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Eye to Eye: Video Post-production


Video post-production has long been one of the fastest developing subsets of the broadcast business. It was among the first to lead the shift from hardware into software, bringing huge advantages in terms of affordability and ease of use. I can still remember the high cost, heavy weight and low quality of the early analogue tape to tape video editi...

Submitted by Bob Pank#
Published 01 January 2015

IDX E-HL9 Battery review


Author: Jon BoastManufacturer: IDXModel: E-HL9 BatteryShort Description: 88Wh Li-ion V-Mount High Load Battery with PowerLink & Digi-View. Why was it needed and what did it replace: I'd had my IDX E-10 batteries for a long time and so I needed to re-invest in new batteries to power my cameras, monitor and glidecam. What other systems did you consid...

Submitted by Bob Pank#
Published 01 January 2015

#TVFUTURES


by Dylan Ellcome Issue 96 - December 2014 I\'m now well into my final year of BSc Television and Broadcasting at the University of Portsmouth , and things are beginning to slot into place, finding a natural rhythm. You quickly realise that this year, there is no messing about, and the learning curve, well that\'s where you\'re expected to put into...

Submitted by Dylan Ellcome
Published 01 January 2015

REVIEW: Portaprompt 365 Personal


by Sam Dierckx Issue 95 - November 2014 InSync are an online video strategy and video production company. Our roots are in the production of Television programmes, but we left that boat early because of the opportunities that presented themselves online and of course because TV budgets here in Belgium have become smaller and smaller due to online c...

Submitted by Sam Dierckx
Published 01 December 2014

6


Issue 95 - November 2014Must have or just a dream? Either way these 6 stood out this month GALILEO is an app-controlled robotic dock for iPhone (and other devices) bringing a new dimension of motion control to your iPhone. You control the orientation of your iPhone remotely or let galileo rotate your iPhone automatically with new apps constantly be...

Submitted by KitPlus
Published 01 December 2014

Confidence Monitoring in the Modern Broadcast Environment


by Graham Taylor Issue 95 - November 2014 Monitoring equipment is often the last element considered in a broadcast system build, and getting its deployment just right is not always a top priority. However, most operations managers and broadcast engineers readily acknowledge the critical role that effective monitoring plays in making their jobs easi...

Submitted by Graham Taylor
Published 01 December 2014

Capture and Produce


Issue 94 - October 2014One of the hot topics at this year’s IBC was undoubtedly the growing adoption of end-to-end IP production and the imminent death of SDI. During a panel session, hosted by Mediasmiths and Cognizant, and including representatives from BBC, Sony and more, the key point made was that the adoption of IP production technology and w...

Submitted by Will Strauss#
Published 01 November 2014

Move and Deliver


Issue 94 - October 2014You may not have heard of the open source video company Kaltura. But you probably will have heard of Harmonic. Together the two companies made an announcement at IBC that is indicative of where multi-screen, multi-platform TV is heading. They have teamed up to develop and market a cloud-based video infrastructure and OTT TV p...

Submitted by Will Strauss#
Published 01 November 2014

How To Record The Perfect Voice Over


by Beth Zarkhosh Issue 94 - October 2014 Ever wonder how much time and effort goes into creating the perfect voice over and how to record them yourself? As most of us hear the voices on the screen we rarely think about the person who has recorded it or the professional level of technique used to create it. Where can you record? So firstly let\'s ex...

Submitted by Beth Zarkhosh
Published 01 November 2014

How To Produce and Stream a live Production


by Chris Waddington Issue 94 - October 2014 Today, anyone with a smartphone and an internet connection can stream video content for free. The challenge is to create professional looking content that makes an impact; to do that it needs to have the polished look viewers are accustomed to seeing on network television, or they\'ll stop watching. In th...

Submitted by Chris Waddington
Published 01 November 2014

Manipulate and Edit


Issue 93 - September 2014 Company mergers can be no fun. Staff panic about ‘efficiencies’ and therefore their jobs. The press speculates about ‘what really happened?’ And there are always lawyers involved. And no one likes that. When DiGiCo revealed that it would merge with fellow audio console manufacturers Calrec and Allen & Heath, following a bu...

Submitted by Will Strauss#
Published 01 October 2014

#TVFUTURES


Issue 93 - September 2014TV-Bay has featured a number of stories from the University of Portsmouth course BSc Television and Broadcasting over the last 12 months, and the course is relatively unusual for operating an actually television channel in tandem with the curriculum, and for producing weekly live professional TV programmes. The course has r...

Submitted by Larry Jordan#
Published 01 October 2014

Guaranteed Training?


by Mark Reed Issue 93 - September 2014 My dictionary says that training is “the action of teaching a person or animal a particular skill”. I’m not sure how many animals work in the TV industry but the point is, sound in the broadcast arena definitely requires taught skills. I consider myself one of the lucky ones. I went to a college recognised as...

Submitted by Mark Reed
Published 01 October 2014

How I shoot those Amazing Spaces


by Chris Smith Issue 93 - September 2014 Channel 4 has just finished showing series 3 of its popular ‘Amazing Spaces’, which is all about people building unusual living spaces. Watch it, and even after one viewing it could have you looking at your back garden in a new light, ready to start building that underground family space or cinema, or maybe...

Submitted by Chris Smith
Published 01 October 2014

In the Field


by Robin Brown Issue 93 - September 2014 Traditionally teleprompters were seen solely as a studio staple, but for more than two decades they have been consistently supporting talent in the field in a variety of locations around the globe. The numerous step changes in technology, which have had such a dramatic impact on all types of television equip...

Submitted by Robin Brown
Published 01 October 2014