KitPlus | Articles

Authoring and Monitoring for the emerging 3D immersive Br...

by Anthony Wilkins Issue 107 - November 2015 The world of broadcast audio is on the verge of a major revolution. Numerous 3D Immersive formats are under development and will find their way into the mainstream of broadcast production and distribution in the near future. Unlike the world of relatively constrained channel based coding as we are accust...

Submitted by Anthony Wilkins

Published 01 December 2015

In media monitoring, as in medicine, a quick fix is not a...

by Simen Frostad Issue 107 - November 2015 A man is rushed to hospital with a suspected heart attack. The priorities of the medical team that treats him are clear: keep the patient alive, contain the damage to the heart as far as possible, stabilise the situation until the patient is out of danger. They work under the pressure of these immediate pr...

Submitted by Simen Frostad

Published 01 December 2015

AERO.soft - Bringing audio monitoring and processing into...

by Martin Dyster Issue 107 - November 2015 In the past, audio processing and monitoring required the purchasing of multiple, specialized hardware to support each function in the air chain. But now, thanks to the increase in the speed of Ethernet connectivity, and IT-based processing power, many of these same processes can be condensed and supported...

Submitted by Martin Dyster

Published 01 December 2015

Sony PXW-FS5 Review

by Alister Chapman Issue 106 - October 2015 I was lucky enough to get some hands on time with a prototype FS5 in Amsterdam at IBC. In case you havent heard about it, the PXW-FS5 is a compact interchangeable lens, super 35mm camcorder from Sony that can record in HD or UHD 4K. It shares many of the features of the already incredibly popular PXW-FS7...

Submitted by Alister Champman

Published 01 November 2015

An alternative power solution

Issue 106 - October 2015 OVERVIEWChuck Walior, Aldis Systems VP & Chief Engineer, attends NAB each year in search of creative, forward-looking solutions to wrap around and support the custom systems he designs for each integration project. He wasnt really looking for an alternative power source when he was introduced to Video Ghost at NAB 2015, but...

Submitted by KitPlus

Published 01 November 2015

7 must sees at IBC 2015

by Beth Zarkhosh Issue 105 - September 2015 IBC, the annual broadcasting event that brings professionals in the media industry together has been running since 1967. Each year brings new excitement and innovation to the event held in Amsterdam. Originally aimed at purely the technical broadcasting industry, IBC (International Broadcast Convention) a...

Submitted by Beth Zarkhosh

Published 01 October 2015

Making multi-camera shooting faster & more affordable

by Datsa Gaile Issue 105 - September 2015 Multi-camera filming has been known for years. There was a time when shooting any production involving multiple-camera positions would require a very large studio budget. Today we have many solutions for live vision mixing and great editing platforms what offer multi-camera editing. As there are so many gre...

Submitted by Datsa Gaile

Published 01 October 2015

Talking Steadicam and Exovest

by David Crute Issue 105 - September 2015 Q: When did you first get into using Steadicam?There were only about 10 UK Steadicam operators when I started, and very few that owned a rig. It was a massive investment for me as a young cameraman. The reason I did it was very simply that I found myself in this unusual position of doing both film and video...

Submitted by David Crute

Published 01 October 2015

Streaming graduation

by Charlie Watts Issue 104 - August 2015 Graduation is a big deal for students, families and for the degree awarding institutions, and so it has been this way in Portsmouth since 1995. Now twenty years later it should come as no surprise that the University of Portsmouth has elevated the Graduation Ceremony Broadcasting Operation into something so...

Submitted by Charlie Watts

Published 01 September 2015

Three days to launch a TV station

by Neil Hutchins Issue 104 - August 2015 We go on-air in less than 100 hours is an alarming statement when the studio and control room in question contain no technical equipment whatsoever. But this was the situation that we faced upon arrival at the new Local TV channel in Manchester for the first time as we began to unload the van late on a Thurs...

Submitted by Neil Hutchins#

Published 01 September 2015

The production desk finally gets innovative

by Kieron Seth Issue 104 - August 2015 The video switcher (aka vision mixer) is at the heart of all live television, all AV and many a live webcast. But despite its core role, its remained essentially the same concept for decades, consisting of a digital video effects processing unit, matrix switcher and control panel. Fundamentally this hardware-b...

Submitted by Kieron Seth#

Published 01 September 2015

Picking the right prompter

by Jon Hilton Issue 104 - August 2015 There is so much choice available today for prompting devices. From phones and tablets to full Broadcast Studios systems and with non-word prompting techniques like Interrotrons becoming popular choosing the best prompting system for your productions needs some serious consideration. 1. The Talent comes first...

Submitted by Jon Hilton#

Published 01 September 2015

Cue Dick Barton Music

by Charlie Watts Issue 103 - July 2015 RUN VT: This time last year the University of Portsmouth course team and students of BSc Television and Broadcasting were recovering from a mammoth charity fundraising 24 hour broadcast. In hindsight this event helped to convey what the course was capable of, and it created an unforgettable milestone moment. I...

Submitted by Charlie Watts

Published 01 August 2015

How we got live streaming to work for us

by Larry Jordan & Megan Paulos Issue 103 - July 2015 We originate three hours of live programming from our studios every week. In fact, everything we do is designed for live web streaming. For the last several months, we have been exploring a number of options that would enable live video streaming with live audio mixing and support an unlimited nu...

Submitted by Larry Jordan#

Published 01 August 2015

On-camera monitors for today and tomorrow

by Paul Isaacs Issue 102 - June 2015 1) Why is monitoring so important for productions?Image quality is a central concern for users of any video product, so monitoring should be one of the foremost considerations for cinematographers and videographers. Along similar lines, the ability of consumer televisions and a range of personal devices to displ...

Submitted by Paul Issacs

Published 01 July 2015