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Venice live productions tools go to the consumer


by Tim Felstead Issue 98 - February 2015 The objective of most studio production is to cost effectively create live or as live television to which audiences will be drawn. During the process of creation, recording into media servers can either be a separate process used only for immediate replay, or can be part of a media workflow serving multiple...

Submitted by Tim Felstead
Published 01 March 2015

Hands-on with the Antelope PICO ultra slow motion minicam


by Mel Noonan Issue 98 - February 2015 Super slow motion, or super motion, has been around for years and is mostly 3x recording speed. If you record say 3 seconds of action and play it back at normal European production frame rate you\'ll have 9 seconds of slow motion replay. These cameras must integrate with the live production workflow in use. SS...

Submitted by Mel Noonan
Published 01 March 2015

A stitch in time


by Thomas Dove Issue 98 - February 2015 "A stitch in time saves nine\" is an old saying: essentially it is saying fix a small problem now and it will save fixing a much bigger problem later. This applies in many areas - including broadcast. Kicking the error can down the road costs a lot more to fix the problem, particularly for audio and video fil...

Submitted by Thomas Dove
Published 01 March 2015

The fast-moving business of providing pop-up editing suit...


by Danny Carri Issue 97 - January 2015 Video editing is moving at a fast pace, with video, software and server specifications all changing with the seasons. For production companies who know what they want, hiring an editing system for the duration of a production is an efficient alternative to hiring the services of a post production facility. We...

Submitted by Danny Carri
Published 01 February 2015

Eye to Eye: Video Post-production


Video post-production has long been one of the fastest developing subsets of the broadcast business. It was among the first to lead the shift from hardware into software, bringing huge advantages in terms of affordability and ease of use. I can still remember the high cost, heavy weight and low quality of the early analogue tape to tape video editi...

Submitted by Bob Pank#
Published 01 January 2015

Expanding Arqiva into HD playout


ATG Broadcast recently completed a major SD to HD upgrade for Arqiva broadcast transmission centre at Gerrards Cross, Buckinghamshire. The expanded system enables Arqiva to process and transmit four fully-operational 1080i HD channels as well as six new SD channels. It includes the installation and equipping of a server-based ingest suite, playout...

Submitted by Bob Pank#
Published 01 January 2015

Making It Easy To Be In Two Places At Once


In these economically straitened times, all broadcast facilities are seeking ways to reduce cost without compromising quality. Equally, those equipment manufacturers that want to stay ahead of the game are responding by looking at how customers work and then seeing if there is a way to deliver the same results more simply and cost effectively. One...

Submitted by Bob Pank#
Published 01 January 2015

File-based QC systems for small and mid-sized media organ...


by Vikas Singhal Issue 95 - November 2014 Companies across the media value chain have departed the tape-based realm and migrated to file-based workflows. In making this transition, they left behind common, well-established technologies that had ensured the smooth flow of content from creation through to delivery. In their place, companies implement...

Submitted by Vikas Singhal
Published 01 December 2014

Manipulate and Edit


Issue 94 - October 2014It will come as no surprise to many but the results of a survey unveiled at IBC have shown once again that some European broadcasters are struggling to keep up with the speed of technology change. Faced with new ways of working and constantly shifting goalposts, not to mention reduced budgets, many technology decision makers...

Submitted by Will Strauss#
Published 01 November 2014

Manage and Monitor


Issue 94 - October 2014In the month that digital files become the preferred method of delivery for television programmes in the UK, it will come as a blessed relief to many in both post and production that one of the biggest bugbears of file-based delivery – how to deal with insert editing - may have been solved, just in the nick of time. It didn’t...

Submitted by Will Strauss#
Published 01 November 2014

Move and Deliver


Issue 94 - October 2014You may not have heard of the open source video company Kaltura. But you probably will have heard of Harmonic. Together the two companies made an announcement at IBC that is indicative of where multi-screen, multi-platform TV is heading. They have teamed up to develop and market a cloud-based video infrastructure and OTT TV p...

Submitted by Will Strauss#
Published 01 November 2014

Trouble- Shooting Your Mac Editing System


by Larry Jordan Issue 94 - October 2014 So, there you are. Ready to start editing, except your editing system doesn\'t start. Or crashes in the middle of an edit. Or, most insulting of all, just sits there waving the "Spinning Beach Ball of Death\" in your face. Sigh... While there are an unlimited number of gremlins and bad actors that could cause...

Submitted by Larry Jordan#
Published 01 November 2014

Capture and Produce


Issue 93 - September 2014 Amongst all the new cameras, support and other production kit being touted prior to IBC, it was a less tangible announcement that really captured the imagination: Atomos’ announcement that it wants to standardize its Start/Stop Trigger connectivity for HDMI by making it available to other manufacturers. Locking SDI interfa...

Submitted by Will Strauss#
Published 01 October 2014

Manage and Monitor


Issue 93 - September 2014 In less than a month’s time, British television producers will be asked to deliver their programmes to broadcasters as files rather than tape. Some have been doing it for years. For others, it’s a whole new world. Fundamentally, the change is just replacing physical items like tapes, labels and VT reports with their zeros...

Submitted by Will Strauss#
Published 01 October 2014

Move and Deliver


Issue 93 - September 2014 In an industry that hands out a lot of awards, it can be easy to take the revelation of each golden statuette or glass embossed brick with a pinch of salt. When NATAS hands out a Technology and Engineering Emmy, however, people sit up and take notice. This month Video Services Forum, Media Links, Nevion, DVBlink, Inc, Harr...

Submitted by Will Strauss#
Published 01 October 2014