KitPlus | Articles

Camera Operations (part 2)

by Peter Leverick Issue 112 - April 2016 In Part 1 (issue 110) I addressed the practical skills required by Camera Operators aspiring to enter the Broadcast TV market. A good camera operator also needs to have good artistic senses and abilities. Like practical skills this is something that is acquired through training and practice. As with all trai...

Submitted by Peter Leverick

Published 25 April 2016

Building Blocks

by Dick Hobbs Issue 112 - April 2016 That is the MIT Media Lab saying, in a typically American academic way, that they want to help producers make better content. That is what you find if you Google "object-based broadcasting". Which is what I did on your behalf this month, because BT Sport - which seems to have taken up the idea of innovation in b...

Submitted by Dick Hobbs.

Published 25 April 2016

Raising the bar at BVE

Azule's Peter Savage managed to drag himself away from his countless BVE meetings (and the show bar) for long enough to discover that ˜easy-to-use' was the tipple of choice at this year's show. Trade shows are funny things. When you arrange a lot of meetings, it is quite easy to spend an entire week at an exhibition and not see any kit or attend an...

Submitted by Peter Savage 2

Published 01 April 2016

Gaining insight in a fragmented broadcast world

by Keith Bedford Issue 110 - February 2016 The proliferation of mobile devices, on-demand content and the fragmentation of viewing habits makes the task of measuring TV audiences and the level of audience participation a bigger challenge than ever before. While the ways that consumers' access content may have changed radically, broadcasters' need f...

Submitted by Keith Bedford

Published 16 March 2016

Out with the new, in with the old

by Peter Savage Issue 110 - February 2016 Out with the new, in with the oldGetting the film look with a digital camera requires the correct lens: and sometimes that means going back in time, writes Peter SavageFor consumers and professionals alike, a digital camera offers convenience and immediacy. But when youre using one to shoot a movie or TV dr...

Submitted by Peter Savage 2

Published 16 March 2016

Are your employees protected while traveling abroad on bu...

by Leighton Chenery Issue 110 - February 2016 Are your employees protected while traveling abroad on business?In a climate of growing global volatility it's no secret that travel risks have increased as we've seen with sad frequency in recent years. When things go wrong in a foreign country they can go very wrong and it can expose employers to majo...

Submitted by Leighton Chenery

Published 16 March 2016

Camera Operation and Training Part 1

by Peter Leverick Issue 110 - February 2016 Question: What is the difference between a Videographer and a Broadcast Cameraman?Answer: About £150/day without kit. This is a borrowed joke from an old friend of mine (name withheld, but thank you John), who was answering a facetious enquiry from a Lighting Director about his own job title compared to m...

Submitted by Peter Leverick

Published 16 March 2016

Staying within a recognisable landscape

by Alan Wheable Issue 110 - February 2016 2015 saw the maturing development of UHDTV 4K signal technologies and a growing agreement that both SDI and IP will exist in their respective strong application areas, as a solid engineering solution to the differing requirements of live signal handling and programme contribution. While the apparent panacea...

Submitted by Alan Wheable

Published 16 March 2016

Ask The Expert- Post Production Supervisor at BBC Studios...

by John Loughman Issue 109 - January 2016 ¢ Tell us about you, your job role at BBC S&PP and what led your career in this direction? I received a BA in Media Production from Cumbria Institute of the Arts. In April of my final year at University, I applied for a Trainee Post Production Assistant role at the BBC and I joined In September 2004. I wor...

Submitted by John Loughman

Published 21 January 2016

Editing broadcast video in a mobile app a ridiculous noti...

by Jason Cowan Issue 109 - January 2016 A trend appears to be developing in broadcast technology development the more ridiculous an idea initially seems, the better the chances are that it will turn the whole industry on its head. Ten years ago editing over an internet connection was a pipe-dream, and the suggestion that broadcast equipment might b...

Submitted by Jason Cowan

Published 21 January 2016

Post Production Companies Protection

by Leighton Chenery Issue 109 - January 2016 The UK Post and VFX industry has some of the most skilled and creative talent in the World attracting work from all over the globe including many of the biggest movies from the US. We all know, however, that problems are not a rarity and whilst nobody might be to blame, you may end up having to make a di...

Submitted by Leighton Chenery

Published 21 January 2016

Broadcast Playout Over IP and in The Cloud

with Don Ash Issue 109 - January 2016 Simon Tillyer: Before we get heavy about IP and the cloud, what is the current state of the broadcast playout business? Don Ash: The transition to server-based systems in recent years has made the entire process of broadcast playout much easier to operate and automate than the tape-based equipment which precede...

Submitted by Don Ash

Published 21 January 2016

Juggling with Broadcast Graphics

by Paul Vanlint Issue 109 - January 2016 If it were just about designing stunning looking titles, life would be simple and Adobe After Effects would probably have the market sewn up. But todays broadcasters and even AV producers have so many factors to juggle with, that anything other than a professional graphics solution is unthinkable. On the one...

Submitted by KitPlus

Published 21 January 2016

Media acquisition and Archive Workflow

by Ryan Jenkins Issue 109 - January 2016 Hello, I am Ryan Jenkins, a third year student at the University of Portsmouth and as part of my final year on the BSc Television and Broadcasting course, I am the Post Production manager for all television teams making live programmes, something we specialise in. My role has thus far seen me design a workfl...

Submitted by Ryan Jenkins

Published 21 January 2016

Riding the TV Marketing and Social Media Wave

with Safiya Pomell and Aislinn Fadian Issue 108 - December 2015 Television is something that has always interested me. My name is Safiya Pomell and my journey into the industry started in 2012 when I joined a specialist school on the broadcasting strand at the age of 15. Being apart of Television and Broadcasting at the University of Portsmouth has...

Submitted by Portsmouth University

Published 15 December 2015