KitPlus | Articles

EditShare hits the back of the net for french football gi...

by James RichingsIssue 80 - August 2013 Three times winners of Ligue 1, Frances highest football division, LOSC Lille is one of the premier professional sporting clubs in the country and have a sizeable following drawn from across Northern France. Live home games are broadcast for national TV and the club creates content for its own in-house televi...

Submitted by James Richings

Published 01 September 2013

Storage news: Space 4K Duo, the facility goes on location

Issue 80 - August 2013 The 4K location shoot is now commonplace, particularly in film, music video and drama production. However, for digital imaging technicians (DITs) working in the field, UltraHD is extremely problematic. Once data is ingested, replicating the material for insurance purposes can be taxing and the process of offloading files onto...

Submitted by KitPlus

Published 01 September 2013

Bringing increased efficiencies to file-based workflows

by Reed HaslamIssue 80 - August 2013 Most professionals in todays broadcast and media industries can remember a time when the videotape format was ubiquitous. It was the defacto recording, storage, and playback medium for many years, and fragments of the medium still exist today. What clearly contributed to the success of tape is its compact packag...

Submitted by Reed Haslam

Published 01 September 2013

Do you have the computing horsepower you need? XMac Mini...

by Greg LaPorteIssue 80 - August 2013 In high-pressure audio/video production environments, adequate computing horsepower is critical for handling the volume of tracks and channels to be recorded, played back, mixed, edited and streamed. The Apple® Mac Pro® offers great performance and extensibility but its heavy, bulky tower configuration doesnt l...

Submitted by Greg Laporte

Published 01 September 2013

A runaway success at Graduate Fashion Week with Blackmagi...

Issue 79 - July 2013 Encouraging and nurturing raw young talent, Graduate Fashion Week (GFW) is one of the largest international platforms of its kind. Showcasing the future of fashion, over 1,000 aspiring designers descended on London during June for Graduate Fashion Week 2013. Made up of 22 catwalk shows and an exhibition with more than 40 univer...

Submitted by KitPlus

Published 01 August 2013

Will Strauss captures some decent sound gear

Capturing decent location sound requires skill, experience and, as Will Strauss discovered when compiling a list of recent audio acquisition innovations, piles of expensive kit. Although some cameramen might disagree, audio is still the most important thing to get right when on location. The odd dodgy shot can, generally speaking, be sorted in post...

Submitted by Will Strauss#

Published 01 June 2013

Building a live linear streaming channel to reach multipl...

The market for live and on-demand streaming video has exploded in recent years thanks in part to broadband connections and the proliferation of connected devices. A recent survey by The Diffusion Group showed that some 50 percent of online video viewers watch some form of streaming live video at least once a month, and 64 percent said comprehensive...

Submitted by Jennifer Baisch

Published 01 May 2013

An unexpected debate

At the end of last year I went to a screening of The Hobbit, or rather the first volume of The Hobbit, as An Unexpected Journey is the first part of a trilogy. I say I went to a “screening” not because that is the way that we trendy media types talk, but because it was a private showing to some of the great and good of the industry in the UK, organ...

Submitted by Robert Howard

Published 01 March 2013

Finding a Flexible Post Workflow

In the heart of London's Shoreditch is the award winning post-production house – Splice. Specialising in broadcast, commercial and corporate post production, the boutique studio is home to forty full-time employees and a grand display of state-of-the art technology spanning three floors including: two Baselight grading theatres, Avid DS suites and...

Submitted by KitPlus

Published 01 February 2013

Plan Bs Playing with Fire Gets the DaVinci Resolve Treatm...

London-born rapper, singer-songwriter, actor and film director Plan B first hit the hip hop scene with his critically acclaimed debut album Who Needs Actions When You Got Words in 2006. Since then Plan B has released a further two albums, made on-screen film appearances and picked up scores of industry accolades including Best Male Solo Artist at t...

Submitted by Dan Moran

Published 01 February 2013

The joy of field editing

In the world of remote working, cloud storage and instant news, the ability to edit on location at a shoot has become a pre-requisite. Only a few years ago, field editing used to be merely about the quick rough cut, the assembly of proxy files or simply the ingest of media in an edit-friendly format. These days, however, energy efficient, high perf...

Submitted by Kieron Seth#

Published 01 February 2013

3D for Cinema, ProAV and Events

Over more than a century of motion picture presentations there have been periods when 3D has emerged, and each time interest has faded away. The latest 3D wave goes back to the advent of digital technology for cinemas. Digital Cinema Initiatives (DCI) was formed in 2002 and delivered its first DCI Specification in 2005, when Doremi was well ahead w...

Submitted by Bob Pank#

Published 01 January 2013

Call of Duty Black Ops II: World Exclusive First Look Str...

I work a lot in live online broadcasting, and backup systems are top of mind when designing any live event. Being off air for any reason is unacceptable, so I build systems knowing that should something fail, I can easily reroute the signal or switch to another machine. This was on my mind when we were asked to live stream for four straight days at...

Submitted by Will Strauss#

Published 01 January 2013

Video Monitoring Essentials - By Den Lennie

As a DP the video monitor you work with is one of the most important tools on set. I began my career in 1994 shooting television news for Reuters on Betacam SP and it was very rare that I'd get to use a monitor on location. As my career evolved I started shooting more considered pieces and used Sony 9\" tube monitors all flight cased up. I shot the...

Submitted by Kieron Seth#

Published 01 December 2012

Understanding and Managing the Piracy Continuum

Content owners, content distributors and security vendors have traditionally characterized digital “pirates” as a single malicious group with ill intentions. This, however, is seriously short-sighted because it is an overgeneralization that not only overshadows true consumer behavior, but results in misguided piracy mitigation tactics and missed re...

Submitted by Bob Pank#

Published 01 November 2012