KitPlus | Articles

Capture and Produce

Issue 94 - October 2014One of the hot topics at this year’s IBC was undoubtedly the growing adoption of end-to-end IP production and the imminent death of SDI. During a panel session, hosted by Mediasmiths and Cognizant, and including representatives from BBC, Sony and more, the key point made was that the adoption of IP production technology and w...

Submitted by Will Strauss#

Published 01 November 2014

Product Spotlighting

Issue 93 - September 2014The changing face of on-camera LED LightingIBC 2014, Europe’s largest and most anticipated Broadcast show will see the launch of the latest evolution of on-camera LED Lighting systems, in the form of the ROTOLIGHT NEO. IBC has previously seen the launch of the Multi-Award winning Rotolight RL48 Ring light, Rotolight ANOVA a...

Submitted by KitPlus

Published 01 October 2014

The brains behind a no brainer

by Thomas Dove Issue 92 - August 2014 It’s perhaps not surprising that a lot of professional video and audio editors don’t fully grasp the minutia of file-based media formats and delivery specifications such as those established by the Digital Production Partnership (DPP). After all, an editor’s job is to is to make compelling content, whether for...

Submitted by Thomas Dove

Published 01 September 2014

Keeping it real

by Will Strauss Issue 92 - August 2014 With Sky buying into an immersive video start-up, and the BBC trialling content on an Oculus Rift headset, virtual reality could be about to move from simply sets and studios to a whole new realm. Once residing purely in the realms of science fiction and, latterly, video gaming, it appears that virtual reality...

Submitted by Will Strauss#

Published 01 September 2014

Green storage Fat wallets

by Ben Pearce Issue 91 - July 2014 Its not just eco campaigners that want to reduce their carbon footprint. Its also the financial director. Whether youre a small company or a transnational enterprise, you run the risk of losing control of your data and buying more and more disk space. You may be storing many copies of each file on multiple externa...

Submitted by Ben Pearce

Published 01 August 2014

LED lighting comes of age

by Chris Chisnall Issue 88 - April 2014 Lighting is paramount to any production, whether its for an independent short or for a multi-million pound Soap, you can own the best cameras on the market but without the right lighting you dont have the shot! Either on location or in the studio, you need to take in to consideration the lighting setup; key l...

Submitted by Chris Chisnall

Published 01 May 2014

Bob Pank looks at the size of 4k

by Bob Pank Issue 86 - February 2014 The television industry has had many new technological eras in recent years. Only two years ago we were still a 3D era; the latest of the many that have surfaced and sunk over the years of cinema, making it recurring fad. Now 4K / UHD is firmly grabbing the attention of equipment manufacturers as well as product...

Submitted by Bob Pank#

Published 01 March 2014

The Digital Production Partnership

by Simon Pegg Issue 86 - February 2014 The Digital Production Partnership (DPP) was founded in January 2011 by the BBC, ITV, and Channel 4, with representation from Sky, Channel 5, S4/C, UKTV, and BT Sport, to help speed the transition to fully digital production and distribution in television. As part of its work, the group has established common...

Submitted by Simon Pegg

Published 01 March 2014

How the cloud is changing the post production landscape

by Stephen Streater Issue 85 - January 2014 For many years, the pace of change in mass market IT has dwarfed that of broadcast technology. For example, consumer cameraphone resolution has increased over the last ten years by 30,000%. In comparison, broadcast resolution hasn\'t changed significantly. The development costs of consumer cameras are amo...

Submitted by Stephen Streater

Published 01 February 2014

Speed and accuracy in post

by Walter Kummli Issue 85 - January 2014 Walter Kummli is an experienced editor and director of Inhouse Productions Ltd, based in Basel, Switzerland. Since its inception, all editing at Inhouse Productions Ltd has been carried out using EditShares powerful non-linear editing system, Lightworks. Founded in 1999, Inhouse Productions Ltd offer organis...

Submitted by Walter Kummli

Published 01 February 2014

The new DPP standard

by Craig Newbury Issue 85 - January 2014 Why and how is the DPP standard significant for broadcasters and other media facilities across the U.K, and beyond? The Digital Production Partnership (DPP) was founded in January 2011 by the BBC, ITV, and Channel 4, with representation from Sky, Channel 5, S4/C, UKTV, and BT Sport, to help speed the transit...

Submitted by Craig Newbury

Published 01 February 2014

Taking the heat out of lighting

by Kevin CookIssue 82 - October 2013 Weve seen a gradual move away from tungsten video lighting for a number of years now and for all sorts of reasons. Firstly theres the ecological issue about using tungsten lights. Burning a metal filament within a gaseous-free glass chamber is not the most efficient way to generate a light source. Most of the en...

Submitted by Kevin Cook

Published 01 November 2013

Introducing #TVFUTURES

Issue 82 - October 2013 Will IngramI studied media at GCSE and studied photography and video for a year at AS level before switching to a full time video course. In July 2011, I had a serious downhill mountain bike crash initially rendering me paralysed and having a massive impact on my life. Learning to walk again and rebuilding your body isnt eas...

Submitted by KitPlus

Published 01 November 2013

Will Strauss rounds up IBC 2013

by Will StraussIssue 82 - October 2013 Dear Reader. I have a confession. I did not visit every single one of the many hundreds of stands at IBC this year. In fact, I didnt even visit all 11 halls within the RAI. And I didnt talk to all 52,974 attendees. I was there. I have the stroopwafels to prove it. Its just that IBC is a massive show. And I am...

Submitted by Will Strauss#

Published 01 November 2013

The evolution of camera connectivity and the HPX600

Tape in, tape out. Cable in, video out. Card in, card out. Simpler times: productions orchestrated by an army of runners, tape op’s and engineers, with transmission to TV, ingest via a VTR and a room dedicated to storing media. Today’s production team has changed. It’s become a small elite squad, tasked with multi-channel playout, multi-resolution...

Submitted by Kieron Seth#

Published 01 July 2013