KitPlus | Articles

Girl Power

This month I was going to write about something important about the future technological platforms of our industry. It would have been incisive, enlightening and enriching. It really would have been. But I have just got completely derailed by the discovery of what I hesitate to call a cultural phenomenon. And while it is almost certain that you all...

Submitted by Dick Hobbs.

Published 14 June 2016

Breakthrough

By Julia Belle Issue 113 - May 2016 How do you become a Hollywood Film Producer? Or a Second Assistant Director? Or a Gaffer?Truth is, they’re not particularly straight-forward questions to answer. But that doesn’t mean you should give up there and start working in a jam factory as your school careers advisor recommended. (Not that there’s anythin...

Submitted by Julia Belle

Published 20 May 2016

A Marathon Filming Review

Issue 113 - May 2016 A marathon filming review... 60+ interviews filmed, edited and promoted within 24 hour... A 26 mile marathon in anyone\'s world is a long way with cobbles, uneven surfaces, steps and thousands of people in your way. However I\'m not talking about the recent London Marathon but our ‘adventures\' at NAB 2016 in Las Vegas. If you...

Submitted by Simon Tillyer

Published 20 May 2016

The World Of Risk

by Leighton Chenery Issue 112 - April 2016 For those who follow the World Economic Forum in Davos, the forum provides a fascinating insight into the minds of our top business leaders\' and politicians. Risk was again the topic of the day. From Brexit to China\'s debt issues, from migration to food shortage, oil price to climate change, the discuss...

Submitted by Leighton Chenery

Published 25 April 2016

A virtual world but call it cloud if you must

I prefer not to use the word "cloud". It's useful for eight points in Scrabble, but in broadcasting, if we can still call it that, what you're really describing is storing data on someone else's computer or, on an industrial scale, a whole lot of someone else's computers (data centres). Cloud is just a convenient way of saying "shedload of capacity...

Submitted by Jan Weigner

Published 01 April 2016

The fushion of content and big data

Today's television viewers have a different set of expectations than they did even just a few years ago. The emergence of smartphones, tablets, and other Internet-connected devices and the subsequent improvements in user-experience has driven viewers to want a more engaging, rich, and interactive television experience, just like they get on their m...

Submitted by Yoav Gaziel

Published 01 April 2016

Getting real with virtual

It's only February (or it is when I am typing this) but already we are suffering from exhibition overload. I did not go to Mobile World Congress, having no real desire to be mugged in Barcelona. But I did look in at BVE somewhere near London where a conversation with an exhibitor and old friend set me thinking. And perhaps wishing I was at Mobile W...

Submitted by Dick Hobbs.

Published 01 April 2016

Raising the bar at BVE

Azule's Peter Savage managed to drag himself away from his countless BVE meetings (and the show bar) for long enough to discover that ˜easy-to-use' was the tipple of choice at this year's show. Trade shows are funny things. When you arrange a lot of meetings, it is quite easy to spend an entire week at an exhibition and not see any kit or attend an...

Submitted by Peter Savage 2

Published 01 April 2016

The work of five viewers with no transcoders

I am a digital imaging technician and editor with more than 15 years of experience in the film and television industry. I have traveled the world working with various production companies on popular network reality series, such as TNT's "72 Hours,\" National Geographic Channel's "Ultimate Survival Alaska,\" and MTV's "Are You The One?\" I'm also th...

Submitted by Randy Mills

Published 01 April 2016

Must haves for wireless camera transmission

1. How has OB technology and workflow evolved over the years?In the days of analog, camera operators were basically tethered to the camera via cable. Additionally, when doing a remote transmission the production required line-of-sight to the receive site or to a satellite. It took a small army and lots of hardware to make an on-location shoot happe...

Submitted by John Payne

Published 01 April 2016

How Your iPad Can Help Your Filmmaking

by Beth Zarkosh Issue 110 - February 2016 How Your iPad Can Help Your FilmmakingThe new iPad is a fantastic and innovative tool for practically anything, but now you can rely on it for your filmmaking needs as well. It may not be what Spielberg is using to shoot his next blockbuster, however its rapidly becoming a must-have tool for filmmakers of a...

Submitted by Beth Zarkhosh

Published 16 March 2016

Camera Supports Top Tips

by Mark Scotton Issue 110 - February 2016 Camera Supports Top TipsTip 1 Start with a stable baseNo matter how much money people spend on a camera there always seems to be a temptation to try and cut corners when it comes to tripods. I am not sure why this is the case but it€™s a regular occurrence when talking to people and it results in several pr...

Submitted by Mark Scotton

Published 16 March 2016

Perfect Horizon Camera Stabilizer

by Brian Uranovsky Issue 110 - February 2016 PERFECT HORIZON CAMERA STABILIZERThe Perfect Horizon is an innovative camera stabilizer for land and sea, and regardless of bumpy rides or rough waves, this stabilizing device keeps your horizon perfectly stable. The Perfect Horizon (PH) won an ACADEMY AWARD as well as an EMMY for Engineering and Scienti...

Submitted by BRIAN URANOVSKY

Published 16 March 2016

Broadcast Playout Over IP and in The Cloud

with Don Ash Issue 109 - January 2016 Simon Tillyer: Before we get heavy about IP and the cloud, what is the current state of the broadcast playout business? Don Ash: The transition to server-based systems in recent years has made the entire process of broadcast playout much easier to operate and automate than the tape-based equipment which precede...

Submitted by Don Ash

Published 21 January 2016

How to Deliver Live and VOD UHD Content With Minimum Band...

by Thierry Fautier Issue 108 - December 2015 Consumers are lighting the path toward worldwide acceptance of Ultra HD (UHD). Recent research from Eutelsat Communications revealed that consumers are willing to pay up to 10 a month to benefit from the increased sharpness, immersion and vivid color that UHD content offers. Theyre also willing to invest...

Submitted by Thierry Fautier

Published 17 December 2015