Pank#

Published 01 October 2012

Who wouldnt consider a career in Live sports?

There are many diverse things in this industry which give me a buzz but I think that live sports coverage is probably pretty near the top of the pile. With a 17yr old son considering his career options I thought it time to introduce him to the world of live sports and SIS LIVE were kind enough to give us a quick tour behind the scenes on the second...

Submitted by Bob Pank#

Published 01 September 2012

Tally systems and Confidence Audio Monitoring for Sports...

Q: Because sports broadcast tends to originate from OB vehicles, having the capability to connect a tally system between trucks is vital. How do you connect your TallyMan controllers together to create an integrated, seamless tally system?A: When two OB trucks are engaged in the live broadcast of a major sports event, one truck will act as the main...

Submitted by Bob Pank#

Published 01 September 2012

An Olympian Effort

For obvious reasons, the broadcasting world does not generally hold mass-murdering dictators in high esteem. But, in a small way, and despite his many, many faults, the world of television has one such tyrant to thank for the connection between technological innovation and the Olympic Games. And no, this is not a joke. The first handful of modern d...

Submitted by Will Strauss#

Published 01 September 2012

Advanced Hybrid Optical Cable and Connectors

The march of technological advances in fiber optic cable, along with a new generation of plug-and-play connectors, is allowing camera operators and Outside Broadcast (OB) van engineers the luxury of easy and reliable deployment of remote production equipment. Studio Technologies is dedicated to delivering carefully engineered equipment solutions in...

Submitted by Will Strauss#

Published 01 May 2012

The new world of live acquisition

While the debate rages over the future of broadcast television with discussion of OTT (OTT – over-the-top delivery – think iPlayer on Virgin Media as a key example – or LoveFilm. It means an on-demand content service that is delivered over the top of another network) and time-shifting increasingly hogging the limelight, there’s one arena in which t...

Submitted by Bob Pank#

Published 01 April 2012

The Biggest Game in Town

The Biggest Game in TownAnnually, as the Super Bowl approaches, stores across the States stack their shelves with the latest HDTV sets. Advertising sales teams cancel all holidays and prepare for a feeding frenzy. Networks bid in earnest to win exclusive game broadcasting rights. And new media innovators roll out their latest online and mobile apps...

Submitted by Kieron Seth#

Published 01 April 2012

Ask the experts......Intercoms for outside broadcasts

Ask the experts – intercoms for outside broadcastsBarry Spencer, Trilogy CommunicationsI just assume outside broadcast trucks come with an intercom. Why do I need to even think about it?The first big point is that an outside broadcast is not just a control room on wheels. It is an event. And that means communications beyond the truck. Within the pr...

Submitted by Kieron Seth#

Published 01 April 2012

Convergence Grading for Stereoscopic 3D Broadcast with Da...

After soldiering through a long run of freelance work in Soho, I had a couple of days off. I thought, “It’ll be nice to relax a little bit,” which is when I got the call. “We have this project with quite a tight turnaround, a couple of days to deliver 75 minutes worth of 3D.” I told them to hold on — this would be my first 3D job. They replied, “It...

Submitted by Bob Pank#

Published 01 January 2012

Commercial break

The first commercial to be shown on British television was for Gibbs SR toothpaste, transmitted at 20.12 on 22 September, 1955. Back then, according to Lord Thomson, the founder of Scottish Television, commercial television was “a licence to print money”. The first ad I remember was from around 1960. A bloke in a trenchcoat and hat – not cause for...

Submitted by Bob Pank#

Published 01 January 2012