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Issue 95 - November 2014Must have or just a dream? Either way these 6 stood out this month GALILEO is an app-controlled robotic dock for iPhone (and other devices) bringing a new dimension of motion control to your iPhone. You control the orientation of your iPhone remotely or let galileo rotate your iPhone automatically with new apps constantly be...

Submitted by KitPlus

Published 01 December 2014

Rotolight ANOVA lights

Issue 95 - November 2014We are moving into an era when technology enables us to streamline our workflow more than ever before and studios are looking to utilize equipment that is portable, versatile and energy efficient without undermining the quality of the end product. LED Lighting is increasingly more popular as LED technology advances and the u...

Submitted by KitPlus

Published 01 December 2014

Capture and Produce

Issue 93 - September 2014 Amongst all the new cameras, support and other production kit being touted prior to IBC, it was a less tangible announcement that really captured the imagination: Atomos’ announcement that it wants to standardize its Start/Stop Trigger connectivity for HDMI by making it available to other manufacturers. Locking SDI interfa...

Submitted by Will Strauss#

Published 01 October 2014

Fashionable Live Streaming

by Katie Phibbs Issue 93 - September 2014 For the launch of their Autumn Winter 2014 collection, Ted Baker called on London studio 3xScreen Media to provide an ambitious production and live streaming solution. The brief was to provide catwalk coverage via four simultaneous live streams viewed in a player designed and built for purpose. The fashion...

Submitted by Kate Phibbs

Published 01 October 2014

Swiss Role

by Dick Hobbs Issue 93 - September 2014 Like many in the industry - and everyone concerned with marketing and the press - I am thinking a lot about IBC at the moment. All right, strictly speaking I am thinking about getting a plane to Greece tomorrow, but I know I should be thinking about IBC. But rather than write about the exciting new technologi...

Submitted by Dick Hobbs.

Published 01 October 2014

Innovative prompting

by Brian Larter Issue 92 - August 2014 What prompting trends are you foreshadowing for the broadcast industry?Customers are requiring the need to be more versatile in the way they use prompting solutions in their respective production workflows. Providing hardware and software that will work in all aspects, whether it is in a studio or on location,...

Submitted by Brian Larter

Published 01 September 2014

A new age of teleprompting?

by Jon Hilton Issue 92 - August 2014 Whilst it may not be the first thing on the production agenda, one could argue it is an essential production tool today delivering at least two fundamental production values. Firstly it can save you money by reducing the time required to get that perfect take and secondly it means that your presenter will be wor...

Submitted by Jon Hilton#

Published 01 September 2014

Disaster Recovery the broadcast emergancy service

by Lee Sheppard & Paul Moran Issue 90 - June 2014 Weve all heard the phrase Disaster Recovery (DR), but what does it actually mean for broadcasters and content owners, and what constitutes a disaster?DR is a broad term that encompasses a range of scenarios, from catastrophic disaster (for instance, the complete destruction of a whole facility), to...

Submitted by Lee Sheppard

Published 01 July 2014

Audio monitoring: critical to visual media services

by Simen Frostad Issue 89 - May 2014 Its a fact of TV broadcasting that audiences will tolerate reduced visual quality much more readily than any impairment to the audio. So long as the audio continues and is intelligible, viewers tend to put up with glitches in the video or even temporary loss of picture. But if a broadcaster lets the audio qualit...

Submitted by Simen Frostad

Published 01 June 2014

Mildred: The next generation of OB vans

by Kate Phibbs Issue 87 - March 2014 As live streaming occupies an ever-increasing piece of the broadcast industry pie, todays leaders of the online broadcasting industry are paving the way by investing in original and status quo challenging research and development. The team of engineers at industry leader, 3xScreen Media, kept these principles of...

Submitted by Kate Phibbs

Published 01 April 2014

Ask the experts with Shotoku

by James EddershawIssue 82 - October 2013 Shotoku has been around for quite some time, but for those who may not be familiar, can you explain who you are and what you do?Shotoku Broadcast Systems is an international leader in the manufacture and marketing of a full range of camera support products including manual and robotic pedestals as well as v...

Submitted by James Eddershaw

Published 01 November 2013

Increasing creativity and functionality with Q-Ball

By Jim Daniels, technical director, Camera CorpsTell us more about Camera Corps and its position within the industry…Camera Corps was founded almost 20 years ago to offer broadcasters video system design and rental services. Having focused on rentals from the very beginning, we have provided high-volume cameras, pan-and-tilt heads and tracking syst...

Submitted by Jim Daniels

Published 01 July 2013

Will Strauss gets a grip!

By Will StraussOf all the many areas of television technology that tv-bay Magazine covers, you might think that camera support is the one that appears, on the surface at least, to move the slowest. Take the tripod for example. Fundamentally, the design hasn’t changed for a hundred years. Or how about the dolly? The wheels and track device that Alfr...

Submitted by Will Strauss#

Published 01 March 2013

The Modern Solution - Just Add Carbon!

Problem. Traditionally, getting in and among the action and seeing the true grit, determination and suffering of sporting competitors - be it filming something such as International Ironman competitions with cross terrain transitions from land through to water and back to land - speeds from a sprint, to a swim to a high speed cycle, Formula One pit...

Submitted by Bob Pank#

Published 01 July 2012

The evolving art of sports television

Given the choice of watching a major live event on site or via television, most people would opt for the real thing. Sure, you have to get to the venue, perhaps queue to buy a ticket, find your seat or maybe stand for hours. If it is a football match, the audience in front will probably stand up for a better view of each goal, completely blocking y...

Submitted by Bob Pank#

Published 01 April 2012