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Ask the Experts

by Matthew Rehrer Issue 90 - June 2014 What trends are you seeing with respect to investment in archiving solutions?Investment in archiving solutions has been shaped by several major trends, all fundamentally driven by the desire to store and manage media content in such a way that it can better support effective and/or profitable use of those asse...

Submitted by Matthew Rehrer

Published 01 July 2014

Rotolight ANOVA from the eyes of a DoP

by Alasdair McBroom Issue 90 - June 2014 Belfast based Photographer and DoP, Alasdair McBroom talks about his experience of the Rotolight ANOVA V2 that he used to light his latest projects working along side Director / Writer Stuart Drennan (Hollyoaks, BBC, Channel 4) for their TV and Film Production Company, Wolfhound Media. The Rotolight Anova V2...

Submitted by Alasdair McBroom

Published 01 July 2014

Made with love

by Simon Marett Issue 89 - May 2014 It can wash over you, hardly heard but intensely felt. It can convey a mood without a word being spoken. It can jar and jangle your nerves - in a good way, if its a thriller. Or it can make you cry. The choice of music is a crucial component to the overall feel of many TV programmes - as important as the grade, t...

Submitted by Simon Marett#

Published 01 June 2014

Game Set Match

by Nico Lewis & Jon Ridel Issue 89 - May 2014 Sports events such as the Super Bowl, the Winter Games in Sochi and the Wimbledon Championships are among the most prestigious jobs for broadcast companies. The larger the event, the more viewers it reaches and consequentially, the more complicated and important the communication system becomes. Without...

Submitted by Nico Lewis

Published 01 June 2014

Premier league infrastructure

by Alan Green Issue 88 - April 2014 It is now common practice to cable major sports venues for broadcast operations. It saves time rigging pulling cables in to every camera and commentary position can take a day or more. The efficiency is great for broadcasters it means that the same truck can work at different grounds on consecutive days. As well...

Submitted by Alan Green

Published 01 May 2014

Ask the experts: Life behind the rate card

by Mike Ransome Issue 88 - April 2014 From time to time, most people in broadcast and production need to rent in some equipment. It might be to extend capabilities an extra camera channel, for example or it might be to bring in something you do not normally use, like an EVS server, for instance. Now picking a dry hire company sounds awfully simple....

Submitted by Mike Ransome

Published 01 May 2014

#TVFUTURES

by Will Ingram Issue 88 - April 2014 Since my last article in November I have been flat out working on a large range of different projects both for the course and outside. We have recently finished our IPTV studio unit for which we decided to create a music show that would help to promote local artists. The project was very stressful at the start b...

Submitted by Will Ingram

Published 01 May 2014

Automation...

by Robert Lisman Issue 87 - March 2014 What is broadcast automation and why is it important to me?Broadcasters and media operations face the complex task of managing all kinds of hardware and software, such as switchers, video servers, graphics systems, routers, newsroom systems, craft editors (NLEs), VTRs, tape formats and file codecs. Broadcast a...

Submitted by Robert Lisman

Published 01 April 2014

Dick Hobbs questions how it got to be 2014 so soon?

by Dick Hobbs Issue 85 - January 2014 As we get ourselves ready to launch in to the new year, I have a few thoughts to share with you. The first is prompted by a press release which landed in my inbox back in December. IBM to acquire Aspera was the headline. Aspera is a business started by a fearsomely clever mathematician, Michelle Munson. She cam...

Submitted by Dick Hobbs.

Published 01 February 2014

Speed and accuracy in post

by Walter Kummli Issue 85 - January 2014 Walter Kummli is an experienced editor and director of Inhouse Productions Ltd, based in Basel, Switzerland. Since its inception, all editing at Inhouse Productions Ltd has been carried out using EditShares powerful non-linear editing system, Lightworks. Founded in 1999, Inhouse Productions Ltd offer organis...

Submitted by Walter Kummli

Published 01 February 2014

Ooh ahh.. just a little DIT with Will Strauss

by Will Strauss Issue 84 - December 2013 Issue 84 - December 2013 Like the Offshore Windfarm Engineer or the Waste Management Consultant, the Digital Imaging Technician (DIT) is very much a 21st Century profession and one that didnt exist 10 years ago. Generally recruited for a digitally-shot feature film, commercial or TV drama, the role was initi...

Submitted by Will Strauss#

Published 01 January 2014

Dick Hobbs on the bake off!

by Dick HobbsIssue 83 - November 2013 The taste was that of the little crumb of madeleine¦ which my aunt Lonie used to give me, dipping it first in her own cup of real or lime-flower tea. Like most of us, the only Proust I have read is his section in the dictionary of quotations to look up the famous line about baked goods triggering memories. Marc...

Submitted by Dick Hobbs.

Published 01 December 2013

The impact of depreciation with Peter Savage

by Peter SavageIssue 83 - November 2013 I spent last Thursday evening with a longstanding friend discussing depreciation. I can see you all sitting up and taking note, thinking, Wow! This man Savage has a really exciting life ¦. But, hard as it might be to believe, it was a very interesting conversation and one that demonstrates how the market has...

Submitted by Dick Hobbs.

Published 01 December 2013

Rising to the occasion

by Kevin CookIssue 83 - November 2013 I must admit I wasnt really in the market for a camera crane until I set eyes on the iFootage M1 Mini Crane. Sure, I love seeing craning shots in a film - and I understand perfectly how these types of shots give the viewer an additional and otherwise unavailable perspective to A scene but it all seemed like a l...

Submitted by Kevin Cook

Published 01 December 2013

Dick Hobbs going large

by Dick HobbsIssue 82 - October 2013 First, I would like you to watch a five minute video. You can find it at adayinbigdata.com. Watched it? Good. Yes, I know the girl is intensely irritating no-one in real life is ever that cheery. But it gets over an important point, I think: we generate huge amounts of data which, if we are happy to share it, ca...

Submitted by Dick Hobbs.

Published 01 November 2013