KitPlus | Articles

The 3D titling tango

The further you look into 3D, the more it diverges from 2D. Titling, including lower thirds, on-screen ‘burnt-in’ text and subtitles (aka closed captions) are common features of 2D TV and film presentations and so it’s not unreasonable to expect it to be used in 3D. Placing titles at a suitable position on a 2D display is rarely problematical. Usua...

Submitted by Bob Pank#

Published 01 February 2011

Broadcast Batteries, Today and Tomorrow

As consumers, we all have experience of being let down by batteries (think rusty Italian cars in the 1970s!). But thankfully the world of batteries has moved on: the global battery industry is today worth $71 billion and is estimated to be growing at nearly 5% a year. Of this, broadcast batteries make up a tiny fraction but the manufacturers that s...

Submitted by Bob Pank#

Published 01 February 2011

Expanding Arqiva into HD playout

ATG Broadcast recently completed a major SD to HD upgrade for Arqiva broadcast transmission centre at Gerrards Cross, Buckinghamshire. The expanded system enables Arqiva to process and transmit four fully-operational 1080i HD channels as well as six new SD channels. It includes the installation and equipping of a server-based ingest suite, playout...

Submitted by Bob Pank#

Published 01 December 2010

Does 2D to 3D really work?

It is widely said that 3D has to be done well as, if it’s not, then it actually can hurt the viewer and give 3D a bad name. Certainly there have been big efforts to make good 3D, with Sky going to great lengths to ensure they set a high standard. Unlike the old 3D celluloid films, digital 3D can be a completely stable medium; it does not degrade wi...

Submitted by Bob Pank#

Published 01 December 2010

Deja Vu

3D was everywhere at IBC with a choice of new products on offer for all parts of production. This makes 3D far more accessible as well as easier to produce. It was also clear that interested visitors to the show were no longer swayed by the initial ‘wow’ factor and were trying to see the more important things – notably the economic realities. In th...

Submitted by Bob Pank#

Published 01 November 2010

3D to see at IBC 2010

IBC2010 marks the fourth year when the new wave of Stereoscopic 3D took hold at the show. That’s three years of time for development and implementation. While cinema is racing ahead, taking a good extra percentage of people at the door who pay a 3D premium price – television in Europe is only just beginning. Sky is the pioneer for the UK, going on...

Submitted by Bob Pank#

Published 01 October 2010

Data storage or Media storage

Now I am no techie geek, which in this business could be viewed as a disadvantage, but I do know that in all areas of life the design of the storage container is determined to a large extent by the nature of the thing you want to store. For example, chips (or fries) work in a grease proof paper bag just fine but I like my drinks in a cup, can or bo...

Submitted by Bob Pank#

Published 01 October 2010

Turning walls into Canvases

Christie MicroTiles™ is the new digital canvas. It’s an entirely new, modular display technology that uses elements of DLP®, LED and rear-projection to create unique, visually compelling systems. This is technology that allows architects and retail designers to throw out the supposed rule book on how large format, motion display systems have to wor...

Submitted by Bob Pank#

Published 01 August 2010

Eye to Eye: Video monitoring and displays

Given a decent stereo audio source and a pair of headphones, it is quite easy to imagine that you are actually attending a live performance. Not so with video; human eyes are much more demanding. Fortunately picture display technology is developing very quickly and along many different routes. OLEDsLED-backlit LCDs were about the best screens avail...

Submitted by Bob Pank#

Published 01 August 2010

Getting rid of the horn

I have to start this column with a statement that may, to some readers, be profoundly shocking. I am not much of a football fan. Indeed, writing this in the immediate aftermath of that dismal Sunday when England’s “finest” succumbed pathetically to the might of the German machine, I have to say I did not watch a moment of the match. There was some...

Submitted by Bob Pank#

Published 01 August 2010

3D Diaries Part 2 Cameras and rigs

The idea of S-3D is not hard to grasp: one image for each eyeball. But making it work well enough to maintain the 3D illusion for the viewer is far from simple or straightforward. The fun starts with acquisition that breaks into two types of operation; live (no post production) and not live (with post). Shooting 3D requires acquiring two streams of...

Submitted by Bob Pank#

Published 01 July 2010

Eye to Eye: Acquisition and Production

Back in the days of the Audio Fair which annually graced London's Russell Hotel, my co-hack Frank Jones of Hi-Fi News put his head into the KEF Electronics demonstration room and bellowed the time-honoured question "What's new?"KEF was showing established products that year so its founder, the avuncular Raymond Cooke, responded with his own questio...

Submitted by Bob Pank#

Published 01 March 2010

AVCHD and NXCAM

I’ll be honest – up until recently I had not been a big fan of AVCHD. It promised great things but, having hired out consumer AVCHD cameras for the last few years, we knew there were still a few hurdles for it jump over. For corporate customers, to just ‘plug and play’ in terms of simple playback was impossible – some form of software was always re...

Submitted by Bob Pank#

Published 01 March 2010

Eye to Eye: Whats new in audio 2009

Part of my day at SATIS recently was sent discussing with Neutrik the dodgy issue of sexual compatibility, a subject not mentioned in my report from the show for TV-Bay last month. I had recently invested in a Roland Edirol R-44 solid-state audio recorder. Used in conjunction with four Rode phantom-powered capacitor microphones, it makes an excelle...

Submitted by Dennis Lennie

Published 01 January 2010

SATIS in a day

Aware that several French distributors had pulled out of this year's SIEL & SATIS, I chunnelled to Paris on day two of the October 20-22 show with minimal expectations. The small size of the Guide de Visite (20 pages A5) added to my misgivings but the event itself proved respectably large, crowded and buzzing. Nearly 280 companies occupied stands i...

Submitted by Dennis Lennie

Published 01 December 2009