KitPlus | Articles

The Evolution of Cloud

with Micky Edwards Issue 108 - Decmeber 2015 Television was originally created to be a mass communication platform. Yet, over the last few years, it is becoming increasingly hyperlocal. There are several reasons the television industry is transitioning from a broadcast to narrowcast schematic. One is monetization. According to Borrell Associates, l...

Submitted by Micky Edwards

Published 15 December 2015

TVFutures: Student pitch

by Emma Cox Issue 106 - October 2015 Student Pitch - Our second article pitch comes from Emma Cox, third year student studying BSc Television and Broadcasting at the University of Portsmouth. Personally I think this months KitPlus theme of acquisition is a tricky one for students to write about, but Emmas approach displayed real insight, and it als...

Submitted by Emma Cox

Published 01 November 2015

Circles of Confusion

by Graham Reed Issue 106 - October 2015 We seemed to have gone from SD to HD to UHD in a very short time but has lens technology kept up?Most camera manufactures now produce 4K cameras but they often look very similar to HD cameras, are they just the same with a 4k chip and also have they added 4k lens? They publish very little information about th...

Submitted by graham reed

Published 01 November 2015

The future is smaller, more powerful batteries

by Steve Emmett Issue 106 - October 2015 High-quality cameras are getting smaller and lighter all the time, making them suitable for new applications. Nearly every production we see today includes shots acquired by drone and gimbal mounted cameras. The batteries required to power these cameras have to meet new criteria. They must be able to withsta...

Submitted by Steve Emmett

Published 01 November 2015

Distribution in the UHD Era

by Paul Briscoe Issue 103 - July 2015 Once upon a time, there were few broadcast TV standards. Each used its own regional image formats, color encoding scheme and sound and vision modulation standards. High-power over-the-air (OTA) transmitters broadcast the signal on internationally coordinated and regionally allocated radio frequency (RF) channel...

Submitted by Paul Briscoe

Published 01 August 2015

Rise of the drones

by Jeremy Braben Issue 100 - April 2015 Drones are taking TV and film productions where they have never gone before. But how can they be used to best effect, what challenges do they present and will they replace helicopters in aerial filming? Jeremy Braben of Helicopter Film Services (HFS) has some of the answers... The recent explosion of unmanned...

Submitted by Jeremy Braben

Published 01 May 2015

Wireless Production Tools - Hints, tips and a word of war...

by Alan March Issue 95 - November 2014 Some Do\'s and Don\'ts Over the years, there have been certain questions or queries that have had a habit of re-occurring. At the risk of teaching you, dear reader, to suck eggs, here are a few of them;Can I use two transmitters with just one receiver? No. With wireless microphones, a dedicated transmitter and...

Submitted by Alan March

Published 01 December 2014

Manage and Monitor

Issue 93 - September 2014 In less than a month’s time, British television producers will be asked to deliver their programmes to broadcasters as files rather than tape. Some have been doing it for years. For others, it’s a whole new world. Fundamentally, the change is just replacing physical items like tapes, labels and VT reports with their zeros...

Submitted by Will Strauss#

Published 01 October 2014

Flying a Drone part 1

by Jon Pratchett Issue 93 - September 2014 Drones! The word imparts a sense of fear into the hearts of many. You immediately think of US spy planes, covert missions to attack forces deep in enemy territory. Yet it’s also the word that many now use to describe those little flying multi rotor things with GoPro’s on that seem to be popping up everywhe...

Submitted by John Pratchett

Published 01 October 2014

How to Sell a Film Before it is Made

by Beth Zarkosh Issue 93 - September 2014 Independent filmmakers can produce some of the most gripping, compelling and original cinematic works around, but without funding it’s a real struggle to piece together the requisite resources for such productions to get the backing that they deserve. So what’s the answer? Simple - sell the DVD before you’v...

Submitted by Beth Zarkhosh

Published 01 October 2014

UWP-D11 Review

by Kevin Cook Issue 91 - July 2014 Ever since the new regulations in the UK on radio microphone frequencies were introduced in the UK at the end of 2012, the days were numbered for my trusty old Sony UWP series radio mic system (consisting of the URX-P1 UHF dual-diversity receiver and UTX-B1 transmitter). Whilst super-reliable and excellent quality...

Submitted by Kevin Cook

Published 01 August 2014

Giving Content Distributors an Edge in Quality and Compli...

by Adam Schadle Issue 90 - June 2014 Todays media and entertainment ecosystem relies on interconnections between content originators, who produce programming and deliver it over broadcast networks (including terrestrial, satellite, cable, and IPTV), and secondary content distributors who take that programming and deliver it to the end viewer. Incre...

Submitted by Adam Schadle

Published 01 July 2014

Ask the experts: the future for media archives

by Stefano Cavaglieri Issue 89 - May 2014 Semantic linking is a term coined by Tim Berners-Lee and used to describe a framework of syntax that allows computers to understand complex statements of the kind humans are able to deal with easily. If all the information online were to be accessible through semantic linking, computers would be able to mak...

Submitted by Stefano Cavaglieri#

Published 01 June 2014

Assuring loudness compliance for international content di...

by Samuele Tezza Issue 89 - May 2014 At SAMPLE, sound is our business. An up-and-coming digital recording studio and post-production house based in Verona, Italy with offices in Milan and Rome, SAMPLE offers a full range of high-end services including voice recording for television and radio, dubbing for cinema and television, original soundtracks,...

Submitted by Samuele Tezza

Published 01 June 2014

Disaster Recovery with Peter Savage

by Peter Savage Issue 86 - February 2014 Disaster recovery planning was, on the morning of Sunday 9th February, as far from my mind as was winning the figure-skating gold medal at Sochi. I recall my Rothschild days when we employed one guy whose job was almost totally devoted to what if strategic thinking and preparation. However, Azule is a small...

Submitted by Dick Hobbs.

Published 01 March 2014