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Television on television


Just at the moment I am receiving a steady, almost daily, stream of press releases from an American company called IVI. The service they offer is aimed at an American audience so I will not bore you with the details of their campaign. But it raised some thoughts in the back of my mind. IVI has developed some clever (it claims) software, for Mac, Li...

Submitted by Bob Pank#
Published 01 November 2010

Content Control in a Complex Broadcast Environment


Broadcasters and other media companies today acquire, generate and store an unprecedented volume of content to take advantage of new distribution outlets. Enabled by the transition to digital media and file-based workflows, this model presents new opportunities with respect to revenue generation as well as new challenges in terms of establishing ef...

Submitted by Bob Pank#
Published 01 October 2010

Ensuring the longevity of an archive


The role of the archive has changed dramatically over the last few years. Every broadcaster in the world, regardless of their size, has the tools at their disposal to unlock their assets, digitise and repurpose their content for renewed monetisation and, in some cases, for the benefit of historic value. Tapping into new revenue streams is essential...

Submitted by Bob Pank#
Published 01 October 2010

Making the content factory a reality


The expression “content factory” has been around for a while and in a number of contexts. Is this a realistic concept? Can we – producers, facilities, broadcasters – embrace the idea of process in the manufacturing sense, or is making content for television and the new digital platforms too different to making biscuits or cars?We are naturally resi...

Submitted by Bob Pank#
Published 01 September 2010

Making the grade


As we enjoy the Summer of 2010 the UK production industry remains in the grip of recession. Also, as noted in the recent UK Screen report, competition within the post production industry is damaging its own members with dangerous price wars. However, the biggest threat is coming from another direction – production companies and agencies bringing in...

Submitted by Bob Pank#
Published 01 September 2010

3D Diaries Part 3 Mastering 3D


The 3D Masters conference was full of optimism, and caution, for the future of stereoscopic 3D. The one-day event was a near sell-out with about 250 attendees filling most of those sumptuous theatre seats at BAFTA. Despite the comfort, warmth, darkened room and good lunch, your correspondent managed to keep wide-awake to absorb the ceaseless torren...

Submitted by Bob Pank#
Published 01 August 2010

A dream budget


As the coalition government prepares its emergency budget, Peter Savage looks at what is planned and tells us what he thinks the government should do. Apologies to avid readers of this column that there wasn’t one in the last issue. The editors decided on an article on the effects of the general election on our industries and, sod’s law, the deadli...

Submitted by Bob Pank#
Published 01 July 2010

Enabling the fans


The days when a simple hotdog, a pint of beer, a score board and good lungs were the main ingredients of a great day at a football game are soon to be a thing of the past. Mike Arthur, general manager, sports and live events, at Harris Broadcast Communications, talks to TV-Bay Magazine about the advances in technology which will enable interactive...

Submitted by Bob Pank#
Published 01 July 2010

Does one size fits all


Economic realities are driving most technical industries toward considering solutions that combine what began as stand-alone, discrete devices into single, multifunction systems. In the broadcast and multimedia production arenas, character generators (CGs) are among the discrete systems now being offered in multifunction platforms. The assumption i...

Submitted by Bob Pank#
Published 01 June 2010

Doremi Silver Anniversary


It was 25 years ago that Doremi founder and CEO Camille Rizko, invented a better way to perform digital audio for postproduction. He was joined by his brother Emil, and fellow engineer Safar Ghazal. And so from humble beginnings in the San Fernando Valley, California, the Doremi partners have never looked back. In 1985, the entertainment industry w...

Submitted by Bob Pank#
Published 01 May 2010

Stereoscopic production and transmission


If ever there was a technology that has taken it’s time to mature, it is that of stereoscopic (3D) production and transmission. It is well documented that the mechanics behind the technology has been around almost since the inception of the moving picture itself and in fact stereoscopic stills technology was developed in the 1840’s. Until now, the...

Submitted by Bob Pank#
Published 01 March 2010

Looking back, and forward to the next decade of media pro...


The year 2000 doesn’t seem that long ago – and what’s for certain is that as you get older ten years is a very short space of time. A decade is a long time in technology though. In 1999 most people didn’t have a mobile phone and weren’t even on the internet at home, painfully slow dial-up was the only option for most. A decade on, the internet is a...

Submitted by Bob Pank#
Published 01 March 2010

Business conditions of Nigeria v UK


Peter Savage continues his series of articles on maximising business opportunities with a sideways look at opportunities in with emerging marketsDue to the efficiency (ahem) of TV Bay’s management and my own scheduling skills, I find myself, the day before going to press, writing an article whilst sitting in a hotel in Lagos, Nigeria. So, for a com...

Submitted by Dennis Lennie
Published 01 February 2010

Double dip 2009


Well here we go again. Christmas is coming and, yes, given market reactions and the news that Dubai’s bubble has burst, it looks likely that we are heading for the classic W – two falls into recession, a double dip. Of course, like you, I hope it won’t come to that but optimism does seem to have evaporated. Pressure also seems to be mounting in Soh...

Submitted by Dennis Lennie
Published 01 January 2010

Implications of a Tapeless workflow


The rise of ‘Tapeless Workflows’ is dramatically changing the way broadcasters and post-production facilities protect the content they are working on or own. The traditional workflow relies on tapes to record and protect information, usually stored on a shelf to be used again if necessary. However, due to changes in technology and the demands of an...

Submitted by Dennis Lennie
Published 01 November 2009