KitPlus | Articles

Networking with the GTC

The annual Guild Of Television Cameramen ( GTC ) Open Day and AGM was held recently in the Oxfordshire countryside on a sunny Sunday. It's a while since I've attended one, and the welcome was as warm and friendly as it always has been. Organisations like these must be incredibly useful for freelance camera operators, most of whom do not attend NAB,...

Submitted by Duncan Payne

Published 14 June 2016

Canon C300 MkII Reviewed

The Tech It 's been just over eight months since the release of the updated C300 camera the C300 MkII and almost five years since Vincent Laforet shot Mobius with a pre-production C300. In a landscape dominated by self-shooters and the continued rise of internet video, the C300 perhaps surprisingly like it 's forefather the 5DMkII came to become a...

Submitted by Ben Sherriff

Published 14 June 2016

A Marathon Filming Review

Issue 113 - May 2016 A marathon filming review... 60+ interviews filmed, edited and promoted within 24 hour... A 26 mile marathon in anyone\'s world is a long way with cobbles, uneven surfaces, steps and thousands of people in your way. However I\'m not talking about the recent London Marathon but our ‘adventures\' at NAB 2016 in Las Vegas. If you...

Submitted by Simon Tillyer

Published 20 May 2016

NAB Review

by Duncan Payne Issue 113 - May 2016 As I emerge from the customary post-NAB haze and try to formulate a coherent analysis of the 2016 show, perhaps the most striking realisation is that despite pacing the halls for four long days, I barely scratched the surface. The scale of the event, much like Las Vegas itself, is simply extraordinary, with over...

Submitted by Duncan Payne

Published 13 May 2016

Our Time At NAB 2016

by Beth Zarkosh Issue 113 - May 2016 We were lucky enough to visit this year\'s NAB Show in Las Vegas, and we must saythere were some real treats on show! Here\'s just a few things that stood out for us and worth keeping your eye on. Virtual Reality & 360 Degree VideosOne thing that really stood out for us was the virtual reality filmmaking devices...

Submitted by Beth Zarkosh

Published 13 May 2016

Raising the bar at BVE

Azule's Peter Savage managed to drag himself away from his countless BVE meetings (and the show bar) for long enough to discover that ˜easy-to-use' was the tipple of choice at this year's show. Trade shows are funny things. When you arrange a lot of meetings, it is quite easy to spend an entire week at an exhibition and not see any kit or attend an...

Submitted by Peter Savage 2

Published 01 April 2016

BVE and London Entertainment Week

BVE NewsIssue 109 - January 2016 BVE, the premier event for the UK broadcast, media and entertainment industries, is thrilled to announce its schedule for 2016, a year that proves to be the most all-encompassing show yet. BVE 2016 welcomes the launch of London Entertainment Week reflecting the expansion into the Pro AV and Live Entertainment Techno...

Submitted by KitPlus

Published 21 January 2016

The key to stability

by Mark Scotton Issue 106 - October 2015 Moving shots dont just enhance video production, they bring it to life and allow the viewer to experience what they are watching. This isnt something new, but the options we now have available to bring productions to life are more varied and readily available than ever before. No longer do you need a Hollywo...

Submitted by Mark Scotton

Published 01 November 2015

7 must sees at IBC 2015

by Beth Zarkhosh Issue 105 - September 2015 IBC, the annual broadcasting event that brings professionals in the media industry together has been running since 1967. Each year brings new excitement and innovation to the event held in Amsterdam. Originally aimed at purely the technical broadcasting industry, IBC (International Broadcast Convention) a...

Submitted by Beth Zarkhosh

Published 01 October 2015

Shoot safe, shoot dynamic

by Nick Allen-Miles Issue 104 - August 2015 Todays craze for shooting from a UAV or drone is not for the faint hearted. Unless used legally and in very limited situations, its a dangerous way of capturing dynamic shots. Wherever people are involved or height restrictions apply, there are more useful ways of filming safely that deliver a more intere...

Submitted by Nick Allen Miles

Published 01 September 2015

DOPs discuss minicams, lenses, 4k and all

by Mel Noonan Issue 100 - April 2015 If anyone knows about the practical reality of using minicams and lenses it has to be the DOPs who are out there using them. We are now seeing minicams used in all areas of production, some with 1080p and 4K capability at prices you would not have believed possible a few years back. I spoke to some of the DOPs I...

Submitted by Mel Noonan

Published 01 May 2015

Sealife - Shooting 4k

by Kieron Seth Issue 98 - February 2015 Since the days of Jacques Cousteau and his Undersea World, marine habitats have fascinated television audiences. From 1972 to 1975 the French explorer and filmmaker brought his excitement and passion for sea life to our screens and have inspired documentary makers since. The films lay bare the lengths the cre...

Submitted by Kieron Seth#

Published 01 March 2015

Venice live productions tools go to the consumer

by Tim Felstead Issue 98 - February 2015 The objective of most studio production is to cost effectively create live or as live television to which audiences will be drawn. During the process of creation, recording into media servers can either be a separate process used only for immediate replay, or can be part of a media workflow serving multiple...

Submitted by Tim Felstead

Published 01 March 2015

Post Production gear guide - what new products to watch o...

by Beth Zarkhosh Issue 97 - January 2015 With 2015 now upon us what better way to start by being in the know with all the latest gear for video editing? We all know the editing process can be a stressful one, so having the right equipment and being organised will help you to become more productive this year. So what\'s new for 2015 in the world of...

Submitted by Beth Zarkhosh

Published 01 February 2015

Eye to Eye: Video Post-production

Video post-production has long been one of the fastest developing subsets of the broadcast business. It was among the first to lead the shift from hardware into software, bringing huge advantages in terms of affordability and ease of use. I can still remember the high cost, heavy weight and low quality of the early analogue tape to tape video editi...

Submitted by Bob Pank#

Published 01 January 2015