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Automation...

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by Robert Lisman Issue 87 - March 2014 What is broadcast automation and why is it important to me?Broadcasters and media operations face the complex task of managing all kinds of hardware and software, such as switchers, video servers, graphics systems, routers, newsroom systems, craft editors (NLEs), VTRs, tape formats and file codecs. Broadcast a...

Submitted by Robert Lisman

Published 01 April 2014

Taking on the World of Sophisticated Asset Management

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Asset management systems have come a long way in only a few years. They’ve always offered a world of promise for workflow improvements, but not so long ago asset management silos were the norm – with individual departments within a broadcasting operation - such as news, sports production, and drama - operating their own closed systems, inaccessible...

Submitted by Bob Pank#

Published 01 October 2012

Tally systems and Confidence Audio Monitoring for Sports...

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Q: Because sports broadcast tends to originate from OB vehicles, having the capability to connect a tally system between trucks is vital. How do you connect your TallyMan controllers together to create an integrated, seamless tally system?A: When two OB trucks are engaged in the live broadcast of a major sports event, one truck will act as the main...

Submitted by Bob Pank#

Published 01 September 2012

Intercom for Sports Production

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The best kind of intercom system is one that works so well that it only takes a button or two to push when communication is required. Because of how quality intercom systems simplify communication, it is one of the broadcast industry’s most undervalued technologies. However, it is absolutely essential to a successful broadcast, especially in the fa...

Submitted by Bob Pank#

Published 01 September 2011

3D Post at NAB, Wimbledon, and more

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You may recall that last time 3D Diaries tackled the subject of post production in August 2010, it warned that the ‘fix it in post’ habit was definitely to be avoided. This means shoot it correctly in the first place, as trying to fix errors, especially the 3D ones, in post can get very tricky and, may be expensive. This remains the case even thoug...

Submitted by Bob Pank#

Published 01 May 2011

Post Production

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The global financial downturn is having a significant impact on every industry and television is suffering too. The programme budgets of most channels are being held or cut making the costs of producing content significant in the decision on whether programmes and series are aired. Yet the demand remains for bigger, bolder and more cinematic styles...

Submitted by Bob Pank#

Published 01 September 2010

Eye to Eye: Sports Production

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I was somewhat crestfallen to receive the advice 'Lay off 3D' when I rang TV Bay for guidance on the theme for this month's Eye to Eye. For better or worse, 3D looks set to be a major part of sports television in the coming years. But I picked up my crest, closed one eye and carried on running. Long-range opticsIt is by now quite widely appreciated...

Submitted by Bob Pank#

Published 01 July 2010

How to create and brand a live TV experience online

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Late last year, Pixel Power worked closely with the Perform Group to brand the first ever live England football match online, a landmark event. Before we discuss that in detail, there is a wider question to answer: what do we mean by “branding”? Branding is fundamentally how you differentiate your channel; how you make it stand out in the crowd and...

Submitted by Bob Pank#

Published 01 July 2010

Calzaghe Fight with Input Media

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Sports production company Input Media faced a series of technical, logistical and creative challenges when they were commissioned by fast rising broadcaster Setanta Sports to cover one of the biggest live Boxing events ever staged in the UK. The main fight during the 8-hour long broadcast was the world unification fight between WBO/IBF Super Middle...

Submitted by Dennis Lennie

Published 01 July 2008