KitPlus | Articles

The Uni Decision

So this month I have been consumed by a dilemma. By nature, I am a very decisive person, but this had me agonising for quite some time. To go to University or not to go. Should I stay or should I go?I never intended to go into the world of media production, it was never my life's ambition to be a production assistant. (Growing up I was more likely...

Submitted by Kieron Seth#

Published 01 July 2011

A novel approach to delivering radio content

Who does a national broadcaster turn to with 9 TV and radio stations, each with 20hrs of daily programmes and a need to deliver them locally and cross continental... In a media rich world where viewers habits are rapidly changing they need to add another dimension to radio while maintaining the 'spirit' of a radio programme. France Tlvisions’ Rseau...

Submitted by Bob Pank#

Published 01 April 2011

The #BVEXPO Great Experiment

NAB, IBC and Broadcast Video Expo share one thing - they play to a global audience for TV and film production, post-production and distribution. It’s not practical to get along to all the shows so there is an increasing trend to report for that global audience. BV Expo is currently the only show without a dedicated multimedia channel. With somethin...

Submitted by Bob Pank#

Published 01 April 2011

Archiving in a Multiplatform Environment

There was a time when broadcasters and media companies worried only about one version of content, destined for one distribution platform. Now, however, the increasing volume, number of versions, and growing complexity of digital media assets has made the management and storage of content a much more challenging undertaking. Media companies today mu...

Submitted by Bob Pank#

Published 01 October 2010

Modern Tools for Test and Measurement in Post Production

Today’s post-production facilities and practically the entire global multimedia industry, face a common issue: how to effectively eliminate the notorious problem of inconsistent loudness being pushed to the absolute limits. Whether it’s a television commercial break or a big-screen movie, there is simply no question, the signal flow should still be...

Submitted by Bob Pank#

Published 01 September 2010

Enabling the fans

The days when a simple hotdog, a pint of beer, a score board and good lungs were the main ingredients of a great day at a football game are soon to be a thing of the past. Mike Arthur, general manager, sports and live events, at Harris Broadcast Communications, talks to TV-Bay Magazine about the advances in technology which will enable interactive...

Submitted by Bob Pank#

Published 01 July 2010

Does one size fits all

Economic realities are driving most technical industries toward considering solutions that combine what began as stand-alone, discrete devices into single, multifunction systems. In the broadcast and multimedia production arenas, character generators (CGs) are among the discrete systems now being offered in multifunction platforms. The assumption i...

Submitted by Bob Pank#

Published 01 June 2010

Aston ON

In August 2009 leading Spanish real-time graphics manufacturer, Brainstorm Multimedia acquired the Aston 7 character generator from the Softel Group. With over 30 years on the market, Aston is one of the most established brands in the business and has been the gold standard in character generation in the United Kingdom for many years – to the exten...

Submitted by Bob Pank#

Published 01 June 2010

Ask the experts on cable

Digital, server-based systems in production, post-production, news gathering and playout bring increased efficiencies and productivity. Nonlinear editing and news gathering allow users to access the same material across a data network. Digits are here and are now dictating the form of cables and connectors, from camera through to playout. What qual...

Submitted by Bob Pank#

Published 01 May 2010

2020 television

Television has proved the most popular and efficient form of human communication since the evolution of speech and the development of the written word. The industry has come a long way in a short time and still has a huge future, whatever the delivery route or the receiving platform. My intention here is to outline the key factors influencing the d...

Submitted by Bob Pank#

Published 01 April 2010

Eye to Eye: Content Protection 2009

In the early days of audio and video recording, the limitations of analogue devices provided a fairly high level of content protection by ensuring that any captured signal was either inferior to the original or fairly soon became so. Optical digital media changed all that, allowing practically perfect copies of speech, music, still images and movin...

Submitted by Dennis Lennie

Published 01 November 2009

Implications of a Tapeless workflow

The rise of ‘Tapeless Workflows’ is dramatically changing the way broadcasters and post-production facilities protect the content they are working on or own. The traditional workflow relies on tapes to record and protect information, usually stored on a shelf to be used again if necessary. However, due to changes in technology and the demands of an...

Submitted by Dennis Lennie

Published 01 November 2009

Converting for displays

Behind every great display there’s a great converter. Ever since television started to go digital in studios and post production, the number of digital formats has grown. For a while the television standards bodies got a grip and succeeded in pulling nearly everyone along the ‘SDI’ track; now itself expanded to HD-SDI and 3G-SDI – carrying a multit...

Submitted by Dennis Lennie

Published 01 September 2009

Tv-bay Digital Signage Special Report IBC2009

Sign of the times at IBCDigital signage – the use of video screens or projectors to create dynamic information and advertising displays – has moved on rapidly from technological showcase and niche market to become a mainstream media. Recent research by Multimedia Intelligence predicts a doubling of the market by 2012, with 2.3 million displays in u...

Submitted by Dennis Lennie

Published 01 September 2009

Eye to eye on Broadcast content management 2009

Content asset management is one of the fastest developing areas of the entire broadcast business. Its advantages over old-style film and videotape libraries are so widely recognised that they hardly need repeating. NAB provided an opportunity to look at new advances from some of the key players. AP introduced a new module for its ENPS 6.0 and 7.0....

Submitted by Dennis Lennie

Published 01 August 2009