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#TVFUTURES

Issue 93 - September 2014TV-Bay has featured a number of stories from the University of Portsmouth course BSc Television and Broadcasting over the last 12 months, and the course is relatively unusual for operating an actually television channel in tandem with the curriculum, and for producing weekly live professional TV programmes. The course has r...

Submitted by Larry Jordan#

Published 01 October 2014

How I shoot those Amazing Spaces

by Chris Smith Issue 93 - September 2014 Channel 4 has just finished showing series 3 of its popular ‘Amazing Spaces’, which is all about people building unusual living spaces. Watch it, and even after one viewing it could have you looking at your back garden in a new light, ready to start building that underground family space or cinema, or maybe...

Submitted by Chris Smith

Published 01 October 2014

Playing games with radio mics on location

by Richard Meredith Issue 93 - September 2014 Some people use the same radio mics year in year out for every job that they do - others hire in radio mics for every job and don’t own anything - I am in the unique (nearly) position of being able to select the most appropriate from my own hire stock, and so every project has the equipment best suited...

Submitted by Richard Meredith

Published 01 October 2014

The evolution of Wired Intercom

by Simon Browne & Ed Fitzgerald Issue 93 - September 2014 Early Beginnings What do you think was the fi rst DIGITAL communications system devised? Of course you could think of the evolution in standardised parallel data backplanes and digital ICs in the 1980s and the swathe of multi-rack Time Division Multiplexed switching systems that it enabled,...

Submitted by Simon Browne

Published 01 October 2014

Making the invisible visible

by Charlie Watts Issue 92 - August 2014 September 2014 will see a brand new communication and televisual experience unleashed for University of Portsmouth students within the newly opened Eldon Building. Catherine Harper, Professor and Dean of the Creative and Cultural Industries (CCI) Faculty, and Gary Bown, Principal lecturer, have both made it t...

Submitted by Charlie Watts

Published 01 September 2014

What Directors do and dont do

by David Crossman Issue 92 - August 2014 Piers Haggard the BAFTA award-winning Director for his BBC TV work - says you can\'t teach Directing any more than you can teach Art. Piers may be right but I believe there are some directorial skills which can be passed on. Like many crew members and actors I have suffered at the hands of inexperienced Dire...

Submitted by David Crossman

Published 01 September 2014

Israels i24news

by Jason Danielston Issue 92 - August 2014 Israeli international news channel i24news went on air in July 2013. Broadcasting from Jaffa port, Tel Aviv, it airs international news on three channels in three languages: English, French, and Arabic. The channel provides news content and magazine pieces to 800 million households around the world on cabl...

Submitted by Jason Danielson#

Published 01 September 2014

Black magic studio camera

by Mark Stopher Issue 92 - August 2014 Blackmagic Design recently released their new Studio Camera - it’s a small, portable broadcast camera, intended for live studio productions. There’s an HD version that you can pick up for £1,289 and a 4K version is said to be shipping soon. At tv-bay we were shooting some product demonstration videos in our st...

Submitted by Mark Stopher

Published 01 September 2014

UWP-D11 Review

by Kevin Cook Issue 91 - July 2014 Ever since the new regulations in the UK on radio microphone frequencies were introduced in the UK at the end of 2012, the days were numbered for my trusty old Sony UWP series radio mic system (consisting of the URX-P1 UHF dual-diversity receiver and UTX-B1 transmitter). Whilst super-reliable and excellent quality...

Submitted by Kevin Cook

Published 01 August 2014

The Challenges of streaming media

by Larry Jordan Issue 91 - July 2014 Internet streaming. It sounds easy, but doing it is surprisingly difficult. I know, Ive been streaming live audio every week for the last seven years for my podcast Digital Production Buzz. And Im streaming video from my website for the last three years as part of my on-going software training. If everything is...

Submitted by Larry Jordan#

Published 01 August 2014

The Evolution of TV to the Bus Train and Park Bench

by John Mills Issue 90 - June 2014 A Digital RevolutionSince the not-quite-fully-electric late nineteenth century, Television has been evolving. The first major, modern change to the way people experienced TV was when technology enabled them to decide when they were going to watch the programmes they wanted to watch. VHS recorders and then DVD play...

Submitted by John Mills

Published 01 July 2014

Transforming Content and Caputure Distribution

by Russell Wise Issue 90 - June 2014 Within the broadcast industry, ongoing financial pressures have driven continued consolidation of operations, centralization of staff, and efforts to increase efficiency through smarter use of current and forward-looking media-focused technologies. At the same time, the rise of multiplatform content distribution...

Submitted by Russell Wise

Published 01 July 2014

Music licensing for corporate video

by Kevin Cook Issue 89 - May 2014 Music copyright is a nightmare. Its an incredibly confusing subject and failing to understand it can be potentially ruinous. As a corporate video producer you simply cant skip around the subject as its something that youll have to deal with on a daily basis. Quite often clients will also ask for their favourite com...

Submitted by Kevin Cook

Published 01 June 2014

Made with love

by Simon Marett Issue 89 - May 2014 It can wash over you, hardly heard but intensely felt. It can convey a mood without a word being spoken. It can jar and jangle your nerves - in a good way, if its a thriller. Or it can make you cry. The choice of music is a crucial component to the overall feel of many TV programmes - as important as the grade, t...

Submitted by Simon Marett#

Published 01 June 2014

Assuring loudness compliance for international content di...

by Samuele Tezza Issue 89 - May 2014 At SAMPLE, sound is our business. An up-and-coming digital recording studio and post-production house based in Verona, Italy with offices in Milan and Rome, SAMPLE offers a full range of high-end services including voice recording for television and radio, dubbing for cinema and television, original soundtracks,...

Submitted by Samuele Tezza

Published 01 June 2014