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Capture and Produce


Issue 93 - September 2014 Amongst all the new cameras, support and other production kit being touted prior to IBC, it was a less tangible announcement that really captured the imagination: Atomos’ announcement that it wants to standardize its Start/Stop Trigger connectivity for HDMI by making it available to other manufacturers. Locking SDI interfa...

Submitted by Will Strauss#
Published 01 October 2014

Shooting Cinematically


by Ben Baldwin Issue 93 - September 2014 One Monday morning in July I headed to Pinewood Studios to spend an hour in the company of Den Lennie and Philip Bloom for a Sony Webinar - Shooting Cinematically. Both DOPs share a passion for helping aspiring filmmakers grow their skills and confidence and both have a wealth of knowledge when it comes to c...

Submitted by Ben Baldwin
Published 01 October 2014

How I shoot those Amazing Spaces


by Chris Smith Issue 93 - September 2014 Channel 4 has just finished showing series 3 of its popular ‘Amazing Spaces’, which is all about people building unusual living spaces. Watch it, and even after one viewing it could have you looking at your back garden in a new light, ready to start building that underground family space or cinema, or maybe...

Submitted by Chris Smith
Published 01 October 2014

6


Must have or just a dream? Either way these are our 6 of the best this month chosen by Larry Jordan, David Crossman and Jon Boast. Issue 93 - September 2014 DJI Ronin Handheld Gimbal SystemThe DJI Ronin Handheld Gimbal System has been developed for the cinematographer with pro-grade build quality keeping up with the demands of everyday use and aeri...

Submitted by Larry Jordan#
Published 01 October 2014

Is bingeing the new black?


by Dick Hobbs Issue 92 - August 2014 Recently BBC4 has been showing the classic 1985 television drama Edge of Darkness. Troy Kennedy Martin masterfully captured the nuclear paranoia of the era, at a time when the Thatcher government was making a virtue out of secrecy. The idea that global forces were casually trading in weapons-grade material and w...

Submitted by Dick Hobbs.
Published 01 September 2014

UWP-D11 Review


by Kevin Cook Issue 91 - July 2014 Ever since the new regulations in the UK on radio microphone frequencies were introduced in the UK at the end of 2012, the days were numbered for my trusty old Sony UWP series radio mic system (consisting of the URX-P1 UHF dual-diversity receiver and UTX-B1 transmitter). Whilst super-reliable and excellent quality...

Submitted by Kevin Cook
Published 01 August 2014

Centralised Video Solutions for 3M campus


by Neil Hutchins Issue 91 - July 2014 3Ms sprawling headquarters in Minnesotas Twin Cities hosts the companys central engineering, sales and marketing activity. As such, there is a lot of video moving in a lot of different directions: at any point during the day at least one of the campuss 18, fibre-connected venues is in use, whether for a new pro...

Submitted by Neil Hutchins#
Published 01 August 2014

Information Control and Automation but not as you know it


by Sandra Squire Issue 90 - June 2014 Cameras, branding, lighting and timers all at the touch of a button. Accurate clocks, timing and cue information are essential components of any broadcasting environment directors, production teams and presenters have always depended on them for the delivery of broadcast critical operations. This is still the c...

Submitted by Sandra Squire
Published 01 July 2014

The Evolution of TV to the Bus Train and Park Bench


by John Mills Issue 90 - June 2014 A Digital RevolutionSince the not-quite-fully-electric late nineteenth century, Television has been evolving. The first major, modern change to the way people experienced TV was when technology enabled them to decide when they were going to watch the programmes they wanted to watch. VHS recorders and then DVD play...

Submitted by John Mills
Published 01 July 2014

Atomos Samurai Blade and Connect Converter TSG


by Kevin Owen Issue 90 - June 2014 Kevin Owen has worked in live television broadcast industry for the past 10 years, specializing in fiber optic systems integration and video engineering. Troubleshooting problems on the fly, often at remote locations away from the production truck has become an integral part of his job. Kevin is most often found w...

Submitted by Kevin Owen
Published 01 July 2014

4K at NAB


by Bob Pank Issue 89 - May 2014 The long term NAB veterans will be well aware of just how quickly new technologies can come and go in the television industry. For instance, only a couple of years ago, 3D was still the hot topic, now it has gone quiet, but not altogether gone away. So it is good to report that 4K had another very good NAB, probably...

Submitted by Bob Pank#
Published 01 June 2014

Packing a real punch for Bangshock


by John Milkovich and Jamie Milkovich Issue 88 - April 2014 Headed up by Creative Director and DP John Milkovich, and Chief Post Production Editor Jamie Milkovich, Vancouver-based media company Bangshock recently took their Ninja 2 on a shoot to capture the Thailand Superfight Thepprasit Pattaya. The Ninja 2s feather weight and rugged build proved...

Submitted by John Milkovich
Published 01 May 2014

When the going gets tough


by Will Strauss Issue 88 - April 2014 When working in the field, the kit we use has to withstand a fair old battering. And Im not just talking about the cameras, viewfinders and those expensive lenses. While glass still needs protecting, these days so does your laptop, your storage, your memory cards: the lot. They all need bags, cases and toughene...

Submitted by Will Strauss#
Published 01 May 2014

Mildred: The next generation of OB vans


by Kate Phibbs Issue 87 - March 2014 As live streaming occupies an ever-increasing piece of the broadcast industry pie, todays leaders of the online broadcasting industry are paving the way by investing in original and status quo challenging research and development. The team of engineers at industry leader, 3xScreen Media, kept these principles of...

Submitted by Kate Phibbs
Published 01 April 2014

Ask the Experts: Wireless microphone systems for cameras


by Tobias von Allwrden Issue 86 - February 2014 Wireless microphone systems for cameras are used by ENG crews and reporting teams as well as for TV and film shootings, where compact size, low weight and unobtrusive miking are particularly important. A professional camera receiver like the EK 3241 is designed according to the Unislot or Sony standar...

Submitted by Tobias von Allworden
Published 01 March 2014