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Its a MADI World


At this year’s NAB Show in Las Vegas, 3D solutions were still a hot topic — but one emerging technology threatened to steal the show. In fact, the rapid growth of devices that support the Multichannel Audio Digital Interface (MADI) has more potential for simplifying broadcasting operations than perhaps anything else. But what exactly is MADI and wh...

Submitted by Kieron Seth#
Published 01 June 2011

Transforming Post Production With Content Supply Chain Ma...


These are challenging times for post-production companies and operations. Even the most sophisticated post houses are scrambling to evolve their content chains in the face of game-changing trends: the move from tape- to file-based workflows, the growth of new distribution outlets and windows, and the drive towards same-day-and-date release of major...

Submitted by Bob Pank#
Published 01 May 2011

A day in the life of a Royals videographer


Times have changed; no more phone calls, telexes or faxes, - remember them? Now it’s E-mails; what would we do without them?A quiet day in the office-come-edit-suite, the FCP rendering yet another set of archive clips, and the other Mac illuminated with Thunderbird, when ‘ping’ (the Mac version of “You got mail”) wakes one up from the hypnotic tran...

Submitted by Bob Pank#
Published 01 May 2011

tv-bay questions


Name & TitleChristopher Pitbladdo, Creative Director at DB Creative TVWho are you? (about yourself and DB Creative)?I'm an editor who's been cutting broadcast television documentaries and commercials since 1997. Having spent time living and working in London, I decided to make a lifestyle choice, and go back to my hometown of Edinburgh. DB Creative...

Submitted by Bob Pank#
Published 01 May 2011

What are the most important opportunities and challenges...


What are the most important opportunities and challenges facing the TV industry today?To answer this question we need to look more broadly at consumer behaviour and the changing way people are consuming content. Viewers no longer solely want a passive experience with a TV programme in their front room. They want to watch catch-up TV on a laptop, do...

Submitted by Bob Pank#
Published 01 May 2011

3D Post at NAB, Wimbledon, and more


You may recall that last time 3D Diaries tackled the subject of post production in August 2010, it warned that the ‘fix it in post’ habit was definitely to be avoided. This means shoot it correctly in the first place, as trying to fix errors, especially the 3D ones, in post can get very tricky and, may be expensive. This remains the case even thoug...

Submitted by Bob Pank#
Published 01 May 2011

Why do broadcasters need to take an interest in connected...


Why do broadcasters need to take an interest in connected TV?With ever-increasing amounts of content available, we’re heading towards a world where catch-up TV will enable you to access last week’s content as easily as today’s. This doesn’t mean to say that linear broadcasts are over; I would expect broadcast delivery to continue to dominate and fo...

Submitted by Bob Pank#
Published 01 April 2011

BVE 2011 retrospect


BVE 2011 had much of the buoyancy and buzz of an IBC. The organisers claimed an attendance of over 15,500 visitors and 240 exhibiting companies. Many of the UK-based stalwarts who make the annual pilgrimage to Amsterdam could be seen exploring the show, confirming that BVE is now taken seriously by mainstream broadcasters. It is perhaps over-optimi...

Submitted by Bob Pank#
Published 01 April 2011

Will Youview and IPTV change the face of TV Broadcasting


Youview, and the evolution of Internet Protocol TV (IPTV), are set to have a major impact on the UK broadcasting industry. Youview is the latest evolution of Freeview and Freesat, the Set Top Boxes (STB) that give access to additional channels without a monthly subscription. Freeview gives viewers access to terrestrial broadcasts, while Freesat ena...

Submitted by Bob Pank#
Published 01 April 2011

Ask the experts - Monitoring


What are the latest innovations in monitoring?For both film and broadcast work, in addition to the fact that the picture must be true, without motion artifacts or aliasing, for a lot of applications you can also add that the picture must be processed in real time - less than one frame or one picture in progressive mode – so the main innovations are...

Submitted by Bob Pank#
Published 01 March 2011

Neither a borrower nor a lender be....


Much has been written in the press recently about access to, or more frequently, the absence of funding for small businesses, otherwise known as SMEs (small and medium enterprises). But how do we define a small enterprise and when does a company transition from a small to medium enterprise?The official definitions are as follows: a small company ha...

Submitted by Bob Pank#
Published 01 March 2011

NFTS, the future of digital visionaries


The Confession, a film from The National Film and Television School (NFTS), has recently been nominated for an Academy Award, in the Live Action Short Film category - the second nomination for an NFTS graduation film in this category in the last five years. The success of the film comes days after more than 40 NFTS graduates worked on nominated fil...

Submitted by Bob Pank#
Published 01 March 2011

tv-bay questions


Name & Title?Ben Holmes, Owner and Senior EditorWho are you? (about yourself and EditOut)We're a specialist edit company focusing on editing for Outside Broadcast, as well as some corporate work. What do you do? What does EditOut do?My day-to-day work is as a VT and edit supervisor, producing packages for live TV broadcasts. Edit Out supplies Final...

Submitted by Bob Pank#
Published 01 February 2011

Test Chest 3G and the Baptism of Fire


Murraypro recently received a request from Manchester's Granada Studio Complex to borrow a Test Chest 3G for an evaluation they wished to undertake. While Murraypro were delighted to lend them a demonstration unit for their technical testing, they had no concept of any of the background story developing at the TV Centre. Mr Steve Craddock, Technica...

Submitted by Bob Pank#
Published 01 February 2011

HotTips on how to be a better lighting cameraman.


First up, don’t worry too much about HDFor most of my early career I shot with film, not video, so I usually approach things from a film point-of-view. This means I don’t see an awful lot of difference between SD and HD. In my opinion, the extra definition has more of an impact on the make-up team and the set designers because, regardless of what l...

Submitted by Bob Pank#
Published 01 January 2011