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Introducing #TVFUTURES


Issue 82 - October 2013 Will IngramI studied media at GCSE and studied photography and video for a year at AS level before switching to a full time video course. In July 2011, I had a serious downhill mountain bike crash initially rendering me paralysed and having a massive impact on my life. Learning to walk again and rebuilding your body isnt eas...

Submitted by KitPlus
Published 01 November 2013

Feeding a world hungry for instant news and entertainment


by Lorna GarrettIssue 81 - September 2013 It might sound cliche, but it is definitely true: the news never sleeps. With a third of the year still left, 2013 has already seen a host of events that have captured the worlds attention. From the anticipation of a royal baby to the devastation of hurricanes, tornados and bombings, from encounters on the...

Submitted by Lorna Garrett
Published 01 October 2013

Preparing for the future in television and film


“We prepare students for a career in television and film,” says Sean Thornton of Anglia Ruskin University. “As such, the technology we use has to be real-world and broadcast standard.”The Media Services team provides equipment to under- and post-graduate students and operates facilities that include TV and photographic studios, video editing rooms...

Submitted by Kieron Seth#
Published 01 July 2013

Evolving the industry audio monitoring systems


With respect to monitoring, particularly for multiplatform content delivery, how can our facility straddle the divide between baseband and file-based signals?The media industry as a whole is moving toward multiplatform content delivery. This shift includes and affects not only traditional broadcasters and new media outlets, but the content creators...

Submitted by Don Bird
Published 01 June 2013

Final furlong of exhibition season with Peter Savage


Well, here we are again, approaching the final furlong of exhibition season – having back-to-backed BVE and CABSAT, and now planning NAB – and, yes, my liver feels as though it is approaching the final fence at the Grand National. I suspect my wife feels entitled to file for divorce on the grounds of me seemingly having disappeared like Lord Lucan,...

Submitted by Bogdan Frusina
Published 01 May 2013

OTT Market trends and evolutions with Christine Jecko


With Christine Jecko, Director of Value Added Solutions at GLOBECASTWhat are the OTT market trends and evolutions?Over The Top (OTT) video revenue is set to double to $15.1 billion in 2016, up from $7.8 billion in 2012. The number of connectable devices, both mobile and in the home, is growing rapidly; in fact, according to Idate, the installed bas...

Submitted by Christine Jecko
Published 01 May 2013

Live from the supermarket car park


What’s Cooking? is the new daily daytime TV show beamed from a temporary studio in the car park of a supermarket. As chefs prepare dishes live on air, a roving camera crew relays pictures from the aisles of the shop while Channel 4 viewers interact with the presenters and cooks via social media. Produced by Superhero TV, technical integration and i...

Submitted by Kieron Seth#
Published 01 May 2013

Premiere 4K aquisition - LIVE


SIS LIVE recently put together a working group to explore the technology and workflows required to deliver live, 4K, multi-camera event coverage from an outside broadcast unit, which culminated in a field test at St James Park on 2nd February. Working with major camera and equipment suppliers, SIS LIVE has conducted proof of concept tests at base u...

Submitted by KitPlus
Published 01 April 2013

Part 2 following the Ravensbourne 3


Last month in the intro issue I described what I did in the past as a hobby and a hopeful branch of my career. Time-lapse is an integral part of what I do and I am eager to develop my skills in it. I had such a chance at the end of October when I got my hands on a ‘Dynamic Perception Stage Zero’ 6ft Dolly track with MX2 Controller. I felt this was...

Submitted by Kieron Seth#
Published 01 December 2012

An Epic Journey for the Summer Games


With the abundance of international sporting events taking place this summer, broadcast technologies and logistics are being put to the test across the board. Beyond the typical coordination and on site expertise required for broadcasts, many companies face not only longer engagements but aggressive turnaround times and long travel distances betwee...

Submitted by Bob Pank#
Published 01 September 2012

Production Suite at BroadcastShow


We have been developing the Autocue Production Suite, which is designed to replace traditional, individual broadcast devices with a single, integrated system. When combined with our newsroom, prompting and production applications, it offers a cost-effective end-to-end workflow solution. We’ve been working with BroadcastShow over the last few months...

Submitted by Bob Pank#
Published 01 September 2012

The Modern Solution - Just Add Carbon!


Problem. Traditionally, getting in and among the action and seeing the true grit, determination and suffering of sporting competitors - be it filming something such as International Ironman competitions with cross terrain transitions from land through to water and back to land - speeds from a sprint, to a swim to a high speed cycle, Formula One pit...

Submitted by Bob Pank#
Published 01 July 2012

Closed Captioning Comes to IP and Mobile TV


As mobile or IP-based TV becomes increasingly popular with viewers, so will the demand for closed captioning for the deaf or hard of hearing. Lawmakers are already flexing their muscles regarding this issue, with the U.S. federal government enacting regulations making it mandatory for broadcasters to supply closed captioning for IP and mobile progr...

Submitted by Will Strauss#
Published 01 May 2012

BVE 2012 in no particular order.......


The big story at BVE 2012 was BVE 2013. With the Earls Court exhibition site scheduled for redevelopment, BVE relocates next year to the ExCel exhibition site in London’s Docklands. The distance is only about 10 miles but, in the minds of many BVE exhibitors, the move is comparable with moving the NAB Convention to the Mississippi Delta. If you rea...

Submitted by Bob Pank#
Published 01 April 2012

How to choose a Location?


How to choose a Location?Clearly it depends on what your script or brief says so we need some examples to work with:Location 1: two back-gardens with a low fence between them. Script: one householder is envious of his next-door neighbour's new lawn mower. Location 2: a school playground. Script: a cuddly-toy monster is handing out a new range of ch...

Submitted by Bob Pank#
Published 01 April 2012