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Seeing things with a 360 viewpoint


One of the benefits of working in teaching support is you often get opportunities to explore and experiment with lots of new kit that has been purchased for teaching or research. I have spent the past couple of years supporting the activities that take place within the Creative and Cultural Industries TV Studios (CCI TV for short) at the University...

Submitted by Michael Parsons
Published 22 July 2016

OTT A Multiscreen Environment


Just when pay-TV operators and content providers seemed to be facing an insurmountable number of challenges related to OTT multiscreen delivery, the cloud has emerged as their saving grace. During this Q&A session, Sefy Ariely, EVP Americas at Viaccess-Orca, discusses the advantages of using a complete cloud-based TV Platform as a Service (PaaS) fo...

Submitted by Sefy Ariely
Published 14 June 2016

Meeting the Challenges of Media Assett Management


It's been 20 years since Microsoft founder Bill Gates uttered the words "content is king,\" and never has that statement been more true in media production environments. And yet, ask producers in any high-pressure broadcast operation to name their biggest challenges, and you can bet that managing video assets - finding them, accessing them, and usi...

Submitted by Dave Clack
Published 14 June 2016

NAB Review


by Duncan Payne Issue 113 - May 2016 As I emerge from the customary post-NAB haze and try to formulate a coherent analysis of the 2016 show, perhaps the most striking realisation is that despite pacing the halls for four long days, I barely scratched the surface. The scale of the event, much like Las Vegas itself, is simply extraordinary, with over...

Submitted by Duncan Payne
Published 13 May 2016

VR and 3D Audio - Ask The Experts


by Pieter Schillebeeckx Issue 113 - May 2016 What\'s the difference between 2D & 3D audio? There are two parts to this question when it comes to audio for VR. The key difference is that 2D is a single horizontal slice,so when we\'re thinking 5.1 or traditional surround sound in a cinema that would be looked at as 2D,whereas 3D adds height informati...

Submitted by Pieter Schillebeeckx
Published 13 May 2016

Sin City


by Dick Hobbs Issue 113 - May 2016 I am writing this is the immediate aftermath of yet another NAB. For me that means a week of walking around,talking to a wide variety of people and taking the temperature of the industry. This year I developed a theory that there were three sorts of companies exhibiting at NAB,or at least three sorts of spokesmen...

Submitted by Dick Hobbs.
Published 13 May 2016

Getting real with virtual


It's only February (or it is when I am typing this) but already we are suffering from exhibition overload. I did not go to Mobile World Congress, having no real desire to be mugged in Barcelona. But I did look in at BVE somewhere near London where a conversation with an exhibitor and old friend set me thinking. And perhaps wishing I was at Mobile W...

Submitted by Dick Hobbs.
Published 01 April 2016

Raising the bar at BVE


Azule's Peter Savage managed to drag himself away from his countless BVE meetings (and the show bar) for long enough to discover that ˜easy-to-use' was the tipple of choice at this year's show. Trade shows are funny things. When you arrange a lot of meetings, it is quite easy to spend an entire week at an exhibition and not see any kit or attend an...

Submitted by Peter Savage 2
Published 01 April 2016

Audio Streaming with Larry Jordan


My wife is addicted to audio podcasts; they are constantly playing throughout the house. In this day of YouTube and Vimeo it is easy to overlook the immense popularity - and ubiquity - of audio podcasts. If you are thinking about creating your own streaming video podcast or channel, a great place to start is with a live audio podcast because, as yo...

Submitted by Larry Jordan#
Published 01 April 2016

The secrets behind live streaming


I made my on air debut at BVE 2016, taking alongside industry legend Larry Jordan. We explored the challenges and benefits of streaming online video and audio. You can find the discussion online, where we cover:When to choose streaming your video and offering it for download When to consider streaming video live? How to monetize your online vide...

Submitted by Thom Holliday
Published 01 April 2016

TV Futures - Streaming


by Danielle Wiltshire and Oliver Ray Issue 111 - March 2016 Hello I\'m Danielle Wiltshire and I am currently in my final year at the University of Portsmouth studying on the specialist course BSc Television and Broadcasting. One of the things I love about my course is that the academics involved are always striving to be ahead of the curve with tea...

Submitted by Danielle Wiltshire
Published 01 April 2016

Gaining insight in a fragmented broadcast world


by Keith Bedford Issue 110 - February 2016 The proliferation of mobile devices, on-demand content and the fragmentation of viewing habits makes the task of measuring TV audiences and the level of audience participation a bigger challenge than ever before. While the ways that consumers' access content may have changed radically, broadcasters' need f...

Submitted by Keith Bedford
Published 16 March 2016

TV Futures


by Lloyd Ashton Issue 110 - February 2016 #TVFuturesUniversity radio is a great starting platform- hearing something being broadcast that started out as a few ideas in a notebook is quite incredible. My name is Lloyd Ashton and I'm currently a third year Television and Broadcasting student at the University of Portsmouth. Over the past three years,...

Submitted by Lloyd Ashton
Published 16 March 2016

Editing broadcast video in a mobile app a ridiculous noti...


by Jason Cowan Issue 109 - January 2016 A trend appears to be developing in broadcast technology development the more ridiculous an idea initially seems, the better the chances are that it will turn the whole industry on its head. Ten years ago editing over an internet connection was a pipe-dream, and the suggestion that broadcast equipment might b...

Submitted by Jason Cowan
Published 21 January 2016

New Upmixing Challenges and Strategies for Audio Post-pro...


by Jon Schorah Issue 109 - January 2016 Following the successful introduction of Halo Upmix, NUGEN Audios new upmixing plugin, Creative Director and Co-Founder Jon Schorah reflects on the changing landscape and increasingly complex demands of the modern audio post-production environment. The audio post-production engineer survives in a demanding an...

Submitted by Jon Schorah
Published 21 January 2016