KitPlus | Articles

Soutions for Portable Storage

We all know how frustrating it can be to keep losing data because your hard drive keeps packing in, right? So, I 've done my research to help you choose the best portable hard drives with a focus for the 'on the go ' editor of today!1. Coming in at No.1 is the 2TB Seagate Backup Plus Slim. This little beauty weighs 5.6 ounces and is incredibly thin...

Submitted by Beth Zarkosh

Published 14 June 2016

Canon C300 MkII Reviewed

The Tech It 's been just over eight months since the release of the updated C300 camera the C300 MkII and almost five years since Vincent Laforet shot Mobius with a pre-production C300. In a landscape dominated by self-shooters and the continued rise of internet video, the C300 perhaps surprisingly like it 's forefather the 5DMkII came to become a...

Submitted by Ben Sherriff

Published 14 June 2016

Smaller, Lighter, High-Capacity Batteries

Issue 113 - May 2016 The desire for longer run-times from smaller and lighter batteries, has always been keenly felt by users of high power consumption digital cinema style cameras. The new generation of cameras is smaller but the power consumption, in most cases, has increased. High-capacity Li-Ion batteries of 150Wh or more provide longer run-tim...

Submitted by Steve Emmett

Published 20 May 2016

A Marathon Filming Review

Issue 113 - May 2016 A marathon filming review... 60+ interviews filmed, edited and promoted within 24 hour... A 26 mile marathon in anyone\'s world is a long way with cobbles, uneven surfaces, steps and thousands of people in your way. However I\'m not talking about the recent London Marathon but our ‘adventures\' at NAB 2016 in Las Vegas. If you...

Submitted by Simon Tillyer

Published 20 May 2016

TV Futures

by Gemma Frith Issue 113 - May 2016 I used to hate audio. Every time we recorded audio on a location shoot, something seemed to go wrong. It was a nightmare. And because I didn\'t understand it, I avoided it and would do anything to not be responsible for recording sound. However, eventually it got to a point where I hated how much I hated audio mo...

Submitted by Gemma Frith

Published 13 May 2016

Remote Production

by Jim Green Issue 113 - May 2016 Ten years ago,remote production was the stuff of dreams,a glimpse into a brave new world. The prospect of providing real-time audio control of live events thousands of miles away,without even leaving the studio,was as enticing as it was unlikely. But broadcasters are already reaping the benefits of remote productio...

Submitted by Jim Green

Published 13 May 2016

How Your iPad Can Help Your Filmmaking

by Beth Zarkosh Issue 110 - February 2016 How Your iPad Can Help Your FilmmakingThe new iPad is a fantastic and innovative tool for practically anything, but now you can rely on it for your filmmaking needs as well. It may not be what Spielberg is using to shoot his next blockbuster, however its rapidly becoming a must-have tool for filmmakers of a...

Submitted by Beth Zarkhosh

Published 16 March 2016

Camera Operation and Training Part 1

by Peter Leverick Issue 110 - February 2016 Question: What is the difference between a Videographer and a Broadcast Cameraman?Answer: About £150/day without kit. This is a borrowed joke from an old friend of mine (name withheld, but thank you John), who was answering a facetious enquiry from a Lighting Director about his own job title compared to m...

Submitted by Peter Leverick

Published 16 March 2016

New Upmixing Challenges and Strategies for Audio Post-pro...

by Jon Schorah Issue 109 - January 2016 Following the successful introduction of Halo Upmix, NUGEN Audios new upmixing plugin, Creative Director and Co-Founder Jon Schorah reflects on the changing landscape and increasingly complex demands of the modern audio post-production environment. The audio post-production engineer survives in a demanding an...

Submitted by Jon Schorah

Published 21 January 2016

Missing Parts Of The Spectrum

by Graham Jaggers Issue 107 - November 2015 Since the phasing out of conventional filament light bulbs and their replacement with fluorescent and LED, many manufacturers indicate the colour accuracy of their lamps with a CRI (Colour Rendering Index) number. It is possible however, to illuminate a scene using lamps with quite good CRI ratings and ex...

Submitted by Graham Jaggers

Published 01 December 2015

The production desk finally gets innovative

by Kieron Seth Issue 104 - August 2015 The video switcher (aka vision mixer) is at the heart of all live television, all AV and many a live webcast. But despite its core role, its remained essentially the same concept for decades, consisting of a digital video effects processing unit, matrix switcher and control panel. Fundamentally this hardware-b...

Submitted by Kieron Seth#

Published 01 September 2015

Every election counts

by Charlie Watts Issue 102 - June 2015 "We choose to go to the Moon in this decade and do the other things, not because they are easy but because they are hard.\" - JF KennedyThis may seem slightly overblown, but that is how we face things here in the University of Portsmouth. It\'s possibly because we have to try that little bit harder due to our...

Submitted by Charlie Watts

Published 01 July 2015

Moving voiceovers into the 21st century

by Leigh Emmerson Issue 101 - May 2015 There was a time when the only way to get a voiceover for your production was by contacting a voiceover agent who would obligingly send over a CD or two full of voiceover sparkle and you and your client would choose one, schlep on down to a studio and pay a small fortune to sit on a swanky sofa and watch said...

Submitted by Leigh Emmerson

Published 01 June 2015

CALM - A crucial act to follow

by Martin Moore Issue 101 - May 2015 Sudden jumps in sound level between television programmes and commercials first came to the notice of legislators after a loud commercial interrupted a family dinner at the home of US House of Representatives member Anna Eshoo. The technical parameters adopted in the draft were based on an existing recommended p...

Submitted by Martin Moore

Published 01 June 2015

What a difference a decade makes

by Dick Hobbs Issue 100 - April 2015 If you have got to the back of this magazine, you cannot fail to have noticed that it is issue number 100. I asked Simon Tillyer and Matt Robbins, the dynamic duo behind the publication, how it all started. "The website was initially just a project,\" Simon said, "and when Matt arrived in the summer of 2005 we c...

Submitted by Dick Hobbs.

Published 01 May 2015