KitPlus | Articles

Reaching for 3D

From the opening shot of the Ryder Cup to the Champions League final when Manchester United played Barcelona this year, a stately homes documentary to a Derren Brown magic show, cameraman Chris Taber has been there, filmed it and got the T-shirt. And the reason the camera crane operator has been in demand for so many high-profile jobs? In a word: 3...

Submitted by Bob Pank#

Published 01 January 2012

Sennheiser MKH 8060, 8070 and MKE1 Lapel microphone revie...

Sennheiser recently asked me to review two new MKH series microphones, and a new Lapel MKE 1I had a job coming up and I thought this would be the perfect time to try the two MKH microphones out. The job was a TV commercial. We would shoot on the beach and in Jumeirah Beach Park. For my set up, I decided I would use a PSC Alphamix Mixer, a Sound Dev...

Submitted by Bob Pank#

Published 01 January 2012

Whats new in video monitoring

The great majority of video monitoring displays in any modern broadcast presentation facility are LED-backlit LCDs. Reliable, space-efficient and economical on power, they produce excellent pictures for all but the most critical applications, usually in conjunction with one or more multiviewers to emulate a monitor stack. Domestic television began...

Submitted by Bob Pank#

Published 01 December 2011

Keeping both eyes on the ball

It goes without saying that spectator sports are made for television; of course they are, as can easily be proved by trying to follow a football match on radio. A skilled radio commentator can describe key aspects of the action fairly well but television actually gives viewers the impression that they are sitting in the stadium. Widescreen high def...

Submitted by Bob Pank#

Published 01 September 2011

RIDING THE AUDIO WAVE ON SET OF HAWAII FIVE-O

McGarrett eyes his foe across the beach. After signaling to his trusty sidekick Dano, he jumps on an ATV and the chase is on. Dano jumps on a jet ski and tries to cut off the enemy's escape from the sea. Yet in middle of all this, you can actually hear what they're saying to each other. Ever try to mic somebody on a jet ski? Location sound guys hav...

Submitted by Bob Pank#

Published 01 June 2011

BVE 2011 retrospect

BVE 2011 had much of the buoyancy and buzz of an IBC. The organisers claimed an attendance of over 15,500 visitors and 240 exhibiting companies. Many of the UK-based stalwarts who make the annual pilgrimage to Amsterdam could be seen exploring the show, confirming that BVE is now taken seriously by mainstream broadcasters. It is perhaps over-optimi...

Submitted by Bob Pank#

Published 01 April 2011

The #BVEXPO Great Experiment

NAB, IBC and Broadcast Video Expo share one thing - they play to a global audience for TV and film production, post-production and distribution. It’s not practical to get along to all the shows so there is an increasing trend to report for that global audience. BV Expo is currently the only show without a dedicated multimedia channel. With somethin...

Submitted by Bob Pank#

Published 01 April 2011

True Colours Shine Through With CCS

When you are a broadcast engineer working in front of a stack of LCD monitors, seeing a significant difference between the brightness and colour of each monitor can be both annoying and tiring on the eyes. Worse still, if you in a Master Control Room and the pictures have taken on a sickly green hue, how do you know that it is just the monitors at...

Submitted by Bob Pank#

Published 01 March 2011

NFTS, the future of digital visionaries

The Confession, a film from The National Film and Television School (NFTS), has recently been nominated for an Academy Award, in the Live Action Short Film category - the second nomination for an NFTS graduation film in this category in the last five years. The success of the film comes days after more than 40 NFTS graduates worked on nominated fil...

Submitted by Bob Pank#

Published 01 March 2011

Tape goes West at UWE

Three years ago a convoy of white vans arrived at the Faculty of Arts at the University of West of England in Bristol. An hour later its entire stock of SVHS camcorders, linear editing decks and analog tape were history. In came Adobe Premiere, Final Cut Pro and Panasonic digital camcorders. Now 20 professional tapeless HD camcorders have taken up...

Submitted by Bob Pank#

Published 01 March 2011

The revolutionary PHABRIX SxA.

The revolution in screen technology has seen a massive miniaturisation of most test equipment in the last ten years, and this coupled with a large increase in the amount that can be fitted into a small package courtesy of VLSI has meant that a new breed of hand held test and measurement devices have come onto the market. The PHABRIX Sx range is jus...

Submitted by Bob Pank#

Published 01 March 2011

Using Multipoint Monitoring to Ensure Reliable Digital Vi...

Because the quality and bandwidth-efficiency advantages of digital over analog methods have made digital transport preferred, the world continues its migration to an all-digital approach to delivering video signals – from the studio through distribution networks to the end-viewer. As with any new technology, adopting and integrating digital video d...

Submitted by Bob Pank#

Published 01 March 2011

Lighting Q and A

I AM SETTING UP A STUDIO WHAT IS THE MOST EFFICIENT AND PRACTICLE WAY TO LIGHT IT Modern studios and current camera technologies have changes the way efficient image capture can be achieved. No longer do we need huge 5K and 10K lamps in our small to medium studios, but a new generation of lighting tools is now available, and has actually been aroun...

Submitted by Bob Pank#

Published 01 January 2011

Truth Lies and LEDs

As an emergent technology within film and broadcast over the last six years, LEDs have generated strong opinions for and against, adjudging their capabilities and relative merits, when compared to traditional light sources. Development has seen them grow from the small coloured pinpoints of light on your stereo or TV, to a level where they can prod...

Submitted by Bob Pank#

Published 01 January 2011

As a Videographer do I need a tripod and head

As you know, video has changed radically over the past few years, with even lighter and more compact cameras producing broadcast-quality HD footage. With new equipment opening up new ways to film and encouraging film-makers, videographers and former photographers to cross over their outdated boundaries, comes a need for new supports to match these...

Submitted by Bob Pank#

Published 01 December 2010