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NETGEAR Pro AV Design Team Brings Expert Human Support to...

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What installation barrier is this service meant to overcome? For many AV professionals, moving into IP-based systems introduces complexity they haven’t had to manage before. Choosing the right switch, designing the network, and deploying it correctly can be daunting — especially for those coming from video or audio backgrounds rather than IT. NETG...

Submitted by Simon Tillyer

Published 03 June 2025

The Brutal Kit Environment of Education

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The customerMiddlesex University is a highly successful and progressive University with a modern campus. Ranked No.1 in London overall for career prospects in Film Production and Photography, its portfolio also includes animation, journalism, graphic design and digital media, amongst others. The setupSpeaking to Daniel Sosnowski, Faculty Technical...

Submitted by Peter Savage 2

Published 24 January 2019

Shopping for lenses and more...

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When it came to updating the studio at the University of Surrey, Andy Attwell was looking for manufacturers that would offer more than just a great product. It sounds like a dream job. With the funding secured to update the studio in the Department of Music and Media at the University of Surrey, Guildford, it was time for Television Studio Manager,...

Submitted by Andy Attwell

Published 24 January 2019

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Issue 94 - October 2014Must have or just a dream? Either way these 6 stood out this month Just released is the HERO 4 in two varieties. The Silver has a useful touch screen and 4k at 15fps and the Black shoots 4k at up to 30 fps, has no touch screen but does have upgraded audio amongst other benefits. The new LISHUAI C200S on camera LED light provi...

Submitted by KitPlus

Published 01 November 2014

Capture and Produce

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Issue 93 - September 2014 Amongst all the new cameras, support and other production kit being touted prior to IBC, it was a less tangible announcement that really captured the imagination: Atomos’ announcement that it wants to standardize its Start/Stop Trigger connectivity for HDMI by making it available to other manufacturers. Locking SDI interfa...

Submitted by Will Strauss#

Published 01 October 2014

3D for Cinema, ProAV and Events

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Over more than a century of motion picture presentations there have been periods when 3D has emerged, and each time interest has faded away. The latest 3D wave goes back to the advent of digital technology for cinemas. Digital Cinema Initiatives (DCI) was formed in 2002 and delivered its first DCI Specification in 2005, when Doremi was well ahead w...

Submitted by Bob Pank#

Published 01 January 2013

New editing essentials

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I like to think of myself as a bit of a pioneer at the frontier of the new age of HD Digital Cinematography. Investigating the best of the new technology available to our industry and evaluating its possible impact. I ‘d like to explain the impact of some of the particular examples of this today starting with:-XDCam EX Tapeless HD Camcorders. One w...

Submitted by Dennis Lennie

Published 01 December 2008