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State Of The Nation: Securing The Future


This magazine is a notable champion for education in our industry, and deserves much praise for its efforts. To my mind, there is all too little concern for our future. I have previously taken up your time in these pages on the subject of creating the next generation of talent, but I am largely unrepentant that I am going to do it again. Pretty muc...

Submitted by Dick Hobbs - new
Published 03 November 2019

Joanna Cuper - Demonstration Technician CVP


What is your role at CVP?I’m a demonstration technician at our Midlands office. What does that involve?My role as a demonstration technician involves a broad range of responsibilities. A large part of the job is providing integral technical advice to clients on choosing the right equipment for them and their specific project. This can vary from sim...

Submitted by Joanna Cuper
Published 03 November 2019

A Place For Placements - TVFutures


I've been interested in media all my life… making short films with my mates in Windows Movie Maker when I was little... I never really knew where I wanted to go career wise, but I knew I always liked video production. So it will come as no surprise that I chose a degree that would provide that outlet, and I hoped that dedicating three Years to stud...

Submitted by Luca Di-Maio
Published 03 November 2019

Creating Opportunities For A Diverse and Colourful Future


The creative industry is awash with beautiful designs, animations and incredible imagery, created for one reason – to entertain and capture our imagination. An industry creating such amazing visualisations should represent all viewers, from different backgrounds, beliefs, cultures and orientations. ACCESS:VFX, could be the answer to a more diverse...

Submitted by Alex Humphries-French
Published 03 November 2019

On Stage At Festival Beauregard


Set in the majestic grounds of the Chateau de Beauregard, and in its eleventh year, the festival is an eclectic mix of homegrown French talent and international artists spanning pop, rock, punk and dance. We made the hop across the channel to find out more. With a diverse lineup - where else can you find Tears for Fears, Disclosure, Snow Patrol, Fa...

Submitted by KitPlus
Published 03 November 2019

Solving Rigorous Digital Workflow Challenges


Headquartered in New Zealand, The Rebel Fleet offers digital workflow services to top film and television production companies. Clients address broad creative needs and retain total image control across multiple shooting units with fast turnarounds. Recent projects include The Meg, Adrift, Ash vs Evil Dead, and The Shannara Chronicles. The company...

Submitted by Michael Urban
Published 03 November 2019

Testing Hybrid Workflows


‘As hybrid workflows that bridge the IP and SDI worlds become the norm, test and measurement tools that support hybrid environments become increasingly more important’ says PHABRIX’s Martin Mulligan, SVP Sales and Operations. With the industry’s steady migration from traditional HD-SDI to IP and/or 12G-SDI infrastructures, broadcasters are now face...

Submitted by Martin Mulligan
Published 03 November 2019

Live Streaming Workflows Examined


In today’s hyperconnected world, audiences expect accessible, high quality content across the displays they see every day, whether at home or on the go, at a concert or church service, or even in the board room. There are a number of approaches professionals can take to deliver live content, but each workflow ultimately varies depending upon the de...

Submitted by Bryce Button
Published 03 November 2019

State of the Nation - Getting Connected


We are all familiar with statistics about the growth of the internet. Cisco’s latest report, for instance, says that global IP traffic is increasing at 26% a year, and will reach 4.8 zetabytes a year by 2022. The number of connected devices will be three times the world’s population by the same date. There is a nice chart in the Cisco report: in 19...

Submitted by Dick Hobbs - new
Published 10 September 2019

To Remotely Go - TVFutures


Charlie Watts: "One of my biggest concerns as an academic responsible for the education of hundreds of students is the ‘appropriateness’ of much of the technology we purchase and implement within the curriculum. The last few years have seen tremendous change in all sorts of technologies, and the broadcast industry is just one sector that has seen s...

Submitted by Michael Parsons
Published 10 September 2019

IP Technology for Broadcast Audio Routing Systems


As the AoIP debate continues to confuse and delight in equal measure, what is clear is different scenarios require specific solutions. So is there a solution that encompasses open standards and existing proven AoIP technologies to the benefit of all?IntroductionBy definition, network infrastructure (switches, routers and cables) is protocol and tec...

Submitted by Tom Knowles
Published 10 September 2019

Undercover Remote Production


It’s only taken 20 years and it seems that Remote Production is finally coming of age, but it now requires far more cameras than anyone envisaged back in the last century!The move to remote production is one of the unstoppable trends of 2019 and moving into 2020. Our CamBall cameras pioneered remote working as early as 2003 with sport and wildlife...

Submitted by David Bradley
Published 10 September 2019

REVIEW Canon UJ111x8_3B UHD Lens


Shooting in ultra high definition and high dynamic range has become the preferred option for all television productions with a potentially long commercial life. The hir-ing charge and indeed the outright purchase cost of cameras of this standard are not significantly greater than those of high definition standard dynamic range models. With half the...

Submitted by Andy McKenzie
Published 10 September 2019

The Future of Broadcast Connectivity


The use of KVM equipment has been essential to meet the evolving needs of the broadcast industry for many years. Over that time, many in the industry have recognised the importance of using IP-enabled KVM to break down technological barriers and enable real-time access to visuals wherever and whenever they’re needed. These components are vital part...

Submitted by Jamie Adkin
Published 10 September 2019

Why MADI is Still Relevant


While the original idea for MADI was to cater to a very narrow recording studio application, the standard remains a viable go-to multichannel audio technology. Beginning as a standard in 1991, MADI was first introduced to the world as digital production was beginning to come of age. MADI was put together in 1988 by Solid State Logic, AMS-Neve, Sony...

Submitted by Stephen Brownsill
Published 10 September 2019