KitPlus | Articles

MEDIAPRO leads across the audiovisual value chain

MEDIAPRO is a leading independent production company in Europe’s audiovisual market. Offering a full slate of technical and creative services, our portfolio includes everything from content production, to post production, to media and digital asset management, to the acquisition of sports TV rights, and the distribution and broadcast of television...

Submitted by Marc Andreu Valls

Published 14 November 2019

IBC 2019 A Whistle Stop Rundown

I’ve been to IBC once before, taking to the floor with Simon, Matt, Jon and the rest of the KitPlus team to assist with the filming of interviews. This was a lot of fun, but it was hard to find the time to look at the kit I wanted to see. This year with the demise of BVE and unable to make it to the Media Production Show I decided to fork out for a...

Submitted by Ben Sherriff

Published 03 November 2019

Creating Opportunities For A Diverse and Colourful Future

The creative industry is awash with beautiful designs, animations and incredible imagery, created for one reason – to entertain and capture our imagination. An industry creating such amazing visualisations should represent all viewers, from different backgrounds, beliefs, cultures and orientations. ACCESS:VFX, could be the answer to a more diverse...

Submitted by Alex Humphries-French

Published 03 November 2019

Solving Rigorous Digital Workflow Challenges

Headquartered in New Zealand, The Rebel Fleet offers digital workflow services to top film and television production companies. Clients address broad creative needs and retain total image control across multiple shooting units with fast turnarounds. Recent projects include The Meg, Adrift, Ash vs Evil Dead, and The Shannara Chronicles. The company...

Submitted by Michael Urban

Published 03 November 2019

IBC 2019 Question Time

The media and entertainment industry is in an exciting period of transformation and innovation, and Signiant is thrilled to be in the midst of it. Nowhere was this energy more apparent than at this year’s IBC conference, where we had the opportunity to speak with a wide range of organizations, vendors, and thought leaders to better understand where...

Submitted by Jon Finegold

Published 03 November 2019

Live Streaming Workflows Examined

In today’s hyperconnected world, audiences expect accessible, high quality content across the displays they see every day, whether at home or on the go, at a concert or church service, or even in the board room. There are a number of approaches professionals can take to deliver live content, but each workflow ultimately varies depending upon the de...

Submitted by Bryce Button

Published 03 November 2019

Complex Live Streaming At Scale

On Saturday September 14th in the Content Everywhere Hub Theater at IBC, Zixi hosted a panel featuring partners and customers who have integrated with and utilized the Emmy-winning Zixi software for contribution and distribution of live video over managed and un-managed internet connections. Panelists included: David Griggs, Senior Product Manager,...

Submitted by KitPlus

Published 03 November 2019

IP Technology for Broadcast Audio Routing Systems

As the AoIP debate continues to confuse and delight in equal measure, what is clear is different scenarios require specific solutions. So is there a solution that encompasses open standards and existing proven AoIP technologies to the benefit of all?IntroductionBy definition, network infrastructure (switches, routers and cables) is protocol and tec...

Submitted by Tom Knowles

Published 10 September 2019

Post Production - Keeping Track

One of the most important things to consider when beginning a new edit, is keeping track of where all your various media assets are - not only their location on whichever storage drive you chose to work from, but also where you file them away in your project once imported. In the Avid world this is largely taken care of by the application itself, b...

Submitted by Alex Macleod

Published 10 September 2019

Why MADI is Still Relevant

While the original idea for MADI was to cater to a very narrow recording studio application, the standard remains a viable go-to multichannel audio technology. Beginning as a standard in 1991, MADI was first introduced to the world as digital production was beginning to come of age. MADI was put together in 1988 by Solid State Logic, AMS-Neve, Sony...

Submitted by Stephen Brownsill

Published 10 September 2019

Covering Ironman Australia

KitPlus recently chatted with Stephen Kane, production manager of IRONMAN Oceania in Australia and New Zealand. IRONMAN is one of the leading mass sports brands in the world, consisting of over 260 events across 44 countries including long (IRONMAN and IRONMAN 70.3) and short (Sprint and Olympic) distance triathlons, mountain bike stage racing, roa...

Submitted by KitPlus

Published 10 September 2019

Keeping Pace with the Content Revolution

These are uniquely challenging times for broadcasters and their technical teams. Not only are they having to negotiate the move to IP-based infrastructures and the introduction of new formats and techniques such as 4K and HDR, they are also having to generate more content than ever before to support OTT and web services as well as traditional linea...

Submitted by Kevin Fitzgerald

Published 10 September 2019

Making the Workflow Flow

The toughest things about being the Standards Vice President (SVP) is that everyone expects standards to be the most important thing. In all the systems that I’ve designed and deployed over the years, I've yet to find any production workflow that is 100% standards based. True, the core technologies may well be standards based, but the overall workf...

Submitted by Bruce Devlin - new

Published 16 July 2019

How the Womens World Cup was Boosted by Broadcast

As we write this article, England’s Lionesses have just beaten Norway 3-0 and are smashing viewing figure records, with 6.9 million viewers tuning in to watch them play Cameroon on BBC One. Rewind to the previous World Cup in 2015, and England’s group and early stage knockout games tempted up to 2.5 million viewers for each match. It’s safe to say...

Submitted by John Griffiths

Published 16 July 2019

Industry Ready Broadcasting Students

Cardiff Metropolitan University traces its roots back to 1865, when they opened their first school in an old library. Now Cardiff Met is a global, practice-focused and professionally oriented institution, committed to ensure every student fulfills their potential to make outstanding contributions in their future industries. Cardiff Met is also one...

Submitted by KitPlus

Published 16 July 2019