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Location test equipment


What to look for…. SizeRuggedFast switch on timeLight weightMultiple applications from one unitDaylight readable displayLong Battery lifeSound monitoring as well as videoMountings (when you need both hands!)A number of years ago Hamlet gave itself the impossible task of developing the world’s first 3G, HD and SD capable, video and audio measurement...

Submitted by Dennis Lennie
Published 01 February 2010

Robotic cameras on location


Television is such a natural extension of the human senses that I doubt if more than one viewer in a thousand gives much thought to the effort put into modern programme production. Much of the original push for creative freedom came from outside broadcast crews, initially using turret-mounted optics and later zoom lenses to obtain close-ups of dist...

Submitted by Dennis Lennie
Published 01 February 2010

Broadcasting Audio in 5.1 Format


One of the positive consequences of digital television transmission is the ability to include fully embedded multi channel audio with suitable metadata to control both channel displacement and even sound levels within the domestic environment. While at the receiving end of the transmission chain there are many innovations and protocols to make life...

Submitted by Dennis Lennie
Published 01 January 2010

Film Affect


As shooting on film for TV applications is increasingly being replaced with HD, there is a growing tendency for people to wish to apply film tools and methods to origination when using the electronic medium. However, unless aiming for a specific look that cannot be achieved any other way, it can prove more time consuming and costly to work this way...

Submitted by Dennis Lennie
Published 01 January 2010

Pushing Air- the art of acoustic design


Acoustics is usually regarded (or often disregarded) as a black art that is practiced with no discernable science involved, with a great reliance on ears for measurement and blind faith as a method statement. Nothing could be further from the truth in the professional study of sound, with many practitioners furnished with several degrees and a weal...

Submitted by Dennis Lennie
Published 01 January 2010

Top Tips Audio Monitoring Systems for On-Location Monitor...


1) Audio monitoring systems for on-location monitoring need to be able to handle all formats. This flexibility is crucial for all field applications, in which broadcasters frequently must accommodate a variety of formats, and not always those they anticipated. Formats supported by the audio monitoring system should include 3G/HD/SD-SDI, AES, and an...

Submitted by Dennis Lennie
Published 01 January 2010

Musical matches for your production


The best production you've ever created is in the can. It's time to match your masterpiece with an equally impressive musical soundtrack. But where to start? It's time to dispel the myth that music licensing is complex or expensive and to understand what options are available to you. Firstly, let's get one thing straight. Music, a bit like lunch, i...

Submitted by Dennis Lennie
Published 01 January 2010

The Prism Sound Effect


The Prism Sound Effect. When Prism Sound took over the SADiE brand last year, it embarked on a fact-finding mission to discover why the brand had such a huge and extremely dedicated international user base. This process has been extremely enlightening and has enabled Prism Sound to respond with SADiE 6 - a new product for professional sound editors...

Submitted by Dennis Lennie
Published 01 January 2010

Eye to Eye: Lighting and lighting control


In 1985 I visited the Paris HQ of France Regions 3 with Arthur Garratt, a freelance science broadcaster who worked mainly for BBC World Service. FR3 was one of the first European television networks to make full use of high-efficiency ENG and EFP. We learnt a lot and were able to offer one recommendation in return. Watching a news presentation by t...

Submitted by Dennis Lennie
Published 01 December 2009

A Guide to Testing IPTV: Technologies and Challenges Par...


Throughout this article series we have seen that IPTV network operators face many challenges and explained that effective test and measurement is key to overcoming these challenges. The majority of IPTV networks are still in the early stages of development and operators are therefore primarily concerned with optimising QoS parameters in order to ge...

Submitted by Dennis Lennie
Published 01 December 2009

LED lighting for image creators


Somehow I ended up on a growing number of LED Lighting equipment manufacturers e-mail mailing lists. Most of them were from China, some from the States and elsewhere. They must have thought that, as we supply broadcast, film and video lighting, that we would be interested in LED lighting. They were right. So I used to dutifully reply, asking them q...

Submitted by Dennis Lennie
Published 01 December 2009

New Light in the Forbidden City


IBC 2009’s Production Village was the venue for the launch of a revolutionary new lighting product, the Rotolight ‘Stealth Edition’ RL48 ring-light. Although the show had more than 48,000 visitors and over 1200 exhibitors, Rotolight was listed in the TV-Bay lighting category, featured in the IBC News and the ‘Eye Catcher’ technology report on Amste...

Submitted by Dennis Lennie
Published 01 December 2009

DFX filter software


Tiffen has been manufacturing photographic filters and lens accessories for consumer and professional imaging for over 70 years. Now the company has developed Tiffen DFX, software that offers a range of filters for use with digital images. We believe this makes DFX unique; benefiting from a deep understanding of what glass filters actually do as we...

Submitted by Dennis Lennie
Published 01 December 2009

Lighting the X Factor


It’s Friday morning at a television studio in the shadow of Wembley Stadium’s iconic arch and already there are fans and paparazzi outside waiting to catch a glimpse of their favourite contestants and judges arriving for rehearsals. Now three weeks into the live final shows, nine contestants have reached ‘Rock Week’, once again singing for their li...

Submitted by Dennis Lennie
Published 01 December 2009

Eye to Eye: Content Protection 2009


In the early days of audio and video recording, the limitations of analogue devices provided a fairly high level of content protection by ensuring that any captured signal was either inferior to the original or fairly soon became so. Optical digital media changed all that, allowing practically perfect copies of speech, music, still images and movin...

Submitted by Dennis Lennie
Published 01 November 2009