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League of Legends European Masters


ESL, the world’s largest esports company, relied on a full Blackmagic Design live production workflow at the inaugural League of Legends European Masters tournament. The new league launched this Spring, with the first split taking place in the UK, specifically, at the historic Haymarket Theatre in Leicester. The European Masters tournament is the p...

Submitted by Sam Deans
Published 18 July 2018

Betting Industry Transformed by Video Technology


In the betting and gaming industry, the streaming of live sports from across the globe is a big business. It’s proven that revenues increase when bettors are able to watch the event that they have placed a bet on, providing a far more engaging experience. At Sports Information Services (SIS), we transmit in excess of 620,000 hours of live sports co...

Submitted by chris thornton
Published 07 June 2018

Dynamic display revolution!


Issue 104 - August 2015 Projection mapping and dynamic video displays have transformed live events and performance art. Blended projection and massive video walls have given event directors the ability to deliver a whole new level of creativity to theatre, music and outdoor events. One of the companies at the forefront of this revolution is SNP Pro...

Submitted by KitPlus
Published 01 September 2015

Eye to Eye: Video Post-production


Video post-production has long been one of the fastest developing subsets of the broadcast business. It was among the first to lead the shift from hardware into software, bringing huge advantages in terms of affordability and ease of use. I can still remember the high cost, heavy weight and low quality of the early analogue tape to tape video editi...

Submitted by Bob Pank#
Published 01 January 2015

Manage and Monitor


Issue 94 - October 2014In the month that digital files become the preferred method of delivery for television programmes in the UK, it will come as a blessed relief to many in both post and production that one of the biggest bugbears of file-based delivery – how to deal with insert editing - may have been solved, just in the nick of time. It didn’t...

Submitted by Will Strauss#
Published 01 November 2014

Professional Media Card Readers


by Greg Laporte Issue 94 - October 2014 You\'re on location and you\'re done shooting for the day and you have a sizeable stack of fully recorded memory cards. It\'s a complex shoot, perhaps with multiple cameras from different vendors recording on different memory card formats. Now, how do you get the raw video files from all of those cameras into...

Submitted by Greg Laporte
Published 01 November 2014

Simplifying On Site Workflows


by Greg LaPorte Issue 90 - June 2014 On and off-set high-end post-production demands a new level in processing capability, storage speed, and general computing horsepower to handle the ever increasing standards for digital workflow. Utilizing PCI Express® (PCIe) performance and 20Gbps of throughput, Thunderbolt 2 technology offers the fastest way t...

Submitted by Greg Laporte
Published 01 July 2014

Ooh ahh.. just a little DIT with Will Strauss


by Will Strauss Issue 84 - December 2013 Issue 84 - December 2013 Like the Offshore Windfarm Engineer or the Waste Management Consultant, the Digital Imaging Technician (DIT) is very much a 21st Century profession and one that didnt exist 10 years ago. Generally recruited for a digitally-shot feature film, commercial or TV drama, the role was initi...

Submitted by Will Strauss#
Published 01 January 2014

Flawless fencing technology


by Susan KanwarIssue 83 - November 2013 KABCOM is a leading organiser of competitive fencing events worldwide. Since 1992 they have organised several Olympic Games, many regional competitions such as the Asian, African and Pan-American Games, and a number of World Championships. In addition, they arrange both the Fencing Grand Prix and World Cups a...

Submitted by Susan Kanwar
Published 01 December 2013

Do you have the computing horsepower you need? XMac Mini...


by Greg LaPorteIssue 80 - August 2013 In high-pressure audio/video production environments, adequate computing horsepower is critical for handling the volume of tracks and channels to be recorded, played back, mixed, edited and streamed. The Apple® Mac Pro® offers great performance and extensibility but its heavy, bulky tower configuration doesnt l...

Submitted by Greg Laporte
Published 01 September 2013

Ask the Experts: What Workstation?


Investing in a new computer workstation or high end PC for use with digital video/or and media production can be a daunting task. With so many different manufacturers to choose from, and with a practically endless list of components to select from customers can be left with literally millions of possible choices. Scary if you aren’t a hardware guru...

Submitted by Mike Leach
Published 01 February 2013

Call of Duty Black Ops II: World Exclusive First Look Str...


I work a lot in live online broadcasting, and backup systems are top of mind when designing any live event. Being off air for any reason is unacceptable, so I build systems knowing that should something fail, I can easily reroute the signal or switch to another machine. This was on my mind when we were asked to live stream for four straight days at...

Submitted by Will Strauss#
Published 01 January 2013

A live video streaming advocate


As you may or may not know, I’m a bit of a live video streaming advocate. I love the idea of being able to distribute high quality content via the internet, without the need for huge budgets, licensing, and all the hassle involved more conventional means. I do a lot of live streaming from small venues, and by their very nature is difficult to fit m...

Submitted by Bob Pank#
Published 01 July 2012

Grading across the Atlantic


In the last five years, color correction has made leaps and bounds in terms of the way we grade, the performance capabilities of grading systems and even the locations where we grade. Only a few years ago, color correction suites were isolated rooms that were nearly impossible to connect to other offices or artists. But the color world has changed...

Submitted by Bob Pank#
Published 01 February 2012

RAID SATA Storage System for Music Production


In today’s music industry, it is no longer necessary to have a big studio to produce a hit. This is nothing new to Future Cut Productions, Ltd., a London-based music production studio comprised of Darren Lewis and Tunde Babalola. Utilizing a unique approach, Future Cut produces, mixes, and remixes most of its tracks using only a Mac® Pro in a small...

Submitted by Bob Pank#
Published 01 October 2011