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Plan to be smart at IBC

While chatting with a good friend last week, he told me he was full of foreboding about the coming IBC. It needs no introduction: this conference/exhibition is the largest gathering of broadcast professionals in Europe, and the second largest in the world, and everyone in our world knows about it. Ill give you some statistics later but, for now, le...

Submitted by Peter Savage 2

Published 19 October 2017

TV Futures - Running around for clients

My second year at the University of Portsmouth seemingly began in a familiar fashion to the previous year. We sat in a large lecture theatre and listened intently to our course leader, who gave an outline as to what students on the BSc Television and Broadcasting course should be expect experience-wise from the up-and-coming year. He continued to e...

Submitted by Joseph Long

Published 19 October 2017

Top Tips on becoming an IBC Jedi

IBC is upon us once more. The doors of the RAI will open for the European electronic media and entertainment industry to scrum together to gather inspiration, keep abreast of developments in tech, and generally take the temperature of the industry. With a show of this scale, it's important to plan ahead to make sure that you squeeze every drop of w...

Submitted by Aaron Dunleavy

Published 19 October 2017

5 reasons to use a soft box with LED lighting

LEDs are a highly efficient light source, and putting aside any color spectrum issues, (that have generally been improving) they still have limitations for lighting people. The naked illumination coming off a single emitter, or an array making up a larger fixture, such as a panel, is just not the soft, beautiful glow that we seek for human subjects...

Submitted by James Mathers

Published 19 October 2017

Production Communications in a Shrinking World

Communications today is a critical issueno matter if you are producing broadcast television, doing a live festival or rock concert outdoors, setting up a musical on the West End, or producing a local school play. Over the last few years, the proliferation of cell phones and other wireless devices has made it clear that most people prefer to communi...

Submitted by Gary Rosen

Published 19 October 2017

The party is not over until the video is online

When we were introduced to the team behind Sensation dance events in Amsterdam they had one big question for Timecode Systems: could our SyncBac VR wireless sync and control solution theoretically make it possible for a high quality, professional 360-degree video of a live dance music event to be edited in the time it takes the DJ to fly to his or...

Submitted by Paul Scurrell

Published 19 October 2017

Immersive Audio

In 2012, the Oculus Rift Kickstarter campaign burst onto the scene, initiating a new wave of public interest in sense-enveloping immersive experiences. 5 years later, the consumer reality is mixed with some very public let-downs like Google Glass (which is coincidentally enjoying a re-birth at the time of writing, now as a technical tool in the wor...

Submitted by Jon Schorah - new

Published 19 October 2017

Back to Basics with IP Video Production

Its difficult to attend an industry tradeshow or read a publication without seeing discussions about the technological changes that will impact the broadcast market in upcoming years. These changes include 4K/UHDTV, High Dynamic Range and High Frame Rate video but the transition to an all IP video workflow is regarded as a disruptive technology cha...

Submitted by Michael Waidson

Published 19 October 2017

Audience engagement with advertising in an OTT world

i Adapting to how we advertise in an OTT world starts by reaching audiences on every screen with tailored content. Most consumers viewing habits include multi-tasking and juggling different activities at the same time, particularly the younger viewing audiences who tend to watch in a more fragmented, on-demand manner. The task of monetizing content...

Submitted by Hank Frecon

Published 07 September 2017

Media Production Show and other news

i So, the 2nd Media Production Show has been and gone. Hands up who went to Islington by mistake? I know at least two people who did. Their secret is safe with me! For me, the sign of a great trade show is when I come away really enthused about an innovative use of existing technology or a brand new product. When I find something that combines both...

Submitted by Duncan Payne

Published 07 September 2017

Infrastructure boost with single node storage solutions

i Like other market segments, the motion picture and video production industry is dominated by smaller productions and facilities. Until now, the only option for this portion of the market to take advantage of the performance, fault-tolerance and ease of management of a modern scale-out storage platform was to invest in a storage cluster consisting...

Submitted by Lee Griffin

Published 07 September 2017

A Bluffer Guide to....CMOS

i I like to break my employers\' cameras. For me, there is nothing more exciting than considering a daring location to install a micro camera system. It could be in a trackside breaking board at a motorsport event (culminating in slightly-too-extreme close up of, say, a Porsche bumper) - or a system installed a tad too high up a tree in a jungle (w...

Submitted by Mike Colyer

Published 01 August 2017

Audio at 750mph

i London-based 750mph has recently completed the finishing touches to a massive refit and upgrade of this audio post stalwart\'s Soho HQ which will bring even more, newly immersive, audio online. Following its expansion, 750mph now occupies around 10,000 square feet of studio space and is equipped with nine Fairlight\'s EVO modular console consoles...

Submitted by Sam Ashwell

Published 01 August 2017

Welcome to the world of filming The Island with Bear Gryl...

How do you make a polished television show worthy of broadcast on Channel 4 when the camera operators are starving, dehydrated and sleep deprived? Most of them also have no previous experience of professional filming and are more concerned with finding their next meal than making sure they\'ve got their cameras switched on ready to record. Welcome...

Submitted by Paul Scurrell

Published 19 May 2017

Controlling the Chaos of Remote Uplinks

For Satellite Broadcasters, consumer needs have never been so varied. Audiences are increasingly accustomed to personalisation in every type of content they consume. They now demand, or rather expect to receive breaking news from a scene, content specific to their regions and access to live sporting events held thousands of miles away. As a result,...

Submitted by Roger Franklin

Published 19 May 2017