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Filming from the edge


by Christoph Steuer Issue 88 - April 2014 My role is providing the top shot for all these high dive events, which means that I must rig my Polecam and operate it from a small platform set up even above the divers at around 30m up from the water below. Some locations are more difficult than others, and when I think of the most difficult, Oman in 201...

Submitted by Christoph Steuer
Published 01 May 2014

Mildred: The next generation of OB vans


by Kate Phibbs Issue 87 - March 2014 As live streaming occupies an ever-increasing piece of the broadcast industry pie, todays leaders of the online broadcasting industry are paving the way by investing in original and status quo challenging research and development. The team of engineers at industry leader, 3xScreen Media, kept these principles of...

Submitted by Kate Phibbs
Published 01 April 2014

4k testing in todays world


by Adam Schadle Issue 86 - February 2014 1. With the need to ingest and process video from a number of sources, broadcasters are faced with a multifaceted need to handle all types of formats including 4K. What is your multi-resolution strategy?With the emergence of new compression standards such as High-Efficiency Video Compression (HEVC), which of...

Submitted by Adam Schadle
Published 01 March 2014

Will Strauss looks at 6 reasons why 4k is so special


by Will Strauss Issue 86 - February 2014 4k (or UHD) is everywhere. Whether you want it or not, it is (slowly) permeating the living room - in the form of TV sets - and gradually becoming more commonplace on location and in the studio. Someday soon it will be broadcast in the UK too. As Bob Pank points out on page 56 there are a number of reasons f...

Submitted by Will Strauss#
Published 01 March 2014

Discover DMPCE by Sony


Issue 86 - February 2014The Digital Motion Picture Centre in Europe is located at one of the worlds leading destinations for makers of film, television and commercials: Pinewood Studios in the UK. At DMPC(E) you can develop your craft, experience cutting edge technology and meet with Industry colleagues. The first DMPC was opened in Culver City, Ca...

Submitted by KitPlus
Published 01 March 2014

A new 4k year with Bob Pank


by Bob Pank Issue 85 - January 2014 Throughout 2013 manufacturers were popping up with solutions for 4K which together could take the format all the way from scene to screen. It has been an amazing experience to watch all the technical bricks being developed to complete, well almost, the 4K wall. This rate of progress shows just how fast digital te...

Submitted by Bob Pank#
Published 01 February 2014

Review: DaVinci Resolve 10


by Toby Tomkins Issue 85 - January 2014 Colour grading for me is about the final sculpting of the image, in terms of colour, tone, texture and composition. My goal as a colourist is to push the colour, tone and texture to reflect the desired emotion and story of the image. I choose DaVinci Resolve to be my metaphorical chisel because it has a tools...

Submitted by Toby Tomkins
Published 01 February 2014

Archive eXchange format (AXF) explained


by S Merrill Weiss Issue 85 - January 2014 The proprietary nature of archive storage long has made it challenging for content producers and owners to exchange archive files and media between systems. Thus, when faced with the need either to migrate archives to new generations of storage technology or to consolidate archives, media companies have be...

Submitted by S. Merrill Weiss
Published 01 February 2014

#TVFUTURES


by Danny Hutchings Issue 85 - January 2014 Since introducing myself to tv-bay readers in October I have been working on two major assignments for this year, which are a video production unit based on a 20 minute documentary and a multimedia unit producing a studio-based TV show for exhibition on a range of platforms. These so far among other smalle...

Submitted by Danny Hutchings
Published 01 February 2014

Taking legacy content into the 4K world


by Josef MarcIssue 84 - December 2013 There are 780,000 UHDTVs already manufactured and poised to hit the marketplace, and the effects of those devices (and the factories that continue to make them) are unstoppable. UHDTV and 4K will be everywhere, sponsored by UHDTV manufacturers and content owners. 4K tablets are shipping as well. As the drumbeat...

Submitted by Josef Marc
Published 01 January 2014

Supporting the transition to 4K


by David AckroydIssue 84 - December 2013 Plasma, LCD and LED screen technologies brought broadcasters HD audiences that justified their investment in HDTV. Recent computer monitors, tablets, mobile phones, digital cinema and 3D have driven an explosion in viewing formats. Together they have created an appetite for continued change and development i...

Submitted by David Ackroyd
Published 01 January 2014

Broadcasting from the icy tundra


by BJ KirschhofferIssue 84 - December 2013 Polar Bears International (PBI) is a non-profit organization dedicated to polar bear conservation and educating people about the effects of climate change on the arctic ecosystem. PBIs free educational broadcasts connect scientists in the field with students from all over the world who want to learn about...

Submitted by BJ Kirschhoffer
Published 01 January 2014

The UKs PTZ explosion


by Kieron SethIssue 83 - November 2013 The advent of broadcast quality, remotely controlled PTZ cameras has had an enormous impact on television production in the UK. Not only can cameras now be discreetly placed in virtually any location but they can also be operated a very small team of technicians. This combination of creative freedom and the si...

Submitted by Kieron Seth#
Published 01 December 2013

Streaming Downtown Showdown


by Kate PhibbsIssue 82 - October 2013 With summer well and truly on its way out, what better way to send it off than a trip to Paris to produce and live stream the Vans Downtown Showdown 2013. After the success of producing and broadcasting the Vans Spring Classic in Italy in April, we here at 3xScreen Media knew that Downtown Showdown, Europes lar...

Submitted by Kate Phibbs
Published 01 November 2013

Will Strauss rounds up IBC 2013


by Will StraussIssue 82 - October 2013 Dear Reader. I have a confession. I did not visit every single one of the many hundreds of stands at IBC this year. In fact, I didnt even visit all 11 halls within the RAI. And I didnt talk to all 52,974 attendees. I was there. I have the stroopwafels to prove it. Its just that IBC is a massive show. And I am...

Submitted by Will Strauss#
Published 01 November 2013