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Sony PWS-4500 Live Production Server Reviewed


Available since 2016, the Sony PWS-4500 is a solid-state UHD/HD live production server designed for use in applications such as sports, studio or stage events. The target applications are master recording and advanced replay operations for live production companies for whom the server's ability to record the output from high frame rate cameras and...

Submitted by Andy McKenzie
Published 24 January 2019

New developments in remote broadcast cameras


Small, specialist broadcast cameras are doing more work than ever before. David Bradley of BR Remote explains how the operation of cameras is changing to deliver much greater volumes of content, and outlines some of the creative possibilities that next wave of remote technology will bring. Perhaps the greatest challenge facing broadcasters and prod...

Submitted by David Bradley
Published 24 January 2019

State of the Nation - November 2018


There is an interesting seminar called Size Matters at the KitPlus Show – organised by the publishers of this fine magazine – at MediaCityUK in Salford on 6 November. It’s a talk by cinematographer Alistair Chapman on the way that camera technology is changing, and in particular the size of the electronic device which creates the image is growing....

Submitted by Dick Hobbs - new
Published 09 November 2018

GoPro HERO 7 Review


When I heard I was filming a nature restoration project in the pouring rain this week I was excited. WHY? No Cameraman enjoys the rain, surely but this time I was enthusiastic because I knew this would be the perfect opportunity to try out the brand new GoPro Hero 7 Black Edition. Scythes, water, and wildlife that excrete things are not normally co...

Submitted by Tim Bearder
Published 09 November 2018

The Wireless Way to 4k


DTC’s AEON group of products have been specifically designed for the 4K market. We encode with the more efficient HEVC algorithm, which means we are taking a 12G signal and compressing it to a bitrate that can be managed over an RF link. So what makes this a leading idea in the 4K revolution?For a start, sport continues to drive technical innovatio...

Submitted by JP Delport
Published 09 November 2018

AI in Media and Entertainment


Artificial Intelligence (AI) is a term appearing everywhere these days. What is happening in media and entertainment (M&E) that makes the industry ripe for AI? In other words, why does the M&E industry need AI?In virtually every industry, AI is claiming a growing stake in the supply chain, creating both operational enhancements and business efficie...

Submitted by David Candler
Published 09 November 2018

Perimeter LED screens management


Opened in January 2016, Parc Olympique Lyonnais, also known as Groupama Stadium, is the new home of Olympique Lyonnais football club, one of the most popular clubs in France. Since its inauguration, the stadium was a host of UEFA Euro 2016, and was also chosen to stage, among other important events, the 2018 UEFA Europa League Final and football at...

Submitted by Nicolas Houel
Published 08 September 2018

Creating Authentic Content That Counts


We’re deep into the 2010’s and the way in which we consume content has changed forever. Broadcasters and content owners are fighting for eyeballs in a saturated market where consumers are watching their favourite shows on different devices across a number of platforms. To target millennials and younger generations, who generally consume short burst...

Submitted by Frank le Mair
Published 08 September 2018

Fast-moving productions need multi-cam RF reliability


Wireless acquisition creates a level of freedom not possible with any other form of filming yet only a decade ago the technique was barely possible. The technology enabling live real-time connections over radio frequencies has advanced leaps and bounds such that there is barely an entertainment, documentary, sports or news format today that doesn’t...

Submitted by Darren Bilton
Published 08 September 2018

Trade shows and their role in the wired world


Historically trade shows afforded an opportunity to collect the latest brochures relevant to the visitor's chosen industry or career path. Today there seems little reason to store data of any kind, let alone paper brochures, when information is so easily accessible online. Brochure back-packing at exhibitions has become a rare sight, rarer still si...

Submitted by Richard Baker
Published 08 September 2018

Panasonic EVA1 and Atomos Shogun Inferno ProRes Raw Revie...


Filmmakers all over the world are embracing an affordable new route to higher-than-4K video recording. It’s just a few weeks since Atomos enabled support for 5.7K Apple ProRes RAW recording from the Panasonic EVA1 with the Shogun Inferno monitor/recorder, but filmmaker David Fernandes and DP Gregory Bennett have already become the first to use 5.7K...

Submitted by David Fernandes
Published 18 July 2018

Cellular Network Congestion at the Royal Wedding


As with all major events, planning for the Royal Wedding and surveying potential broadcast locations and securing reliable connectivity for video over IP workflows was top of mind for Canada’s Global TV. For major live broadcasts, in particular, when the entire world is watching, an extremely high degree of confidence is crucial because the live fe...

Submitted by Rob Waters
Published 18 July 2018

Will we soon be paying our respects to PayTV


Recent reports show pay TV in the US peaked in 2012 and will keep dropping over the next five years. Digital TV Research’s North America Pay TV Forecasts state the US will see a 20% drop between 2012 and 2023. Should the UK be readying for a similar change in consumer viewing, or is something different happening here?Looking at UK pay TV revenues,...

Submitted by Malcolm Harland
Published 18 July 2018

Artificial Intelligence and Economics


It’s May, so it seems inevitable that this month’s column should be a bit of a reflection on NAB. And it will, in due course. But first, some news which I think is interesting. Cisco, the IT giant, is selling off its video software solutions business. It is being bought by an as-yet unnamed new company, backed by venture capitalist Permira Funds. T...

Submitted by Dick Hobbs - new
Published 07 June 2018

Why is ST2110 important


Presenting to a capacity audience at a joint meeting of the RTS Thames Valley Centre and SMPTE in Reading, research engineer and industry commentator Tony Orme opened the evening with the assertion - “SMPTE’s ST2110 is the most important development to hit broadcast television since John Logie Baird went head to head with EMI-Marconi at the 1936 BB...

Submitted by Penny Westlake
Published 07 June 2018