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News production with an IP workflow

Broadcast workflow used to be all about tapes. Shooting on tapes, putting tapes into machines, copying from one tape to another, using very expensive gear and costly workflows, with scarce resources and high skill levels. But as broadcast technology evolved tape was mostly replaced by hard drives, and the revolution in editing made it possible to w...

Submitted by Helge Hoibraaten

Published 22 July 2016

Content Security in the CLoud

Security is a difficult topic. There is no such thing a generic security. You always secure yourself against specific threats and hope the solution is generic enough to cover other similar classes of threat. For example - placing an expensive lock on the front door of your house prevents the specific threat of gaining access by using the door handl...

Submitted by Bruce Devlin

Published 14 June 2016

The Pros and Cons of Archiving in the Cloud

Archiving content in the cloud provides a number of key benefits. However, many media companies and content owners are still hesitant to store their assets that way due to content security implications and cost concerns. So what are the pros and cons of storing content in the cloud?There are a number of key drivers including: access to content from...

Submitted by Lee Sheppard

Published 14 June 2016

Girl Power

This month I was going to write about something important about the future technological platforms of our industry. It would have been incisive, enlightening and enriching. It really would have been. But I have just got completely derailed by the discovery of what I hesitate to call a cultural phenomenon. And while it is almost certain that you all...

Submitted by Dick Hobbs.

Published 14 June 2016

NAB Review

by Duncan Payne Issue 113 - May 2016 As I emerge from the customary post-NAB haze and try to formulate a coherent analysis of the 2016 show, perhaps the most striking realisation is that despite pacing the halls for four long days, I barely scratched the surface. The scale of the event, much like Las Vegas itself, is simply extraordinary, with over...

Submitted by Duncan Payne

Published 13 May 2016

5 Things I Saw At NAB

by Peter Savage Issue 113 - May 2016 ARRI Trinity stabilisationIt may look like something that was dreamt up for a sci-fi film but the Trinity stabilisation system is a truly remarkable bit of kit that is most certainly real. Available as an upgrade to the Artemis or a third-party camera stabiliser, it consists of a compact and lightweight two-axis...

Submitted by Peter Savage 2

Published 13 May 2016

Remote Production

by Jim Green Issue 113 - May 2016 Ten years ago,remote production was the stuff of dreams,a glimpse into a brave new world. The prospect of providing real-time audio control of live events thousands of miles away,without even leaving the studio,was as enticing as it was unlikely. But broadcasters are already reaping the benefits of remote productio...

Submitted by Jim Green

Published 13 May 2016

Loudness Measurement and Control Strategies For The UK Br...

by Manik Gupta Issue 113 - May 2016 A common issue that today\'s broadcast ,cable, and satellite operators face is inconsistent loudness. Over the years, the loudness levels of some commercials have been deliberately increased to catch audiences\' attention. Ultimately, inconsistent loudness between regular programming and advertisements has discou...

Submitted by Manik Gupta

Published 13 May 2016

The Power Of IP

by Jamie Shepperd Issue 112 - April 2016 There is little doubt that the adoption of IP technology across the broadcast workflow can bring significant benefit to broadcasters. IP is ubiquitous, it\'s based on common standards and broadcast can benefit further from the wealth of expertise and technology that exist in other industries. While we are st...

Submitted by Jamie Shepperd

Published 25 April 2016

SDI, IP, Uncompressed and Compressed

by Phil Adams Issue 112 - April 2016 Why did you decide to create a new platform for T&M? There\'s a lot of talk about hybrid in the industry and we recognised early on that there were some big changes in the pipeline to do with SDI, IP, uncompressed and compressed signals and we had a lot of our own end users asking for something specific for UHDT...

Submitted by Phillip Adams

Published 25 April 2016

A virtual world but call it cloud if you must

I prefer not to use the word "cloud". It's useful for eight points in Scrabble, but in broadcasting, if we can still call it that, what you're really describing is storing data on someone else's computer or, on an industrial scale, a whole lot of someone else's computers (data centres). Cloud is just a convenient way of saying "shedload of capacity...

Submitted by Jan Weigner

Published 01 April 2016

IP for live production

The production and transmission of a live sporting event is one of the most technically challenging assignments for any crew. After all, you can't ask to take the shot again at a live event! Multiple signals in a variety of formats need to be transmitted around the sporting venue, as well as being seamlessly integrated with feeds from a studio or o...

Submitted by John Smith

Published 01 April 2016

How Your iPad Can Help Your Filmmaking

by Beth Zarkosh Issue 110 - February 2016 How Your iPad Can Help Your FilmmakingThe new iPad is a fantastic and innovative tool for practically anything, but now you can rely on it for your filmmaking needs as well. It may not be what Spielberg is using to shoot his next blockbuster, however its rapidly becoming a must-have tool for filmmakers of a...

Submitted by Beth Zarkhosh

Published 16 March 2016

Media asset management: the key to business success

by Kevin Usher Issue 109 - January 2016 Media asset management: the key to business success By Kevin UsherIn todays media environment enterprises are under intense pressure to improve content monetization and maximize operational efficiency. Theyre expected to do moreto create more content for more platforms and deliver it to more peopleso they hav...

Submitted by Kevin Usher

Published 21 January 2016

Ask The Expert- Post Production Supervisor at BBC Studios...

by John Loughman Issue 109 - January 2016 ¢ Tell us about you, your job role at BBC S&PP and what led your career in this direction? I received a BA in Media Production from Cumbria Institute of the Arts. In April of my final year at University, I applied for a Trainee Post Production Assistant role at the BBC and I joined In September 2004. I wor...

Submitted by John Loughman

Published 21 January 2016