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3D Post

The state of 3DRewind a couple of years and 3D was a hot topic but there was very little production and few companies able to offer suitable support for efficient 3D post production. Many people thought it would fade, as before. A few even hoped it would go away! Now many are supporting stereoscopic 3D. The most activity is in the DI (digital post...

Submitted by Dennis Lennie

Published 01 October 2009

Mercedes-Benz Worlds winning formula, Online Creative and...

I set up Online Creative in 1999 after a number of years of linear editing and five years of post working for German non-linear editing manufacturer, FAST, during the pioneering days of digital video. The early 90s were a very exciting time editing with non-linear for the first time, although I haven’t done a linear edit since!Online Creative has g...

Submitted by Dennis Lennie

Published 01 October 2009

Digital Vision case study

The Edit Store, based in London’s W1, is one of the last few independent facilities in the city. Spread across two buildings, the Edit Store provides many of the world’s leading broadcasters with offline, online, grading and audio dubbing facilities primarily for broadcast factual programmes. At the heart of its HD grading suite, introduced in 2008...

Submitted by Dennis Lennie

Published 01 October 2009

Eye to Eye New post-production kit at IBC 2009

This alphabetical overview of new video and film post-production kit at IBC 2009 was going to start with Apple but the company pulled out of both NAB and IBC in 2008. I begin instead with Avid which has certified its Media Composer, NewsCutter, Symphony and DS software to run on the new HP Z series Workstations – the HP Z800 and HP Z400. Avid custo...

Submitted by Dennis Lennie

Published 01 October 2009

Keep your friends close and your enemies closer

This month, and largely because I am on holiday at the moment and haven’t looked at an English paper or seen a television – and as the Internet is currently not working (which makes posting this article on time an interesting task) – I thought it would be useful to look at elements of business strategy that will help you work out how to focus your...

Submitted by Dennis Lennie

Published 01 October 2009

Lighting series

So far in this series, I have stressed some of my own preferences for good portrait lighting; using Fresnel lamps for key lights to enable accurate barn dooring, minimum spill light and an even ‘field’ of light. Open faced lamps, whilst cheaper, do not give the same control of light, they give rise to double shadows and are also prone to bubble fai...

Submitted by Dennis Lennie

Published 01 October 2009

A Guide to Testing IPTV: Technologies and Challenges Par...

Before we can go on to look at testing IPTV systems, it would be useful to provide an overview of the technologies involved. Network ArchitecturesFigure 3 shows an example of a typical IP network structure. Content is first delivered into the video headend; this can be done in a variety of formats over a number of different delivery mechanisms (e.g...

Submitted by Dennis Lennie

Published 01 October 2009

Ask the experts. Eye & Jitter

Why should TV broadcast engineers be interested in adding Eye and Jitter measurement to their T & M facilities?The call for Eye and Jitter as part of overall video test and measurement lies in the widespread adoption of serial digital interface (SDI) standards for broadcast. Unlike analog transmission in which the image quality gradually degrades a...

Submitted by Dennis Lennie

Published 01 September 2009

Eye to eye Picture displays and multiviewers 2009

The transition from cathode-ray tubes to flat-panel display devices for broadcast picture monitoring was a long time coming but is now almost complete. Grade 1 CRTs from suppliers such as Ikegami and Sony are still purchased in small numbers for monitoring in quality-conscious playout centres and post-production houses. For every other broadcast ap...

Submitted by Dennis Lennie

Published 01 September 2009

Ancillary Data Monitoring in Multiviewers

The broadcast environment has gone through enormous change over the last decade, creating challenges in the management, storage and broadcast of material. Factors contributing to these challenges include the increase in the number of channels with the move to digital, the introduction of various aspect ratio and video standards with the transition...

Submitted by Dennis Lennie

Published 01 September 2009

Tv-bay Digital Signage Special Report IBC2009

Sign of the times at IBCDigital signage – the use of video screens or projectors to create dynamic information and advertising displays – has moved on rapidly from technological showcase and niche market to become a mainstream media. Recent research by Multimedia Intelligence predicts a doubling of the market by 2012, with 2.3 million displays in u...

Submitted by Dennis Lennie

Published 01 September 2009

OLED vs LCD

There was a rapid change in image display technology within the last few years. Nowadays CRTs are history, flatpanels substitute them everywhere. Even in the broadcast industry. Different technologies dominate the market;Plasma - a self-lighting principle - mostly used for large screens;TFT-LCDs - a concept that always needs a backlight - most comm...

Submitted by Dennis Lennie

Published 01 September 2009

Why choose a broadcast or professional monitor

Just as it’s unlikely that anyone would purchase a family vehicle to set trailblazing records around a race track and a sports car is not going to be the best choice for off-road use, the same principle is true of monitors – the key is to match the product to the demands of the task. So what are the differences between the major monitor families?Co...

Submitted by Dennis Lennie

Published 01 September 2009

Ask the Experts on the Topic of Distribution and Delivery

NAB 2009 was fascinating with respect to how many customers were looking for solutions and insisting that manufacturers work together to provide solutions, as opposed to just supplying products. File-based workflows were the talk of the town (well, at least the talk of NAB) and there certainly continues to be significant discussion and implementati...

Submitted by Dennis Lennie

Published 01 August 2009

Eye to eye on Broadcast content management 2009

Content asset management is one of the fastest developing areas of the entire broadcast business. Its advantages over old-style film and videotape libraries are so widely recognised that they hardly need repeating. NAB provided an opportunity to look at new advances from some of the key players. AP introduced a new module for its ENPS 6.0 and 7.0....

Submitted by Dennis Lennie

Published 01 August 2009