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Canon C300 MkII Reviewed

The Tech It 's been just over eight months since the release of the updated C300 camera the C300 MkII and almost five years since Vincent Laforet shot Mobius with a pre-production C300. In a landscape dominated by self-shooters and the continued rise of internet video, the C300 perhaps surprisingly like it 's forefather the 5DMkII came to become a...

Submitted by Ben Sherriff

Published 14 June 2016

NAB Review

by Duncan Payne Issue 113 - May 2016 As I emerge from the customary post-NAB haze and try to formulate a coherent analysis of the 2016 show, perhaps the most striking realisation is that despite pacing the halls for four long days, I barely scratched the surface. The scale of the event, much like Las Vegas itself, is simply extraordinary, with over...

Submitted by Duncan Payne

Published 13 May 2016

Remote Production

by Jim Green Issue 113 - May 2016 Ten years ago,remote production was the stuff of dreams,a glimpse into a brave new world. The prospect of providing real-time audio control of live events thousands of miles away,without even leaving the studio,was as enticing as it was unlikely. But broadcasters are already reaping the benefits of remote productio...

Submitted by Jim Green

Published 13 May 2016

The Power Of IP

by Jamie Shepperd Issue 112 - April 2016 There is little doubt that the adoption of IP technology across the broadcast workflow can bring significant benefit to broadcasters. IP is ubiquitous, it\'s based on common standards and broadcast can benefit further from the wealth of expertise and technology that exist in other industries. While we are st...

Submitted by Jamie Shepperd

Published 25 April 2016

Object Audio - whats all the noise about

We all know that getting the audio right makes the pictures better. Anyone who has seen a movie created for Object Audio like Dolby Atmos will know that there is something special about it. To figure out what that is, let's rewind a little and see why we might need it. Remember the good old days of mono audio on TV? Mono audio gives a single channe...

Submitted by Bruce Devlin

Published 01 April 2016

The fushion of content and big data

Today's television viewers have a different set of expectations than they did even just a few years ago. The emergence of smartphones, tablets, and other Internet-connected devices and the subsequent improvements in user-experience has driven viewers to want a more engaging, rich, and interactive television experience, just like they get on their m...

Submitted by Yoav Gaziel

Published 01 April 2016

Getting real with virtual

It's only February (or it is when I am typing this) but already we are suffering from exhibition overload. I did not go to Mobile World Congress, having no real desire to be mugged in Barcelona. But I did look in at BVE somewhere near London where a conversation with an exhibitor and old friend set me thinking. And perhaps wishing I was at Mobile W...

Submitted by Dick Hobbs.

Published 01 April 2016

The work of five viewers with no transcoders

I am a digital imaging technician and editor with more than 15 years of experience in the film and television industry. I have traveled the world working with various production companies on popular network reality series, such as TNT's "72 Hours,\" National Geographic Channel's "Ultimate Survival Alaska,\" and MTV's "Are You The One?\" I'm also th...

Submitted by Randy Mills

Published 01 April 2016

Editing broadcast video in a mobile app a ridiculous noti...

by Jason Cowan Issue 109 - January 2016 A trend appears to be developing in broadcast technology development the more ridiculous an idea initially seems, the better the chances are that it will turn the whole industry on its head. Ten years ago editing over an internet connection was a pipe-dream, and the suggestion that broadcast equipment might b...

Submitted by Jason Cowan

Published 21 January 2016

The 4K Conundrum

by Eric Achtmann Issue 108 - December 2015 2015 has confirmed once more that 4K remains the TV industrys Holy Grail. While 4K TV screens are becoming more affordable and Netflix, Amazon Prime and even YouTube are beginning to offer some 4K content, mass adoption is still sluggish as the increases in bandwidth required for distribution make 4K busin...

Submitted by Eric Achtmann

Published 17 December 2015

Monitoring Q & A

Issue 107 - November 2015 What elements of modern console technology has made a large impact on your craft?Rob Wolifson: Historically, shows were set up differently, you had more time to prepare. For example, if a show was on at noon in one studio, the breakfast show would be done in a different studio, so transitioning from one show to the next wa...

Submitted by KitPlus

Published 01 December 2015

Authoring and Monitoring for the emerging 3D immersive Br...

by Anthony Wilkins Issue 107 - November 2015 The world of broadcast audio is on the verge of a major revolution. Numerous 3D Immersive formats are under development and will find their way into the mainstream of broadcast production and distribution in the near future. Unlike the world of relatively constrained channel based coding as we are accust...

Submitted by Anthony Wilkins

Published 01 December 2015

The beat goes on... 4k, 8k and the continual need for T&a...

by Adam Schadle Issue 107 - November 2015 Just a few short years ago, 4k was the future, but now that 4k televisions and other screens are becoming more widely available, the format is careening toward the present. 4k is still an emerging delivery format, to be sure. After all, there are still places in the world that have yet to transition from SD...

Submitted by Adam Schadle

Published 01 December 2015

AERO.soft - Bringing audio monitoring and processing into...

by Martin Dyster Issue 107 - November 2015 In the past, audio processing and monitoring required the purchasing of multiple, specialized hardware to support each function in the air chain. But now, thanks to the increase in the speed of Ethernet connectivity, and IT-based processing power, many of these same processes can be condensed and supported...

Submitted by Martin Dyster

Published 01 December 2015

Sony PXW-FS5 Review

by Alister Chapman Issue 106 - October 2015 I was lucky enough to get some hands on time with a prototype FS5 in Amsterdam at IBC. In case you havent heard about it, the PXW-FS5 is a compact interchangeable lens, super 35mm camcorder from Sony that can record in HD or UHD 4K. It shares many of the features of the already incredibly popular PXW-FS7...

Submitted by Alister Champman

Published 01 November 2015