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3D Five years on

For me, IBC2006 was the beginning of the modern 3D era. At an invitation-only presentation, 3ality’s CEO Steve Schklair described what his company was achieving with S3D. Suddenly it all made sense. With the accuracy of digital shoots and computer technology replacing difficulties and expense of working with film, 3D could now be viable. Unlike the...

Submitted by Bob Pank#

Published 01 December 2011

Whats new in video monitoring

The great majority of video monitoring displays in any modern broadcast presentation facility are LED-backlit LCDs. Reliable, space-efficient and economical on power, they produce excellent pictures for all but the most critical applications, usually in conjunction with one or more multiviewers to emulate a monitor stack. Domestic television began...

Submitted by Bob Pank#

Published 01 December 2011

Monitoring, managing and processing SDI signals efficient...

With the proliferation of HD, Dual Link and 3G technologies, SDI signal management is now, more than ever, a challenge for broadcast engineers and A/V professionals. They would often like to use affordable HDMI displays for monitoring. They need to distribute signals throughout their facility, which often means video feeds must be amplified to acco...

Submitted by Bob Pank#

Published 01 December 2011

Monitoring in the file-based environment

One of the major challenges facing broadcasters and content producers today is quality control. In the traditional model QC was performed by skilled viewers in real time, watching the content on a good monitor alongside a waveform monitor and audio meters to ensure the technical parameters were optimised. That is still critical, although the onus f...

Submitted by Bob Pank#

Published 01 December 2011

The IBC 2011 Future Zone

Meet Tony Drummond-Murray, an engineer. His company, Murraypro, has been inventing and manufacturing precision equipment for 37 years. The mere 10 minutes I spent on the Murraypro stand at this year's IBC were an education. I learnt how and where manufacturers dangerously cut corners when designing their products and what effect this has on broadca...

Submitted by Kieron Seth#

Published 01 November 2011

Back to Basics with Stereo 3D

In 2011 more than 35 networks in Europe and North America will broadcast stereo 3D programming — and several will launch dedicated 3D channels. 40 3D features are expected to hit theatres this year, and stereo-3D-ready consumer devices from TVs to video cameras to smartphones are hitting the streets. The demand for compelling content to meet the ne...

Submitted by Bob Pank#

Published 01 October 2011

Glasses wars again

It was never going to be easy. Even now, over four years into the modern 3D era, reliably creating and displaying 3D still presents many challenges. Everyone says that the footage must be technically ‘good’ and, for television, the need for glasses is an issue for viewers, though glasses are pretty well accepted for cinema. The good news is that hu...

Submitted by Bob Pank#

Published 01 October 2011

Storage and archiving

Anyone looking closely at a helical scan video tape mechanism, particularly the miniature variety, might be forgiven for wondering how such an elaborate technology ever came to be invented. The first experimental video tape recorders were essentially audio recorders running at very high speed to achieve the bandwidth needed for television signals....

Submitted by Bob Pank#

Published 01 October 2011

Ask the Experts on Storage and Archive

What is the most important thing to consider when choosing storage for content creation applications?The single most important aspect to consider when choosing a storage device for content creation is workflow. It is critical to have made a decision with regards to the capture device, the video format to be used and how the finished project will be...

Submitted by Bob Pank#

Published 01 October 2011

The Red Epic has landed

Finally the Red Epic has started to appear in facilities companies around the world, S+O Media is one of the first in the UK to receive a handmade Epic-M. I’ve taken the camera out on a couple of shoots and I have to say I’m pretty impressed. I’m sure everyone is aware of the Red One, the first camera from Red. Billionaire Jim Jannard decided he co...

Submitted by Bob Pank#

Published 01 September 2011

IBC2011 must sees

Over 1,300 exhibitors will be supporting IBC2011, each bringing perhaps one, two or three new or enhanced products. My task is to distill these down to the 20 devices likely to be of greatest interest to TV-Bay readers, so far as that is possible several weeks before the show opens. As a recent convert to OS X, I note with gloom that Apple remains...

Submitted by Bob Pank#

Published 01 September 2011

Game, Set and Match

It was only three months ago that this column hailed featured the new DVB-3DTV standard. But already there’s talk of a second version, or rather ‘phase’, as described by David Wood of the EBU in the new 3D Roundabout newsletter. In a way this is healthy. It shows just how fast 3DTV is moving and, whereas phase 1 is designed to work with existing 2D...

Submitted by Bob Pank#

Published 01 August 2011

What is high-performance data transport and why is it imp...

What is high-performance data transport and why is it important?The advent of digital content has led major media companies and their IT partners to design fully-integrated systems for the creation, distribution, repurposing and archiving of their file-based content. While most processes associated with content production and distribution have tran...

Submitted by Bob Pank#

Published 01 August 2011

Eye to Eye on Delivery and Distribution

A notable aspect of the 2010 IBC and 2011 NAB conference sessions was the rapidly increasing focus on IP streaming. Fibre-optic delivery to the home has yet to be turned into widespread reality but transport speeds over existing electrical infrastructure continue to accelerate. Cloud-based storage and distribution services offer a solution to the c...

Submitted by Bob Pank#

Published 01 August 2011

Cameras for streaming

I first saw true HD pictures years ago at IBC. OpTex had a camera focusing on some beautifully lit fruit. The image on the screen was extraordinary, hypnotising. Leap forward a decade and Amsterdam brought Europe its first taste of Ultra High Definition Television - not 720p, not 1080i, but 4320p. The enveloping cinematic pictures and the embrace o...

Submitted by Kieron Seth#

Published 01 August 2011