KitPlus | Articles

The World of 12G 4K/UHD Processing

Technology moves fast and when it comes to audio and video broadcasting, there is always room for improvements in audio and video quality and ease of production. One of the main goals of broadcasters and content providers today is to create an immersive experience for the viewers, giving them the feeling of being part of the viewed content. The 4K/...

Submitted by Varun Patel

Published 16 July 2019

Canon EOS C300 MkII Camera Review

Canon described the EOS C300 Mark II at its launch as 'a game-changer for creative film-making'. What interested me was whether the camera's impressive feature set, compact size and very aggressive price point matched the needs of the video production market. Key features At the front end of the camera is a Super 35mm CMOS sensor capturing Full HD...

Submitted by Andy McKenzie

Published 04 June 2019

IMF Adoption

The Interoperable Master Format isn’t new. It’s been around for more than six years. Despite this longevity, the broad adoption since the publication of SMPTE 2067 has been pretty slow. This is perhaps more because of the age old mantra “if it ain’t broke don’t fix it,” than the ease with which many could interpret the standard. However, it is safe...

Submitted by Howard Twine

Published 04 June 2019

Looking for the Silver Lining

According to the World Meteorological Organisation, there are 10 different types of cloud, each of which can be divided further into sub-types. They range from the cirrus, the thin floaty clouds which generally serve only to make the sky look beautiful to the towering, all-embracing cumulonimbus which can deliver fearful quantities of rain – the bi...

Submitted by Harry Grinling

Published 21 March 2019

Flexible Connectivity Hits Europe

The low-latency Dejero CellSat network was launched in Europe in January of 2019, which is excellent news for European broadcasters who can now benefit from the same flexibility CellSat provides North American Dejero customers, such as World Racing Group (WRG). The production teams at WRG, the premier sanctioning body for dirt track racing in North...

Submitted by Yvonne Monterroso

Published 21 March 2019

Future proofing post production storage

Advancements in NVMe (Non-Volatile Memory Express), the storage protocol designed for flash, are revolutionising data storage. According to G2M Research, the NVMe market will grow to $60 billion by 2021, with 70 percent of all-flash arrays being based on the protocol by 2020. NVMe, acting like steroids for flash-based storage infrastructures, dynam...

Submitted by Josh Goldenhar

Published 25 January 2019

Bringing creative ideas to life

While the start of a new year is all about looking forward to the new possibilities and exciting opportunities ahead, indulge me for a moment in looking back to this time last year. CVP had just completed a management buyout and were planning how to take the company forward. We had an excellent foundation, a great team with the right skillsets and...

Submitted by Jon Fry

Published 24 January 2019

Sony PWS-4500 Live Production Server Reviewed

Available since 2016, the Sony PWS-4500 is a solid-state UHD/HD live production server designed for use in applications such as sports, studio or stage events. The target applications are master recording and advanced replay operations for live production companies for whom the server's ability to record the output from high frame rate cameras and...

Submitted by Andy McKenzie

Published 24 January 2019

University and Mental Health

University study and mental health has been in the media quite a bit over the last year, and I’m sure there are many people wondering what is going on? The issues are complex, and I suppose the focus of employability off the back of a degree course has raised the stress stakes for a lot of young people. I’m only qualified to talk about this from my...

Submitted by Rhiannon Jenkins

Published 09 November 2018

Sony HDC-4800 Review

First announced at NAB 2016, the Sony HDC-4800 is a studio camera system capable of shooting 4K/UHD at up to 8x or full HD at up to 16x. With a price point upwards of £250,000 it is a very high-end product with a wide feature set. In Sony's own words, "This is the future of live production, designed to satisfy the storytelling aspect of modern spor...

Submitted by Andy McKenzie

Published 09 November 2018

Shedding Light on the Blackmagic Pocket Cinema Camera 4k...

“What is it about light that has us craving it?” Is the question asked in the opening seconds of Garth de Bruno Austin’s latest short, The Colour of Light. Exploring this natural, human need as well as our innate desire to control it, Garth’s film showcases everyday people going about their lives in differing degrees of luminance, whether that be a...

Submitted by Garth de Bruno Austin

Published 09 November 2018

The brave new world of software based production

In today’s rapidly evolving broadcast industry, the only constant media organizations can truly count on is change — and the need to adapt as rapidly and cost-effectively as possible. One of the biggest agents of change is the IP revolution, driving broadcasters to migrate their operations to all-software solutions running on commodity, IT-based te...

Submitted by Boromy Ung

Published 09 November 2018

What is next in OTT

In the past year alone, we’ve seen a substantial increase in the amount of OTT content that’s being streamed. In the first quarter of 2018, there’s been a 114 percent year-over-year growth in streaming video hours, and those numbers are only expected to rise. With OTT revenue predicted to reach $16.6B in 2018, a 40% gain over last year, there’s no...

Submitted by Mary Kay Evans

Published 08 September 2018

State of the Nation

I am writing this in the middle of a record-breaking heatwave in southern England. Yet it is time to be thinking about the mists and mellow fruitfulness of autumn, or at least the predictably damp and chilly Amsterdam when IBC hits town. What will be the hot talking points of IBC this year? I am not in a position to talk about what the big vendors...

Submitted by Dick Hobbs - new

Published 18 July 2018

Investing in the Future of Broadcast Media

At the time of writing, the summer World Cup is providing its usual challenge to camera crews trying to televise the bright sunlight of the stadium without losing detail in shaded areas such as the covered terraces. It is a perfect demonstration of the need for high dynamic range. Several broadcasters are experimentally covering this year's tournam...

Submitted by Clive Northen

Published 18 July 2018