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The evolution of camera connectivity and the HPX600


Tape in, tape out. Cable in, video out. Card in, card out. Simpler times: productions orchestrated by an army of runners, tape op’s and engineers, with transmission to TV, ingest via a VTR and a room dedicated to storing media. Today’s production team has changed. It’s become a small elite squad, tasked with multi-channel playout, multi-resolution...

Submitted by Kieron Seth#
Published 01 July 2013

Capturing awesome audio


Paul Sargeant, Director of Operations at Procam discusses the challenges facing sound recordists using the latest broadcast technology If you look at the industry as a whole, the rapid evolution of camera technology is drifting away from audio, despite the importance of compatibility between the two. Meaning it’s becoming harder to plug straight in...

Submitted by Oliver Masciarotte
Published 01 June 2013

Will Strauss captures some decent sound gear


Capturing decent location sound requires skill, experience and, as Will Strauss discovered when compiling a list of recent audio acquisition innovations, piles of expensive kit. Although some cameramen might disagree, audio is still the most important thing to get right when on location. The odd dodgy shot can, generally speaking, be sorted in post...

Submitted by Will Strauss#
Published 01 June 2013

Jon Pratchett reviews the Matrox VS4 Capture Card


On many occasions it has been necessary to record ISO footage from the camera's on a multi camera live streaming job, normally just so we have that backup and can do any re-edits if needed. However it relies on either the camera operator having to remember to load the camera with storage media and then of course HIT RECORD!! In the heat of a live e...

Submitted by Jon Pratchett
Published 01 May 2013

TV-Bay takes BroadcastShow on tour!


TV-Bay’s BroadcastShow goes on tour... Where & When?London (Pinewood Studios) 9th May 2013Glasgow 14th May 2013Manchester 16th May 2013Cardiff 21st May 2013Bristol 23rd May 2013Who’s exhibiting?A growing band of leading manufacuters and distributors are coming on the tour and (at time of going to print) we are pleased to say Panasonic, NewTek, Blac...

Submitted by KitPlus
Published 01 May 2013

Dick Hobbs remembers the BBC Television Centre


I am writing this column the day after the last news programme was transmitted from BBC Television Centre, and by the time you read it the place will be more or less moribund. Which is sad. My first experience of Television Centre was – frighteningly – 40 years ago when I went to a recording of Andr Previn’s Music Night in TC1. It was a Rachmaninov...

Submitted by Bogdan Frusina
Published 01 May 2013

Live from the supermarket car park


What’s Cooking? is the new daily daytime TV show beamed from a temporary studio in the car park of a supermarket. As chefs prepare dishes live on air, a roving camera crew relays pictures from the aisles of the shop while Channel 4 viewers interact with the presenters and cooks via social media. Produced by Superhero TV, technical integration and i...

Submitted by Kieron Seth#
Published 01 May 2013

Tv-bay questions with Richard Hooking


Richard Hookings Q&A for TV-BayDifferent Animals - The Polecam Full Rig owner opHow did you get in to the Broadcast business?When I was 12 I went to a Michael Faraday lecture; they were demonstrating the latest TV technology of the day– how they made Superman fly with green screen, how they did the weather - I got the bug, and from then on I wanted...

Submitted by KitPlus
Published 01 April 2013

A very useful tool: Atomos Samurai reviewed


By Stephen J. BrandInternational cameraman Stephen J. Brand’s work takes him to some far-flung places. As well as work for BBC Channel 5, ITV and Channel 4, Stephen recently spent 6 weeks in the Middle East filming a wildlife commercial for Qatar TV using a Sony EX3 and an Atomos Samurai, which he describes as a ‘‘very useful little tool”. Here, he...

Submitted by Stephen J. Brand
Published 01 April 2013

Lincolnshire Police Enhances Distance Learning Program


Getting the best out of employees, especially ones who play such a big role in the wider community, requires continual professional development. Training is a top priority to ensure officers are equipped with the skills they need to tackle any scenario they might encounter. For over 40 years, Lincolnshire Police has placed the utmost importance on...

Submitted by KitPlus
Published 01 April 2013

Life live beyond the Premier League


by Kieron SethIn Europe outside broadcast has traditionally been within the reach of a handful of deep-pocketed television companies. Across the Atlantic, small OB vans have been popular for years with niche, regional news crews beaming state pie eating competitions to eager viewers. With the advent of Local TV and low-cost fast turnaround producti...

Submitted by Kieron Seth#
Published 01 April 2013

4K or not 4K, that is the question


Peter Savage goes all literary to show how our industry draws on Shakespeare and Keyne. 4K or not 4K, that is the question. Whether 'tis nobler in the mind to suffer The slings and arrows of a much larger workflow Or to take arms against a sea of other formats And by opposing end them. 2K, to sleep No more--and by a sleep to say we end That format,...

Submitted by Robert Howard
Published 01 March 2013

Three legs good... better, best


by Kieron SethFluid SticksWhy do exhibitions and open days still exist in the social media mad world? Why do manufacturers and resellers maintain show rooms when information is immediately accessible online?Simple: no matter which ‘celebrity’ DOP endorses a particular product, there’s no way to log on to assess how any camera balances on the should...

Submitted by Kieron Seth#
Published 01 March 2013

Is film a brand


In 2000 George Lucas announced he wanted to make Episode 2 of the Star Wars Prequel Trilogy. It was going to be about 90% CGI so he wanted to shoot the live action sequences using video. It is said that as he had just had a very expensive divorce and needed some money which is why he embarked on making these prequels! Then there was no video camera...

Submitted by Will Strauss#
Published 01 January 2013

3D for Cinema, ProAV and Events


Over more than a century of motion picture presentations there have been periods when 3D has emerged, and each time interest has faded away. The latest 3D wave goes back to the advent of digital technology for cinemas. Digital Cinema Initiatives (DCI) was formed in 2002 and delivered its first DCI Specification in 2005, when Doremi was well ahead w...

Submitted by Bob Pank#
Published 01 January 2013