KitPlus | Articles

Ed Sheeran goes 4k live at Wembley

by Steffan Hewitt Issue 106 - October 2015 Ed Sheeran has had a phenomenal ride to music success world wide. In July 2015 as part of his x World Tour he played three sold out concerts at Londons Wembley Stadium, his biggest solo shows to date with combined show audiences of 240,000 plus. Paul Dugdale and Jim Parsons whilst working for JA Digital pl...

Submitted by Steffan Hewitt

Published 01 November 2015

Sony PXW-FS5 Review

by Alister Chapman Issue 106 - October 2015 I was lucky enough to get some hands on time with a prototype FS5 in Amsterdam at IBC. In case you havent heard about it, the PXW-FS5 is a compact interchangeable lens, super 35mm camcorder from Sony that can record in HD or UHD 4K. It shares many of the features of the already incredibly popular PXW-FS7...

Submitted by Alister Champman

Published 01 November 2015

The future is smaller, more powerful batteries

by Steve Emmett Issue 106 - October 2015 High-quality cameras are getting smaller and lighter all the time, making them suitable for new applications. Nearly every production we see today includes shots acquired by drone and gimbal mounted cameras. The batteries required to power these cameras have to meet new criteria. They must be able to withsta...

Submitted by Steve Emmett

Published 01 November 2015

No broadcast without flawless communication

Issue 105 - September 2015 Reliable and fail-safe communications for the broadcast of live events are more important than ever. On site, broadcasters only have one chance to grab the perfect image for the viewer with time being a crucial factor. The larger the event, the more viewers it reaches and the higher the risk that something could go wrong....

Submitted by KitPlus

Published 01 October 2015

Dynamic display revolution!

Issue 104 - August 2015 Projection mapping and dynamic video displays have transformed live events and performance art. Blended projection and massive video walls have given event directors the ability to deliver a whole new level of creativity to theatre, music and outdoor events. One of the companies at the forefront of this revolution is SNP Pro...

Submitted by KitPlus

Published 01 September 2015

CLASS - LEAN Mean Versioning Machine

by Bruce Devlin Issue 103 - July 2015 Today, there are numerous ways to access and consume media, be it through UHDTVs, smartphones, tablets or other screens, devices or services. Because there are so many outlets and even more bytes of information as a result, content owners and broadcasters are working incessantly to deliver top-quality content a...

Submitted by Bruce Devlin

Published 01 August 2015

Tapeless Workflows, MAM and Archive: Back to Basics

by Mike Shore Issue 103 - July 2015 The broadcast industrys appetite for file-based workflows existed long before the technology required to implement them was available. With the emergence of cheap capture hardware, the continually decreasing cost of storage and the ever-increasing capabilities of inexpensive computing power, the transition from t...

Submitted by Michael Shore

Published 01 August 2015

Distribution in the UHD Era

by Paul Briscoe Issue 103 - July 2015 Once upon a time, there were few broadcast TV standards. Each used its own regional image formats, color encoding scheme and sound and vision modulation standards. High-power over-the-air (OTA) transmitters broadcast the signal on internationally coordinated and regionally allocated radio frequency (RF) channel...

Submitted by Paul Briscoe

Published 01 August 2015

How HEVC technology is revolutionizing field-based broadc...

by Eli Garten Issue 103 - July 2015 High-Efficiency Video Encoding (HEVC), also known as H.265, is the subsequent generation of H.264 and tapped to be the next widely adopted standard for video compression. As with any MPEG evolution, the new standards goal is to make compression more efficient and allow for reducing OPEX and CAPEX in various video...

Submitted by Eli Garten

Published 01 August 2015

Back to the future

by Dick Hobbs Issue 103 - July 2015 I was recently talking to the estimable James Gilbert, who runs the equally estimable graphics and automation specialist Pixel Power. He said something that made me think. We were talking about scalability, and he said that it works in two directions. There is the sort of scalability that we all readily understan...

Submitted by Dick Hobbs.

Published 01 August 2015

On-camera monitors for today and tomorrow

by Paul Isaacs Issue 102 - June 2015 1) Why is monitoring so important for productions?Image quality is a central concern for users of any video product, so monitoring should be one of the foremost considerations for cinematographers and videographers. Along similar lines, the ability of consumer televisions and a range of personal devices to displ...

Submitted by Paul Issacs

Published 01 July 2015

Those pesky scientists

by Dick Hobbs Issue 102 - June 2015 This month\'s picture is of something I was given on a visit to the Grass Valley camera factory in Breda, maybe 10 years ago. I think it is a thing of beauty, which is why it sits in pride of place on top of the wine cabinet. It is the sharp end an HD system camera: the optical block and a CCD imager. We saw in t...

Submitted by Dick Hobbs.

Published 01 July 2015

High-speed archiving in a high-res world

by Lee Sheppard Issue 102 - June 2015 SGL has partnered with Avid for the past 11 years and the companies continue to deliver solutions that are required by today\'s modern broadcast facilities. SGL FlashNet, the engine that drives Avid Interplay Archive, provides customers around the world with an integrated MAM/PAM archive solution. Built around...

Submitted by Lee Sheppard

Published 01 July 2015

Why fast production storage is just not enough

by Martin Bennett Issue 102 - June 2015 UHD, 4k, 6k, 8k¦the proliferation of high-resolution formats and files along with the growing number of skillsets that can collaborate on projects push storage bandwidth and capacities beyond their limits. If we just take a look at the potential storage requirements for a single 8K raw digital cinema format t...

Submitted by Martin Bennett

Published 01 July 2015

Digital media services need more than just standard prote...

by Simen Frostad Issue 101 - May 2015 Standards are conceived in abstract. They are set up and negotiated between interested parties in a process that can last several years, with each party to the negotiations pressing its own case, and the standard that emerges at the conclusion is usually compromised in some way. At worst it can simply be a lowe...

Submitted by Simen Frostad

Published 01 June 2015