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How The SADiE LRX2 Is Making Location Multitrack Recordin...

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Nearly twenty years ago I saw one of the first SADiE Digital Audio Workstations, which were just starting to make their mark as the first cost effective computer sound editor. I was so impressed with the concept that I immediately wanted one, even though I had no professional use for it whatsoever. Most of my work (particularly then) was in TV docu...

Submitted by Dennis Lennie

Published 01 March 2009

Audio acquisition and production

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Remembering the days when the average 'portable' sound recorder was heavy enough to induce a hernia, I have high respect for the capabilities of modern digital audio devices. Not least the solid-state recorders that have emerged as successors to the Sony-originated DAT and MiniDisk formats. But avoid anything that lacks XLR connectors unless you ar...

Submitted by Dennis Lennie

Published 01 February 2009

Audio Technology Spotlight

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In the ever changing world of TV technology, formats, standards and delivery, it’s always been reassuring to think that audio equipment for sound gathering on location hasn’t changed too much. That is, until the last couple of years when the emergence of the now widely used digital solid state recorders, digital transmission radio mic systems, high...

Submitted by Dennis Lennie

Published 01 February 2009

Camera rigs and lighting

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The biggest single story at IBC this year, apart from the usual company-eats-company rumours, was the continuing progress of stereoscopy or '3D' as it is currently undersold. A stereoscopic snapshot may well be 3D (displaying length, width and height) but a stereoscopic movie is in fact 4D as it includes a timeline. John Logie Baird set the stereos...

Submitted by Dennis Lennie

Published 01 January 2009

New developments in mobile HD production

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When widescreen HDTV was first demonstrated back in the 1980s, the pictures were great but the size and price of the kit left much to be desired. Two decades on, broadcast-quality 1080i/720p HD cameras and recorders have reached levels of compactness and affordability that would have seemed impossible in those early days. When I designed the origin...

Submitted by Dennis Lennie

Published 01 January 2009

Behind the scenes at Big Brother 9

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Working 94 days with no day off is a hard task. It’s even harder for the TV equipment that has to keep going round the clock, every day, to keep all the viewing ‘addicts’ supplied with live footage and highlight editions. This is the situation that the Big Brother 9 team finds itself in. For those inside the house, there is actually a means of esca...

Submitted by Dennis Lennie

Published 01 December 2008

London to Capetown, by bike part 1

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South Africans are known for being to the point, so when I was told that I had done the whole thing ‘Arse Backwards’ I wasn’t unduly upset, but I did feel a need to justify the way I had approached this project. I had just arrived in Cape Town and was rather pleased with myself, having just completed a year long journey through some of Africa’s mos...

Submitted by Dennis Lennie

Published 01 October 2008

CTV OB Truck

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Responding to the growing demand for HD broadcasts and with a fleet of already overworked outside broadcast trucks, CTV Outside Broadcast’s newest addition to its fleet, OB 9, is a fully-equipped production facility with the latest in High Definition production, mixing and recording equipment. Targeted squarely at major entertainment and sporting e...

Submitted by Dennis Lennie

Published 01 July 2008