KitPlus | Articles

New workflows floating on the horizon

The way in which we consume content has fundamentally changed. We want to watch what we want, when we want, where we want and how we want, and we want to find programmes quickly, preferably in HD or increasingly UHD. Content is king and in order to satisfy consumer requirements it is essential media companies can locate their material quickly and e...

Submitted by Lee Sheppard - new

Published 04 April 2017

Streaming and the need for continued innovation

In a fast-changing world, audio producers need to adapt quickly in order to keep up. Media consumption is changing - fast. Almost without anyone noticing, we have passed the tipping point. Only a few years ago we were discussing streaming as an emerging technology; yet now, according to a recent Deloitte survey, streaming has overtaken live TV as t...

Submitted by Jon Schorah - new

Published 04 April 2017

5G Streaming - The Rollout

5G will bring significant improvements in bandwidth per device, capacity per network and reduced latency per session. These are all very important features for video both today and going forward. The growth of new formats such as UHD, AR, VR and 360 video place much greater demand on the networks that serve consumer devices, so 5G will be essential...

Submitted by Steve Plunkett - new

Published 04 April 2017

A Software Based Approach to Video Monitoring

Real-time content monitoring is a mission-critical operation for broadcasters, telecom, and satellite operators. Traditionally, service providers have used monitoring systems based on specialized hardware with a dedicated, fixed interface designed to monitor a specific number of video feeds. Yet, bespoke hardware solutions require a substantial amo...

Submitted by Anupama Anantharaman - new

Published 04 April 2017

DaVinci Resolve Mini Panel from Blackmagic Design - Revie...

Blackmagic\'s new, more affordable control surface for professionals is probably the most perfect panel I\'ve ever used. By Rebecca Goodeve I\'ve been a colourist for a number of years now. I\'ve worked on everything from Pan to the latest Lurpak commercial, and, in that time, I\'ve also had the chance to work with a variety of grading solutions cu...

Submitted by Rebecca Goodeve - new

Published 04 April 2017

A transformation in aquisition technology

KitPlus spoke with Malcolm Harland of Garland Partners to find out how the requirements and capabilities of acquisition technologies have changed since the early 2000s and what the state of play now is. Back in 2004, when you launched Garland Partners, the market was focused on SD and ASI. Since then the pace of change has been immense. Is growth d...

Submitted by Malcolm Harland

Published 15 March 2017

Consumer of the shelf technology is coming

I had the privilege last week of sitting in a strategy session of the Digital Production Partnership where we were concerned with predicting the future. As Niels Bohr once famously said, "Predictions are really hard - especially when predicting the future". One of the attendees made a comment about camera technology and I instantly thought about th...

Submitted by Bruce Devlin

Published 15 March 2017

The now and how of LED Lighting

LED lighting has come a long way from the days when companies like Outsight were ridiculed by major manufacturers at trade shows because, the manufacturers asserted, technology couldn\'t be entrusted with the requirements of our industry. During this time the market has moved from that initial question, "What is LED?\" to "Is LED ready?\" and final...

Submitted by Tama Berkeljon

Published 15 March 2017

The Benefits of LED Lighting in Broadcast

The humble LED studio light has come a long way since its introduction. In the early days adoption was low, while scepticism that the quality and functionality of LEDs could rival traditional tungsten lighting was high. There has been a period of adjustment, challenges (particularly around light quality and manufacturing) overcome and the broadcast...

Submitted by Rod Aaron Gammons

Published 15 March 2017

How to illuminate a better shot

LED (Light Emitting Diode) technology built for the general lighting market is designed to meet very different criteria than the critical lighting requirements for image capture. While LEDs may be a suitable lighting option for some photography and videography, critical applications, such as feature film, production requires users to understand the...

Submitted by Chuck Edwards

Published 15 March 2017

Outside the fixed curriculum

If you\'re wondering whether or not to do some extracurricular work outside of your timetabled course, the answer should always be yes. The more you further your experience and skills the brighter your future will look. As a third year student, studying Television and Broadcasting, I\'m lucky enough to have hands on experience with filming equipmen...

Submitted by Emma Benson

Published 15 February 2017

Mixing console displays - central to usability

Since the introduction of assignable controls on mixing consoles, it has been essential to provide sound engineers with a clear picture of what the function and status is of each fader and other associated controls. Consoles can have over 100 faders. To allow the sound operator to keep track of the function of each panel and its current settings, c...

Submitted by Paul Hooper

Published 15 February 2017

Small post houses delivering a big service

In today\'s fast-paced world of video production, the importance of a well-organized, responsive media asset management system cannot be overstated. After all, time is money, and the more quickly people can find and retrieve the exact content they need, the more quickly they can complete their video projects ¦ and capitalize on the content. This no...

Submitted by Jack Wenzinger

Published 15 February 2017

The future of post production

Love it or hate it, 2016 will certainly be a year to remember, for many reasons. In the world of post-production, we\'ve seen high dynamic range become incorporated into UK studio pipelines for the very first time. We watched Ang Lee demonstrate exactly what you can do by shooting at 120 frames per second in combination with stereo 3D. We\'ve even...

Submitted by KitPlus

Published 15 February 2017

MAM needs to adapt or die

The media landscape has shifted dramatically over recent years. Content providers are under increasing pressure to deliver compelling content to multiple platforms. Also, the production and distribution of video is no longer limited to traditional broadcasters, which face rising competition from a range of media providers. We are also seeing a mass...

Submitted by Tim Child

Published 15 February 2017